Items where Author is "Evans, Owen"

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Number of items: 35.

Evans, Owen (2018) Building Bridges: Fatih Akin and the Cinema of Intercultural Dialogue. In: Harvey, James (ed). Nationalism in Contemporary Western European Cinema. Palgrave Macmillan, London, pp. 145-167. ISBN 978-3-319-73666-2 DOI https://doi.org/10.1007/978-3-319-73667-9

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Evans, Owen (2017) ‘Humphrey Jennings: Of Images, Poetry and Pandaemonium’. In: Newland, Paul and Hoyle, Brian (eds). British Art Cinema. Manchester University Press, Manchester. ISBN 9781526100870 (In Press)

Evans, Owen (2016) ‘Going Underground: Margins, Dreams and Dark Spaces in Nimród Antal’s Kontroll (2003)’. In: Huskinson, Lucy (ed). The Urban Uncanny: A Collection of Interdisciplinary Studies. Routledge, London and New York, pp. 18-33. ISBN 978-1-138-92951-7

Evans, Owen (2013) Memory, Melodrama and History: The Return of the Past in Contemporary Popular Film in Germany. In: Sundholm, John, Mithander, Conny and Velicu, Adrian (eds). European Cultural Memory Post-89. European Studies - An Interdisciplinary Series in European Culture, History and Politics (30). Rodopi, Amsterdam and New York, pp. 241-269. ISBN 9789042036185

Evans, Owen (2012) Memories, Secrets and Lies: The Emotional Legacy of the GDR in Christian Schwochow’s Novemberkind (2008). In: Saunders, Anna and Pinfold, Debbie (eds). Remembering and Rethinking the GDR : Multiple Perspectives and Plural Authenticities. Media and Culture. Palgrave Macmillan, Basingstoke, pp. 214-228. ISBN 9780230360570 DOI https://doi.org/10.1057/9781137292094.0023

Evans, Owen (2012) “Ein Botschafter des Vergessenen”: Günter de Bruyn, the Chronicler. In: Clarke, David and Goodbody, Axel (eds). The Self in Transition: East German Autobiographical Writing Before and After Unification. German Monitor (75). Rodopi, Amsterdam and New York, pp. 185-197. ISBN 9789042035935

Evans, Owen (2011) ‘Wonderfully Courageous’?: The Human Face of a Legend in Sophie Scholl: Die letzten Tage/Sophie Scholl: The Final Days (2005). In: Homewood, Christoper and Cooke, Paul (eds). New Directions in German Cinema. I.B. Tauris, London and New York, pp. 57-76. ISBN 9781848859081

Evans, Owen (2010) ‘”Bloody Germans! They can’t take a joke, can they?”: The Impact of Humour in Recent German Film’. In: Haines, Brigid, Parker, Stephen and Riordan, Colin (eds). Aesthetics and Politics in Modern German Culture: Festschrift in Honour of Rhys W. Williams. Peter Lang, Oxford, pp. 195-207. ISBN 978-3-03911-355-2

Evans, Owen and Harper, Graeme (2010) Editorial. Studies in European Cinema, 7 (1). pp. 3-4. ISSN 17411548 DOI https://doi.org/10.1386/seci.7.1.3_2

Evans, Owen and Harper, Graeme (2010) Editorial. Studies in European Cinema, 7 (2). pp. 91-94. ISSN 17411548 DOI https://doi.org/10.1386/seci.7.2.91_2

Evans, Owen and Harper, Graeme (2010) Editorial. Studies in European Cinema, 7 (3). pp. 173-176. ISSN 17411548

Evans, Owen and Harper, Graeme (2009) Editorial. Studies in European Cinema, 6 (2/3). pp. 93-96. ISSN 17411548 DOI https://doi.org/10.1386/seci.6.2-3.93/2

Evans, Owen and Harper, Graeme (2009) Editorial: A European Imaginary. Studies in European Cinema, 6 (1). pp. 3-6. ISSN 17411548 DOI https://doi.org/10.1386/seci.6.1.3/2

Evans, Owen (2008) Editorial. Studies in European Cinema, 5 (3). pp. 157-160. ISSN 17411548 DOI https://doi.org/10.1386/seci.5.3.157_2

Evans, Owen and Harper, Graeme (2008) Editorial. Studies in European Cinema, 5 (1). pp. 3-6. ISSN 17411548

Evans, Owen (2007) Border Exchanges: The Role of the European Film Festival. Journal of Contemporary European Studies, 15 (1). pp. 23-33. ISSN 1478-2804 (Print), 1478-2790 (Online) DOI https://doi.org/10.1080/14782800701273318

