Items where Author is "Bradshaw, Michael"

Up a level
Export as [feed] RSS
Group by: Item Type | No Grouping
Number of items: 29.


McInnes, Andrew, Bradshaw, Michael and Van-Hagen, Steve (2018) Introduction: Edgy Romanticism. Romanticism, 24 (1). pp. 113-117. ISSN 1750-0192 DOI

Bradshaw, Michael (2011) Review of Thomas Lovell Beddoes, The Ivory Gate: Later Poems and Fragments, ed. Alan Halsey. The Times Literary Supplement (5660). p. 30.

Bradshaw, Michael (2011) Thomas Hood and the Art of the Leg-Pull. La Questione Romantica: Nuova Serie, 3 (1). pp. 117-129. ISSN 1125-0364

Bradshaw, Michael (2007) Hedgehog Theory: How to Read a Romantic Fragment Poem. Literary Compass, 5 (1). pp. 73-89. ISSN 1741-4113 DOI

Bradshaw, Michael (2005) Imagining Egypt: Walter Savage Landor's Gebir. La Questione Romantica, 12. pp. 49-64.

Bradshaw, Michael (2004) George Darley. The Literary Encyclopedia. ISSN 1747-678X

Bradshaw, Michael (2004) Review of the Performance of Death's Jest-Book. The European Romantic Review, 15 (2). pp. 387-390. ISSN 1050-9585

Bradshaw, Michael (2004) Walter Savage Landor. The Literary Encyclopedia. ISSN 1747-678X

Bradshaw, Michael (2001) Burying and Praising the Minor Romantic: the Case of George Darley. Poetica, 54. pp. 93-106.

Bradshaw, Michael (2000) Critical Biography of Thomas Lovell Beddoes. Literature Online.

Bradshaw, Michael (2000) Reading and Surface in Keats's "The Eve of St Mark". Studies in English and American Literature, 35. pp. 97-115. ISSN 0288-3015

Bradshaw, Michael (2000) Review of Mark Jones, The "Lucy Poems": A Case Study in Literary Knowledge. Romanticism, 6 (2). pp. 286-290. ISSN 1354-991X

Bradshaw, Michael (1999) Beddoes and the Poetics of Fragmentation. Agenda, 37 (2-3). pp. 264-280. ISSN 0002-0796

Book Section

Bradshaw, Michael (2015) 'The Jew on Stage and on the Page: Intertextual Exotic'. In: Morosetti, Tiziana (ed). Staging the Other in Nineteenth-century British Drama. Writing and Culture in the Long Nineteenth Century, 5. Peter Lang, Berlin, Bern, New York, pp. 41-60. ISBN 978-3-0343-1928-7

Bradshaw, Michael (2013) 'The Sleep of Reason': Swamp Thing and the Intertextual Reader. In: Green, M J A (ed). Alan Moore and the Gothic Tradition. Manchester University Press, pp. 121-139. ISBN 9780719085994

Bradshaw, Michael (2012) ‘Centaur Poetics: Interrupted Forms in Thomas Hood’s Lost Classic'. In: Suzuki, Masashi and Niimi, Hatsuko (eds). A Firm Perswasion: Essays in British Romanticism. Sairyusha, Tokyo, pp. 213-236. ISBN 978-4-7791-1775-6

Bradshaw, Michael (2012) Landor, Walter Savage, Imaginary Conversations. In: Burwick, Frederick, Moor Goslee, Nancy and Long Hoeveler, Diane (eds). The Encyclopedia of Romantic Literature. Blackwell, Oxford, pp. 772-776. ISBN 9781405188104

Bradshaw, Michael (2012) Elizabethan Style in Drama. In: Burwick, F., Moore Goslee, N. and Long Hoeveler, D. (eds). The Encyclopedia of Romantic Literature. Blackwell, Oxford, pp. 415-421. ISBN 9781405188104

Bradshaw, Michael (2010) Third-generation Romantic poetry: Beddoes, Clare, Darley, Hemans, Landon. In: O'Neill, M. (ed). The Cambridge History of English Poetry. Cambridge University Press, Cambridge, pp. 542-560. ISBN 978-0521883061

Bradshaw, Michael (2010) Staging Acts of Union in George Darley's Sylvia; or, The May Queen. In: Angeletti, G. (ed). Emancipation, liberation and freedom. Romantic drama and theatre in Britain (1760-1830). Saperi. L'eredità di Babele (7). Monte Università Parma, Parma, Italy, pp. 147-170. ISBN 9788878473195

Bradshaw, Michael (2009) Reading as Flight: Fragment Poems from Shelley’s Notebooks. In: Weinberg, A. M. and Webb, T. (eds). The Unfamiliar Shelley. The Nineteenth Century. Ashgate, Farnham, Surrey, pp. 21-40. ISBN 9780754663904

Bradshaw, Michael (2008) ‘Bloody John Lacy’:The London Magazine and the Doldrums of English Drama. In: Hull, S. (ed). The British Periodical Text, 1797-1835. Humanities eBooks, Tirril, CA, pp. 121-142. ISBN 978-1-84760-081-3

Bradshaw, Michael (2007) The Jest-Book, the Body, and the State. In: Berns, U. and Bradshaw, M. (eds). The Ashgate research companion to Thomas Lovell Beddoes. The Nineteenth Century Series. Ashgate, Aldershot, pp. 67-80. ISBN 978-0-7546-6009-5

Bradshaw, Michael (2000) English in the Electronic Age: A World Language? In: UNSPECIFIED (ed). English II (JWU correspondence course book). Japan Women's University.

Bradshaw, Michael (1999) ‘Resurrecting Thomas Lovell Beddoes’. In: Ruston, Sharon (ed). The Influence and Anxiety of the British Romantics: Spectres of Romanticism. Salzburg Studies in English Literature. Edwin Mellen, Lampeter, pp. 139-157. ISBN 0773479996

Bradshaw, Michael (1996) ‘Mary Shelley’s Last Man (The End of the World as We Know It)’. In: Stockwell, Peter and Littlewood, Derek (eds). Impossibility Fiction: Alternativity – Extrapolation – Speculation. Rodopi Perspectives on Modern Literature. Rodopi, Amsterdam and Atlanta, pp. 163-176. ISBN 9042000325


Bradshaw, Michael, ed. (2016) Disabling Romanticism: Body, Mind, and Text. Literary Disability Studies, XV. Palgrave Macmillan, Basingstoke. ISBN 978-1-137-46063-9

Bradshaw, Michael (2001) Resurrection songs: the poetry of Thomas Lovell Beddoes. The Nineteenth Century Series. Ashgate, Aldershot. ISBN 9780754601036