Items where Author is "Mollaghan, Aimee"

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Mollaghan, Aimee (2015) ‘The Rest is Silence’:Psychogeography, Soundscape and Nostalgia in Pat Collins’ Silence. The New Soundtrack, 5 (2). pp. 121-132. ISSN 2042-8855 DOI https://doi.org/10.3366/sound.2015.0074

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Mollaghan, Aimee (2014) Audio-visual moiré patterns: Phasing in Guy Sherwin’s Optical Sound films. The Soundtrack, 7 (1). pp. 47-57. ISSN 17514193 DOI https://doi.org/10.1386/st.7.1.47_1

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Mollaghan, Aimee (2011) “An Experiment in Pure Design:” The Minimalist Aesthetic in the Line Films of Norman McLaren. Animation Studies Journal, 6. pp. 26-33. ISSN 1930-1928

Book Section

Mollaghan, Aimee (2017) ‘Rebalancing the Picture/Sound Relationship: the Audiovisual Compositions of Lis Rhodes’. In: Rodgers, Holly and Barham, Jeremy (eds). The Music and Sound of Experimental Film. Oxford University Press, Oxford, pp. 205-218. ISBN 9780190469900

Mollaghan, Aimee (2017) Rebalancing the Picture-Sound Relationship: the Audiovisual Compositions of Lis Rhodes. In: Rogers, Holly and Barham, Jeremy (eds). The Music and Sound of Experimental Film. Oxford University Press, Oxford, pp. 205-218. ISBN 0190469897

Book

Mollaghan, Aimee (2015) The Visual Music Film. Palgrave Macmillan, Basingstoke. ISBN 978-1-137-49281-4