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Number of items at this level: 307.

A

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Andrews, Hannah (2016) BBC Four biopics: Lessons in Trashy Respectability. Journal of British Cinema and Television. ISSN 1743-4521

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Andrews, Hannah (2017) Distorted Recognition: the pleasures and uses of televisual historical caricature. Screen. ISSN 0036-9543 (In Press)

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Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397 DOI https://doi.org/10.1080/19392397.2017.1311634

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Andrews, Hannah (2014) ‘More than a Television Channel’: Channel 4, FilmFour and a failed convergence strategy. VIEW: Journal of European Television History & Culture, 3 (6). pp. 5-13. ISSN 2213-0969

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Andrews, Hannah (2014) Television and British Cinema: Convergence and Divergence since 1990. Palgrave Macmillan.

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Andrews, Hannah (2016) Women We Loved: Paradoxes of public and private in the biographical television drama. Critical Studies in Television. pp. 1-16. ISSN 1749-6020 DOI https://doi.org/10.1177/1749602016682750

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Balch, Alex, Balabanova, Ekaterina and Trandafoiu, Ruxandra (2014) A Europe of Rights and Values? Public Debates on Sarkozy's Roma Affair in France, Bulgaria and Romania. Journal of Ethnic and Migration Studies, 40 (8). pp. 1154-1174. ISSN 1369-183X DOI https://doi.org/10.1080/1369183X.2013.854691

Balch, Alex, Balabanova, Ekaterina and Trandafoiu, Ruxandra (2014) Normative Europe and the Roma Issue in the Romanian and Bulgarian Press. In: Lievrouw, Leah A. (ed). Challenging Communication Research: Selected Papers from the International Communication Association Annual Conference, 2013. ICA International Communication Association. Annual Conference Theme Book Series (1). Peter Lang, New York, pp. 61-75. ISBN 9781454196402 DOI https://doi.org/10.3726/978-1-4539-1273-7

Barrett, Jenny (2016) A Cop in a Cowboy Hat: Timothy Olyphant, a Postmodern Eastwood in Justified. In: Broughton, Lee (ed). Critical Perspectives on the Western: From A Fistful of Dollars to Django Unchained. Rowan & Littlefield, Lanham, MD, United States, pp. 89-101. ISBN 978-1442272422

Barrett, Jenny (2013) Glory, Glory: Hollywood's Consensus Memory of the American Civil War. In: Morgan, Iwan W. and Davies, Philip J. (eds). Reconfiguring the Union: Civil War Transformations. Studies of the Americas. Palgrave Macmillan, New York, pp. 201-219. ISBN 9781137336477

Barrett, Jenny (2015) A Mighty Spectacle, A Despicable Film: The Fate of The Birth of a Nation. A Mighty Spectacle, A Despicable Film: The Fate of The Birth of a Nation, 12/11/15, The Bluecoat, Liverpool.

Bingham, Adam (2011) Apocalypse Now: Images of The End in the Cinema of Ingmar Bergman. In: Selavy, Virginie (ed). The End: An Electric Sheep Anthology. Strange Attractor Press, London, pp. 236-250. ISBN 9781907222023

Bingham, Adam (2012) Magic in the Attempt: Before Sunset and a Legacy of Criticism. CineAction, 87. pp. 58-61. ISSN 0826-9866

Blake, Charlie, Molloy, Claire and Shakespeare, Steven (2012) Introduction. In: Blake, Charlie, Molloy, Claire and Shakespeare, Steven (eds). Beyond Human: From Animality to Transhumanism. Continuum. ISBN 9781441173997

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Boschi, Elena (2014) Sexuality and the Nation: Urban Popular Music and Queer Identities in Krámpack. Quaderns de Cine, 9. pp. 87-95. ISSN 1888-4571 DOI https://doi.org/10.14198/QdCINE.2014.9.10

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Boschi, Elena (2016) ‘Where you from, you sexy thing?’ Popular Music, Space, and Masculinity in The Full Monty. Journal of British Cinema and Television, 13 (4). pp. 516-535. ISSN 1743-4521 DOI https://doi.org/10.3366/jbctv.2016.0338

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Boschi, Elena and Geraghty, Christine (2016) Introduction: Gender, Ageing, and Sexuality in British Cinema After Thatcher. Journal of British Cinema and Television. ISSN 1743-4521 DOI https://doi.org/10.3366/jbctv.2016.0337

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Busby, Robert and Hoey, Paddy (2018) Le Tea Party Français: the Bonnets Rouges, the Tea Party and mirror movements of grassroots protest. Journal of Comparative Politics, 11 (1). pp. 84-96. ISSN 1338-1385

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Carman, Emily and Drake, Philip (2015) Talent Contracts in Hollywood. In: McDonald, Paul, Hoyt, Eric, Carman, Emily and Drake, Philip (eds). Hollywood and the Law. British Film Institute, pp. 209-234. ISBN 9781844574773

