A New/Old Ontology of Film

McGregor, Rafe (2013) A New/Old Ontology of Film. Film-Philosophy, 17 (1). pp. 265-280. ISSN 1466-4615 DOI https://doi.org/10.3366/film.2013.0015

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The purpose of this article is to examine the ontological effects of digital technology, and determine whether digital films, traditional films, and pretraditional motion pictures belong to the same category. I begin by defining the parameters of my inquiry, and then consider the two most significant consequences of the new technology. §2 proposes a decisive refutation of the causal relationship between reality and photography. §3 identifies an end to the dominance of photorealistic film over animation, and argues for an inversion of that relationship, whereby animation is paramount. Finally, I consider the implications of these consequences for film ontology, compare theories, and conclude in favour of Berys Gaut, for whom digital film is the latest incarnation of a history of moving pictures that stretches back for centuries.

Item Type: Article
Subjects: P Language and Literature > PN Literature (General) > PN1993 Motion Pictures
Divisions: Law and Criminology
Date Deposited: 26 Nov 2018 09:48
URI: http://repository.edgehill.ac.uk/id/eprint/10861

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