Evans, Owen and Canning, Elaine (2007) Introduction: Films without Frontiers. Studies in European Cinema, 4 (3). pp. 163-166. ISSN 17411548 DOI https://doi.org/10.1386/seci.4.3.163_2

Evans, Owen (2006) Mapping the Contours of Oppression: Subjectivity, Truth and Fiction in Recent German Autobiographical Treatments of Totalitarianism. Amsterdamer Publikationen zur Sprache und Literatur. Rodopi, Amsterdam and New York. ISBN 978-9042017191

Evans, Owen and Harper, Graeme (2006) Editorial. Studies in European Cinema, 3 (1). pp. 3-6. ISSN 17411548 DOI https://doi.org/10.1386/seci.3.1.3/1

Evans, Owen and Harper, Graeme (2006) Editorial. Studies in European Cinema, 3 (2). pp. 89-92. ISSN 17411548 DOI https://doi.org/10.1386/seci.3.2.89_2

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Evans, Owen (2006) Taking Stock of the Wende on Screen: Michael Klier’s Ostkreuz (1991) and Hannes Stöhr’s Berlin is in Germany (2001). German as a Foreign Language (1). pp. 60-75. ISSN 1470-9570

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Evans, Owen (2005) ‘“Denn wir sind anders”: Zonenkinder in the Federal Republic. German as a Foreign Language (2). pp. 20-33. ISSN 1470-9570

Evans, Owen and Harper, Graeme (2005) Editorial. Studies in European Cinema, 2 (1). pp. 3-6. ISSN 17411548 DOI https://doi.org/10.1386/seci.2.1.3/2

Evans, Owen and Harper, Graeme (2005) Editorial. Studies in European Cinema, 2 (2). pp. 77-80. ISSN 17411548 DOI https://doi.org/10.1386/seci.2.2.77/2

Evans, Owen (2004) Tom Tykwer’s Run Lola Run: Postmodern, post-human or post-theory? Studies in European Cinema, 1 (2). pp. 105-115. ISSN 17411548 DOI https://doi.org/10.1386/seci.1.2.105/0

Evans, Owen and Harper, Graeme (2004) Editorial. Studies in European Cinema, 1 (1). pp. 3-6. ISSN 17411548 DOI https://doi.org/10.1386/seci.1.1.3/0

Evans, Owen (2004) Living in the Past? Günter de Bruyn, Prussia and the Mark Brandenburg. In: Preece, Julian and Durrani, Osman (eds). Townscapes and Countryside in Contemporary German Writing. Peter Lang, Oxford, pp. 225-241.

Evans, Owen (2003) ‘“The Most Painful Poetry I Know”: Uwe Saeger and Georg Trakl's “Grodek”. In: Bushell, Anthony and Siefken, Hinrich (eds). Experiencing Tradition: Essays of Discovery. Ebor Press, pp. 214-219. ISBN 978-1850722946

Evans, Owen (2003) Telling Tales: Moral Responsibility and the Stasi in Uwe Saeger’s Die Nacht danach und der Morgen. In: Plowman, Andrew and Cooke, Paul (eds). German Writers and the Politics of Culture: Dealing with the Stasi. New Perspectives in German Political Studies. Palgrave, pp. 121-138. ISBN 9781403913265

Evans, Owen (2000) Hope for the Future?: Günter de Bruyn’s Neue Herrlichkeit und Christoph Hein’s Der Tangospieler. In: Jackman, Graham (ed). Christoph Hein in Perspective. Rodopi, pp. 77-94. ISBN 978-9042014923

Evans, Owen (1999) 'Schlimmeres als geschah, hätte immer geschehen können': Günter de Bruyn and the GDR in Vierzig Jahre. In: Tate, Dennis (ed). Günter de Bruyn in Perspective. Rodopi, Amsterdam, pp. 171-188. ISBN 978-9042005662

Evans, Owen (1998) Bibliography 1990-98. In: Haines, Brigid (ed). Herta Müller. University of Wales Press, Cardiff, pp. 126-153.

Evans, Owen (1997) "Für mich ist er früh schon wichtig gewesen": How Heinrich Böll Gave Günter de Bruyn a Helping Hand. In: Huber, Lothar and Conard, Robert (eds). Heinrich Böll on Page and Screen. University of London, Institute for Germanic Studies, London, pp. 125-132. ISBN 978-0854571871

Evans, Owen (1996) ‘Ein Training im Ich-Sagen': Personal Authenticity in the Prose Work of Günter de Bruyn. European University Studies, Series 1: German Language & Literature. Peter Lang, Berne. ISBN 978-3906756141