Cohen, Annabel J. and Ludke, Karen M. (2016) Digital libraries for singing: The example of the AIRS project. In: Graham, Welch, Howard, David M and Nix, John (eds). The Oxford Handbook of Singing. Oxford University Press. ISBN 9780199660773 DOI https://doi.org/10.1093/oxfordhb/9780199660773.001.0001

Cottrell Boyce, Frank (2010) The Believers. [Composition]

Cottrell Boyce, Frank, Hunter, Carl and Heney, Clare (2011) The Unforgotten Coat. Walker Books. ISBN 9781406331790

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Craske, Jennie, Carter, Bernie, Jarman, Ian and Tume, Lyvonne (2018) Parent’s experiences of their child’s withdrawal syndrome: a driver for reciprocal nurse-parent partnership in withdrawal syndrome. Intensive and Critical Care Nursing. ISSN 0964-3397 DOI https://doi.org/10.1016/j.iccn.2018.09.001

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Degboe, Arnold, Knight, Sarah L., Halling, Katarina, Trigg, Andrew, Al-Zubeidi, Tamara, Aldhouse, Natalie, Kitchen, Helen, Wirth, Lori and Rogers, Simon (2018) Patients’ experience of recurrent/metastatic head and neck squamous cell carcinoma and their perspective on the EORTC QLQC30 and QLQ-H&N35 questionnaires: a qualitative study. Journal of Patient-Reported Outcomes, 2 (33). ISSN 2509-8020 DOI https://doi.org/10.1186/s41687-018-0060-7

Drake, Philip (2016) Approaches to Film and Politics - Introduction. In: Tzioumakis, Yannis and Molloy, Claire (eds). The Routledge Companion to Cinema and Politics. Routledge, pp. 13-16. ISBN 9781315678863

Drake, Philip (2008) Distribution and Marketing in Contemporary Hollywood. In: McDonald, Paul and Wasko, Janet (eds). The Contemporary Hollywood Film Industry. Wiley, Oxford and New York, pp. 63-82. ISBN 9781405133876

Drake, Philip (2013) Policy or practice? Deconstructing the Creative Industries. In: Szczepanik, Petr and Vonderau, Patrick (eds). Behind the Screen: Inside European Production Cultures. Palgrave Macmillan, Basingstoke, pp. 221-236. ISBN 9781137282170

Drake, Philip (2016) ‘Reframing Television Performance’. Journal of Film and Video, 68 (3-4). pp. 6-17. ISSN 0742-4671 DOI https://doi.org/10.5406/jfilmvideo.68.3-4.0006

Drake, Philip (2012) Reputational capital, creative conflict and Hollywood independence: the case of Hal Ashby. In: King, Geoff, Molloy, Claire and Tzioumakis, Yannis (eds). American Independent Cinema: Indie, Indiewood and Beyond. Routledge, London, pp. 140-152. ISBN 9780415684293

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Drake, Philip, Franklin, Michael, Sathe, Deborah and Tierney, Sarah (2015) We Are Colony: Digital VOD Distribution for Independent Film. Project Report. Nesta, London.

Drake, Philip and Haynes, Richard (2010) Television, Deregulation and the Reshaping of Leisure. In: Bramham, Peter and Wagg, Stephen (eds). The New Politics of Leisure and Pleasure. Palgrave Macmillan, Basingstoke, pp. 63-81. ISBN 9780230216846

Drake, Philip and Higgins, Michael (2012) Lights, Camera, Election: Celebrity, Performance and the 2010 UK General Election Leadership Debates. British Journal of Politics and International Relations, 14 (3). pp. 375-391. ISSN 1467-856X DOI https://doi.org/10.1111/j.1467-856X.2011.00504.x

Drake, Philip and Miah, Andy (2010) The Cultural Politics of Celebrity. Cultural Politics, 6 (1). pp. 49-64. ISSN 1743-2197

Drake, Philip and Smith, Angela (2016) Belligerent broadcasting, male anti-authoritarianism and anti-environmentalism: the case of Top Gear (BBC, 2002-2015). Journal of Environmental Communication, 10 (6). pp. 689-703. ISSN 1752-4032 DOI https://doi.org/10.1080/17524032.2016.1211161

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Eastwood, M. (2003) Crimes of Hate: International Criminal Law's Response to Crimes of Incitement to Genocide. The SOLON and Nottingham Centre for the Study and Reduction of Hate Crimes Conference, 21-22 February, Nottingham.

Evans, Owen (1998) Bibliography 1990-98. In: Haines, Brigid (ed). Herta Müller. University of Wales Press, Cardiff, pp. 126-153.

Evans, Owen (2010) ‘”Bloody Germans! They can’t take a joke, can they?”: The Impact of Humour in Recent German Film’. In: Haines, Brigid, Parker, Stephen and Riordan, Colin (eds). Aesthetics and Politics in Modern German Culture: Festschrift in Honour of Rhys W. Williams. Peter Lang, Oxford, pp. 195-207. ISBN 978-3-03911-355-2

Evans, Owen (2007) Border Exchanges: The Role of the European Film Festival. Journal of Contemporary European Studies, 15 (1). pp. 23-33. ISSN 1478-2804 (Print), 1478-2790 (Online) DOI https://doi.org/10.1080/14782800701273318

Evans, Owen (2018) Building Bridges: Fatih Akin and the Cinema of Intercultural Dialogue. In: Harvey, James (ed). Nationalism in Contemporary Western European Cinema. Palgrave Macmillan, London, pp. 145-167. ISBN 978-3-319-73666-2 DOI https://doi.org/10.1007/978-3-319-73667-9

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Evans, Owen (2005) ‘“Denn wir sind anders”: Zonenkinder in the Federal Republic. German as a Foreign Language (2). pp. 20-33. ISSN 1470-9570

Evans, Owen (2008) Editorial. Studies in European Cinema, 5 (3). pp. 157-160. ISSN 17411548 DOI https://doi.org/10.1386/seci.5.3.157_2

Evans, Owen (2012) “Ein Botschafter des Vergessenen”: Günter de Bruyn, the Chronicler. In: Clarke, David and Goodbody, Axel (eds). The Self in Transition: East German Autobiographical Writing Before and After Unification. German Monitor (75). Rodopi, Amsterdam and New York, pp. 185-197. ISBN 9789042035935

Evans, Owen (1996) ‘Ein Training im Ich-Sagen': Personal Authenticity in the Prose Work of Günter de Bruyn. European University Studies, Series 1: German Language & Literature. Peter Lang, Berne. ISBN 978-3906756141

Evans, Owen (1997) "Für mich ist er früh schon wichtig gewesen": How Heinrich Böll Gave Günter de Bruyn a Helping Hand. In: Huber, Lothar and Conard, Robert (eds). Heinrich Böll on Page and Screen. University of London, Institute for Germanic Studies, London, pp. 125-132. ISBN 978-0854571871

Evans, Owen (2016) ‘Going Underground: Margins, Dreams and Dark Spaces in Nimród Antal’s Kontroll (2003)’. In: Huskinson, Lucy (ed). The Urban Uncanny: A Collection of Interdisciplinary Studies. Routledge, London and New York, pp. 18-33. ISBN 978-1-138-92951-7

Evans, Owen (2000) Hope for the Future?: Günter de Bruyn’s Neue Herrlichkeit und Christoph Hein’s Der Tangospieler. In: Jackman, Graham (ed). Christoph Hein in Perspective. Rodopi, pp. 77-94. ISBN 978-9042014923

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Evans, Owen (2017) ‘Humphrey Jennings: Of Images, Poetry and Pandaemonium’. In: Newland, Paul and Hoyle, Brian (eds). British Art Cinema. Manchester University Press, Manchester. ISBN 9781526100870 (In Press)

Evans, Owen (2004) Living in the Past? Günter de Bruyn, Prussia and the Mark Brandenburg. In: Preece, Julian and Durrani, Osman (eds). Townscapes and Countryside in Contemporary German Writing. Peter Lang, Oxford, pp. 225-241.

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Evans, Owen (2011) 'The Many Ways of Looking at Cinema': Sight and Sound and the Value of Film. In: Hubner, Laura (ed). Valuing Film: Shifting Perceptions of Worth. Palgrave Macmillan, pp. 167-182. ISBN 978-0230229686

Evans, Owen (2006) Mapping the Contours of Oppression: Subjectivity, Truth and Fiction in Recent German Autobiographical Treatments of Totalitarianism. Amsterdamer Publikationen zur Sprache und Literatur. Rodopi, Amsterdam and New York. ISBN 978-9042017191

Evans, Owen (2012) Memories, Secrets and Lies: The Emotional Legacy of the GDR in Christian Schwochow’s Novemberkind (2008). In: Saunders, Anna and Pinfold, Debbie (eds). Remembering and Rethinking the GDR : Multiple Perspectives and Plural Authenticities. Media and Culture. Palgrave Macmillan, Basingstoke, pp. 214-228. ISBN 9780230360570 DOI https://doi.org/10.1057/9781137292094.0023

Evans, Owen (2013) Memory, Melodrama and History: The Return of the Past in Contemporary Popular Film in Germany. In: Sundholm, John, Mithander, Conny and Velicu, Adrian (eds). European Cultural Memory Post-89. European Studies - An Interdisciplinary Series in European Culture, History and Politics (30). Rodopi, Amsterdam and New York, pp. 241-269. ISBN 9789042036185

Evans, Owen (2003) ‘“The Most Painful Poetry I Know”: Uwe Saeger and Georg Trakl's “Grodek”. In: Bushell, Anthony and Siefken, Hinrich (eds). Experiencing Tradition: Essays of Discovery. Ebor Press, pp. 214-219. ISBN 978-1850722946

Evans, Owen (1999) 'Schlimmeres als geschah, hätte immer geschehen können': Günter de Bruyn and the GDR in Vierzig Jahre. In: Tate, Dennis (ed). Günter de Bruyn in Perspective. Rodopi, Amsterdam, pp. 171-188. ISBN 978-9042005662

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Evans, Owen (2006) Taking Stock of the Wende on Screen: Michael Klier’s Ostkreuz (1991) and Hannes Stöhr’s Berlin is in Germany (2001). German as a Foreign Language (1). pp. 60-75. ISSN 1470-9570

Evans, Owen (2003) Telling Tales: Moral Responsibility and the Stasi in Uwe Saeger’s Die Nacht danach und der Morgen. In: Plowman, Andrew and Cooke, Paul (eds). German Writers and the Politics of Culture: Dealing with the Stasi. New Perspectives in German Political Studies. Palgrave, pp. 121-138. ISBN 9781403913265

Evans, Owen (2004) Tom Tykwer’s Run Lola Run: Postmodern, post-human or post-theory? Studies in European Cinema, 1 (2). pp. 105-115. ISSN 17411548 DOI https://doi.org/10.1386/seci.1.2.105/0

Evans, Owen (2011) ‘Wonderfully Courageous’?: The Human Face of a Legend in Sophie Scholl: Die letzten Tage/Sophie Scholl: The Final Days (2005). In: Homewood, Christoper and Cooke, Paul (eds). New Directions in German Cinema. I.B. Tauris, London and New York, pp. 57-76. ISBN 9781848859081

Evans, Owen and Canning, Elaine (2007) Introduction: Films without Frontiers. Studies in European Cinema, 4 (3). pp. 163-166. ISSN 17411548 DOI https://doi.org/10.1386/seci.4.3.163_2

Evans, Owen and Harper, Graeme (2004) Editorial. Studies in European Cinema, 1 (1). pp. 3-6. ISSN 17411548 DOI https://doi.org/10.1386/seci.1.1.3/0

Evans, Owen and Harper, Graeme (2005) Editorial. Studies in European Cinema, 2 (1). pp. 3-6. ISSN 17411548 DOI https://doi.org/10.1386/seci.2.1.3/2

Evans, Owen and Harper, Graeme (2005) Editorial. Studies in European Cinema, 2 (2). pp. 77-80. ISSN 17411548 DOI https://doi.org/10.1386/seci.2.2.77/2

Evans, Owen and Harper, Graeme (2006) Editorial. Studies in European Cinema, 3 (1). pp. 3-6. ISSN 17411548 DOI https://doi.org/10.1386/seci.3.1.3/1

Evans, Owen and Harper, Graeme (2006) Editorial. Studies in European Cinema, 3 (2). pp. 89-92. ISSN 17411548 DOI https://doi.org/10.1386/seci.3.2.89_2

Evans, Owen and Harper, Graeme (2008) Editorial. Studies in European Cinema, 5 (1). pp. 3-6. ISSN 17411548

Evans, Owen and Harper, Graeme (2009) Editorial. Studies in European Cinema, 6 (2/3). pp. 93-96. ISSN 17411548 DOI https://doi.org/10.1386/seci.6.2-3.93/2

Evans, Owen and Harper, Graeme (2010) Editorial. Studies in European Cinema, 7 (1). pp. 3-4. ISSN 17411548 DOI https://doi.org/10.1386/seci.7.1.3_2

Evans, Owen and Harper, Graeme (2010) Editorial. Studies in European Cinema, 7 (2). pp. 91-94. ISSN 17411548 DOI https://doi.org/10.1386/seci.7.2.91_2

Evans, Owen and Harper, Graeme (2010) Editorial. Studies in European Cinema, 7 (3). pp. 173-176. ISSN 17411548

Evans, Owen and Harper, Graeme (2009) Editorial: A European Imaginary. Studies in European Cinema, 6 (1). pp. 3-6. ISSN 17411548 DOI https://doi.org/10.1386/seci.6.1.3/2

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Fong, Rosa (2016) Deconstructing Zoe 52" Documentary. [Video]

Fong, Rosa (2016) Deconstructing Zoe/ Scent of an Orchid. 1) Q! Film Festival. Screening and Q&A, 01/02/2016 - 21/06/2017, Jakarta.

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Fong, Rosa (2018) Deconstructing Zoe: Performing Race. Zapruder World, 4. ISSN 2385-1171 (In Press)

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Gabrielatos, Costas (2012) Corpus-based methodology and (critical) discourse studies: Context, content, computation. CADS International Conference 2012. Corpus-assisted Discourse Studies: More than the sum of Discourse Analysis and computing?, 13-14 September 2012, University of Bologna, Italy.

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Gabrielatos, Costas (2013) Using corpus methods to examine the presentation of Islam and Muslims in the UK press. Immigration Politics, Text Analysis, and Public Opinion, 8-9 November 2013, Oxford University, COMPAS, Migration Observatory.

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Geraghty, Christine, Weissmann, Elke, Jermyn, Deborah, Lad, Mita, Gorton, Krystin, McCourt, Molly and Kies, Bridget (2016) Women, Soap Opera, and New Generations of Feminists. Critical Studies in Television, 11 (3). pp. 365-384. ISSN 1749-6020 DOI https://doi.org/10.1177/1749602016661948

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Goh, Poh Sun and Sandars, John (2019) Increasing tensions in the ubiquitous use of technology for medical education. Medical Teacher. ISSN 0142-159X

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Heney, Clare and Hunter, Carl (2009) Accelerate. [Video]

Heney, Clare and Hunter, Carl (2011) Coast of Soap Ships. [Video]

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Hoey, Paddy (2018) Dissident and dissenting republicanism: From the Good Friday/Belfast Agreement to Brexit. Capital & Class, 43 (3). ISSN 0309-8168 (In Press)

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Hoey, Paddy (2017) Evaluating the Role of the Internet and Mainstream News Journalism in the Development of the Northern Ireland Peace Process. In: Hoey, Paddy, Jingrong, Tong and Shih-Hung, Lo (eds). Digital Technology and Journalism: An International Comparative Perspective. Palgrave Macmillan, London, pp. 141-164. ISBN 978-3-319-55025-1

Hoey, Paddy (2018) Shinners, Dissos and Dissenters: Irish republican media activism since the Good Friday Agreement. Manchester University Press, Manchester. ISBN 9781526114242

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Jackson, Phil (2014) ‘Welcome Europe!’ The Eurovision Song Contest as a Continuum for Cosmpolitanism. In: Yilmaz, Aybige, Trandafoiu, Ruxandra and Aris, Mousoutzanis (eds). Media and Cosmopolitanism. New Visions of the Cosmopolitan. Peter Lang, Oxford, pp. 71-92. ISBN 9783035306637

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Jackson, Phil (2017) Wenn Politik die Eurovisions-Blase piepst…. Religion & Gesellschaft in OST und West, 45 (7-8). pp. 16-17. ISSN 2253-2465

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Johnston, Nessa (2012) Beneath Sci-fi Sound: Primer, Science Fiction Sound Design, and American Independent Cinema. Alphaville: Journal of Film and Screen Media (3). ISSN 2009-4078

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Johnston, Nessa (2014) The Celtic Tiger ‘Unplugged’: DV realism, liveness, and sonic authenticity in Once (2007). The Soundtrack, 7 (1). pp. 25-38. ISSN 17514193 DOI https://doi.org/10.1386/st.7.1.25_1

Johnston, Nessa (2017) Feeling the Voice: Embodied Aural Encounters in Under the Bombs. In: Whittaker, Tom and Wright, Sarah (eds). Locating the Voice in Film: Critical Approaches and Global Practices. Oxford University Press, Oxford, pp. 191-208. ISBN 9780190261122

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Johnston, Nessa (2016) The Magic of the Space: An interview with Niall Brady and Steve Fanagan about Room (2015). The New Soundtrack, 6 (2). pp. 159-169. ISSN 2042-8855 DOI https://doi.org/10.3366/sound.2016.0089

Johnston, Nessa (2017) Sounding Decay in the Digital Age: Audio-Visions of Decasia (2002) and Lyrical Nitrate (1991). In: Rogers, Holly and Barham, Jeremy (eds). The Music and Sound of Experimental Film. Oxford University Press, Oxford, pp. 219-232. ISBN 9780190469900

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Johnston, Nessa (2016) Teorizando o som “ruim”: o que põe o mumble no mumblecore? REBECA - Revista Brasileira de Estudos de Cinema e Audiovisual, 5 (1). pp. 419-450. ISSN 2316-9230

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Johnston, Nessa (2014) Theorising ‘bad’ sound: what puts the ‘mumble’ into mumblecore? The Velvet Light Trap (74). pp. 67-79. ISSN 0149-1830 DOI https://doi.org/10.7560/VLT7407

Johnston, Nessa (2016) Unlearning Film School: The ‘lo-fi’ Soundtracks of Joe Swanberg. In: Greene, Liz and Kulezic-Wilson, Danijela (eds). The Palgrave Handbook of Sound Design and Music in Screen Media. Palgrave Macmillan, London, pp. 289-304. ISBN 978-1-137-51679-4 DOI https://doi.org/10.1057/978-1-137-51680-0_20

Johnston, Nessa (2015) The Voiceless Acousmêtre: Paranormal Activity’s digital surround sound demon. Music, Sound, and the Moving Image, 9 (2). pp. 131-144. ISSN 1753-0768 DOI https://doi.org/10.3828/msmi.2015.9

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Johnston, Nessa and Kampman, Anneke (2016) I will leave you now and this loudspeaker will take my place. New Soundtrack, 6 (1). pp. 17-27. ISSN 2042-8855 DOI https://doi.org/10.3366/sound.2016.0080

Jukes, Alex (2008) Art Machine Vision. Art-Machine-Vision, 18-31 August 2008, Centro De Convivencia, UNIFOR, Fortaleza.

Jukes, Alex (2014) Creative Animation Knowledge Exchange. Creative Animation Knowledge Exchange, 14/07/2014 - 18/07/2014, EHU.

Jukes, Alex (2016) Martial ART. Martial ART, 26/11/2016-26/11/2016, Tate Liverpool.

Jukes, Alex (2014) Moving Horizons: Space as Material Within 3-D CGI Animation. 18th Avanca 2014 Film Festival: International Meeting of Cinema, TV, Video and Multimedia, 18/07/2014-27/07/2014, Avanca, Portugal, pp. 343-352, ISBN 978-989-96858-4-0, ISSN 2053-8821.

Jukes, Alex (2017) New Primitives. StrangeLove Festival, 10/03/2017-24/03/2017, Sassoon Gallery, Folkestone.

Jukes, Alex (2012) Primitive 1. Primitive 1, 27th February – 2nd March 2012, Hockney Gallery, Kensington Gore, London SW7 2EU.

Jukes, Alex (2011) Pylons. Logic11, November 2011 - February 2012, Museum of Science and Industry Manchester.

Jukes, Alex (2010) Reflection Projection. Reflection & Projection, 18-28 August 2010, Contemporary Urban Centre Novas Gallery.

Jukes, Alex (2018) Space & Experimental 3D CGI Animation. In: Smith, Vicky and Hamlyn, Nick (eds). Experimental & Expanded Animation. Experimental Film and Artists’ Moving Image. Palgrave Macmillan, London, pp. 119-144. ISBN 978-3-319-73873-4

Jukes, Alex (2017) Yves Klein: Animation and the Pictorial moment. Society of Animation Studies “… And Yet It Moves!”, 03/07/2017-07/07/2017, Padua, Italy.

Jukes, Alex, Young, Susan and Meng, Chunhui (2015) Flux Exhibition and Artist Seminar. Flux Exhibition and Artist Seminar, 13/04/2015-17/04/2015, Hockney Gallery, Kensington, London.

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Keating, Anthony (2014) ‘MUSCOVITE DAYS-AND NIGHTS’: A SMALL TOWN IRISH NEWSPAPERMAN’S SOVIET TRAVELOGUE OF 1934. Nordic Irish Studies Journal, 13. pp. 115-135. ISSN 1602124X

Keaveney, Paula (2016) Comms in the EU Referendum so far. Influence.

Keaveney, Paula (2016) Labour Party Conference - Comms Challenges Abound. Influence.

Keaveney, Paula (2016) Lib Dem Conference Comms Challenges. Influence.

Keaveney, Paula (2015) Online lobbying of political candidates. In: Frame, Alex and Brachotte, Gilles (eds). Citizen Participation and Political Communication in a Digital World. Routledge, Abingdon, pp. 202-216. ISBN 9781138935037

Keaveney, Paula (2017) PR challenges facing Vince Cable. (article in Influence - CIPR). Influence - the magazine of the CIPR.

Keaveney, Paula (2017) Reading Prime Minister's Questions. Influence.

Keaveney, Paula (2016) Reputation lessons from on line dating scandal. Influence.

Keaveney, Paula (2014) Slavery and the Celebrity Book Tour. International History of Public Relations, July 2-3 2014, Bournemouth, pp. 60-73.

Keaveney, Paula (2017) University Pay - How not to handle the media. Influence.

Keaveney, Paula (2016) What Worked, What didn't in Richmond Park By-Election. Influence.

Keaveney, Paula (2016) What now for the BBC? Influence.

Keaveney, Paula (2016) The impact of extra scrutiny on Charity PR. Influence.

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Killick, Anthony (2017) Film Festivals and Counter-hegemony: Radical Screening Practices in the Neoliberal City. Doctoral thesis, Edge Hill University.

King, Geoff, Molloy, Claire and Tzioumakis, Yannis (2012) Introduction. In: King, Geoff, Molloy, Claire and Tzioumakis, Yannis (eds). American Independent Cinema: indie, indiewood and beyond. Routledge. ISBN 9780415684286

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Lawson, Matt (2013) Film Music and the Holocaust. War and Displacement Conference, 3-4 May 2013, Munich.

Long, Paul, Baig-Clifford, Yasmeen and Shannon, Roger (2013) ‘What We’re Trying to Do is Make Popular Politics’: The Birmingham Film and Video Workshop. Historical Journal of Film, Radio and Television, 33 (3). pp. 377-395. ISSN 0143-9685 DOI https://doi.org/10.1080/01439685.2013.823025

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Markova, Lora (2018) Embodied transculturation and the subversive potential of virtual empathy in the interactive art project 'The Machine to be Another' (2014). Film-Philosophy Conference 2018, 3rd - 5th July 2018, University of Gothenburg, Sweden.

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Markova, Lora (2018) Leonora Carrington's Subversive Feminism Off and On Screen. Trailblazing Women On and Off Screen International Conference, 18th - 19th June 2018, University of Greenwich, London.

McDonald, Paul, Hoyt, Eric, Carman, Emily and Drake, Philip (2015) Hollywood and the Law. British Film Istitute. ISBN 9781844574773

McDonald, Paul, Hoyt, Eric, Carman, Emily and Drake, Philip (2015) On the Legal Lives of Hollywood. In: McDonald, Paul, Hoyt, Eric, Carman, Emily and Drake, Philip (eds). Hollywood and the Law. British Film Institute, pp. 1-22. ISBN 9781844574773

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McGregor, Rafe (2017) The Ethical Value of Narrative Representation. Journal of Aesthetics and Phenomenology, 47 (1). pp. 57-74. ISSN 2053-9320 DOI https://doi.org/10.1080/20539320.2017.1319626

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Mollaghan, Aimee (2014) Audio-visual moiré patterns: Phasing in Guy Sherwin’s Optical Sound films. The Soundtrack, 7 (1). pp. 47-57. ISSN 17514193 DOI https://doi.org/10.1386/st.7.1.47_1

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Mollaghan, Aimee (2011) “An Experiment in Pure Design:” The Minimalist Aesthetic in the Line Films of Norman McLaren. Animation Studies Journal, 6. pp. 26-33. ISSN 1930-1928

Mollaghan, Aimee (2017) Rebalancing the Picture-Sound Relationship: the Audiovisual Compositions of Lis Rhodes. In: Rogers, Holly and Barham, Jeremy (eds). The Music and Sound of Experimental Film. Oxford University Press, Oxford, pp. 205-218. ISBN 0190469897

Mollaghan, Aimee (2017) ‘Rebalancing the Picture/Sound Relationship: the Audiovisual Compositions of Lis Rhodes’. In: Rodgers, Holly and Barham, Jeremy (eds). The Music and Sound of Experimental Film. Oxford University Press, Oxford, pp. 205-218. ISBN 9780190469900

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Mollaghan, Aimee (2015) ‘The Rest is Silence’:Psychogeography, Soundscape and Nostalgia in Pat Collins’ Silence. The New Soundtrack, 5 (2). pp. 121-132. ISSN 2042-8855 DOI https://doi.org/10.3366/sound.2015.0074

Mollaghan, Aimee (2015) The Visual Music Film. Palgrave Macmillan, Basingstoke. ISBN 978-1-137-49281-4

Molloy, Claire (2016) Animal Cruelty and Reality Television: A Critical Review. In: Brewster, Mary P and Reyes, Cassandra L (eds). Animal Cruelty: A multidisciplinary approach to understanding. Second edition. Carolina Academic Press, pp. 379-395. ISBN 9781611630725

Molloy, Claire (2013) Animal cruelty in reality television: a critical review. In: Brewster, M and Reyes, C (eds). Animal Cruelty: A Multidisciplinary Approach to Understanding. Carolina Academic Press. ISBN 978-1-61163-072-5

Molloy, Claire (2013) Animals, avatars and the gendering of nature. In: Pick, A and Narraway, G (eds). Screening Nature: Cinema Beyond the Human. Berghahn Books, pp. 177-193. ISBN 9781782382263

Molloy, Claire (2012) Being A Known Animal. In: Blake, Charlie, Molloy, Claire and Shakespeare, Steven (eds). Beyond Human: From Animality to Transhumanism. Continuum. ISBN 9781441173997

Molloy, Claire (2013) Christopher Nolan and Indie Sensibilities. Revue française d’études américaines, 136. pp. 40-51. ISSN 0397-7870 DOI https://doi.org/10.3917/rfea.136.0040

Molloy, Claire (2011) Contested Meanings and Canine Bodies. In: Carter, R and Charles, N (eds). Human and Other Animals: Critical Perspectives. Palgrave Macmillan. ISBN 9780230246591

Molloy, Claire (2011) Dangerous dogs and the construction of discourses of risk. In: Taylor, N (ed). Theorizing Animals: Re-thinking Humanimal Relations. Human-Animal Studies, 11. Brill Academic, pp. 107-128. ISBN 9789004202429

Molloy, Claire (2009) Dreaming of Electric Sheep and Negotiating Animality. In: Messier, V and Batra, N (eds). Of Mice and Men: Animals in Human Culture. Cambridge Scholars Publishing, pp. 106-120. ISBN 9781443812320

Molloy, Claire (2016) Fears for blue tang fish spike in the wake of Finding Dory. The Conversation.

Molloy, Claire (2012) Independent nature: wildlife films between Hollywood and indiewood. In: King, Geoff, Molloy, Claire and Tzioumakis, Yannis (eds). American Independent Cinema: indie, indiewood and beyond. Routledge. ISBN 9780415684286

Molloy, Claire (2016) Indie Cinema and the Neoliberal Commodification of Creative Labor: Rethinking the Indie Sensibility of Christopher Nolan. In: King, Geoff (ed). A Companion to American Indie Film. Wiley-Blackwell, pp. 368-388. ISBN 9781118758083

Molloy, Claire (2013) "It's a feeling; a heartbeat”: Nostalgia, Music and Affect in Dirty Dancing. In: Tzioumakis, Yannis and Lincoln, Sian (eds). The Time of Our Lives: Dirty Dancing and Popular Culture. Wayne State University Press, pp. 223-238. ISBN 9780814336243

Molloy, Claire (2001) Marking Territories. Limen: Journal for theory and practice of liminal phenomena, 1 (1).

Molloy, Claire (2010) Memento. American Indies. Edinburgh University Press, Edinburgh. ISBN 9780748637720

Molloy, Claire (2012) ‘”Nature writes the screenplays”: commercial wildlife films and ecological entertainment. In: Cubitt, S, Rust, S and Monani, S (eds). Ecocinema Theory and Practice. Routledge, pp. 169-188. ISBN 9780415899420

Molloy, Claire (2012) Part 4 Introduction. In: King, Geoff, Molloy, Claire and Tzioumakis, Yannis (eds). American Independent Cinema: indie, indiewood and beyond. Routledge. ISBN 9780415684286

Molloy, Claire (2011) Popular Media and Animals. Palgrave Macmillan. ISBN 9780230239241

Molloy, Claire (2016) Propaganda, activism and environmental nostalgia. In: Molloy, Claire and Tzioumakis, Yannis (eds). The Routledge Companion to Cinema and Politics. Routledge, pp. 139-150. ISBN 9780415717397

Molloy, Claire (2012) Remediating Cows and the Construction of Ethical Landscape. Antennae: The Journal of Nature in Visual Culture (23). pp. 23-28. ISSN 1756-9575

Molloy, Claire (2014) Transformation, fashion and Funny Face. In: Miller, Jacqui (ed). Fan Phenomena: Audrey Hepburn. Intellect, pp. 38-47. ISBN 9781783202065

Molloy, Claire and Shakur, Tasleem (2003) Cultural Rupture or Hybridisation? In: Damsteegt, T (ed). Heroes and Heritage: The Protagonist in Indian Literature and Film. Leiden University, Research School CNWS. ISBN 9789057890901

Molloy, Claire and Tzioumakis, Yannis (2016) Introduction. In: Molloy, Claire and Tzioumakis, Yannis (eds). Routledge Companion to Cinema and Politics. Routledge, pp. 1-10. ISBN 9780415717397

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Newman, James and Molloy, Claire (2003) How the elephant forgot its politics: Cultural identity and difference in the videogame: Taj the elephant genie in Rare’s Diddy Kong Racing. In: Shakur, Tasleem and D'Souza, Karen (eds). Picturing South Asian Culture in English: Textual and Visual Representations. Open House Press, pp. 176-191. ISBN 9780954446307

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Ozduzen, Ozge (2014) 33rd International Istanbul Film Festival. Istanbul, Turkey 5-20 April 2014. Alphaville: Journal of Film and Screen Media (7). pp. 1-6. ISSN 2009-4078

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Ozduzen, Ozge (2015) The Politicisation and ‘Occupy’sation of the Istanbul Film Festival Audience. Participations, 13 (2). pp. 679-702. ISSN 1749-8716

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Parkinson, Claire (2018) Animal bodies and embodied visuality. Antennae: The Journal of Nature in Visual Culture (46). pp. 51-64. ISSN 1756-9575

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Parkinson, Claire (2019) Animal stars: a critical view of creaturely celebrity. Czech and Slovak Journal of Humanities. ISSN 1805-3742 (In Press)

Pateman, Matthew (2014) "Adopting Cultures and Embodying Myths in Jackie Kay's The Adoption Papers and Red Dust Road. In: Brown, Ian and Berton, Jean (eds). Roots and fruits of Scottish Culture: Scottish Identities, History and Contemporary Literature. Scottish Literature International, Glasgow, pp. 65-81. ISBN 978-1-908980-076

Pateman, Matthew (2014) Firefly: Of formats, franchises and Fox. In: Wilcox, Rhonda V, Cochrane, Tanya R, Masson, Cynthea and Lavery, David (eds). Reading Joss Whedon. Syracuse University Press, New York, pp. 153-169. ISBN 978-0815633648

Pateman, Matthew (2018) Joss Whedon. The Television Series. Manchester University Press, Manchester. ISBN 978-0-7190-7781-4

Pateman, Matthew (2015) What do we then do, Aryan? Where do we then go? South African Music Studies, 34/35. pp. 337-352. ISSN 2223-635X

Pih, Darren, Shannon, Roger and Jukes, Alex (2016) In Conversation about Yves Klein. In Conversation about Yves Klein, 22/02/2017-22/02/2017, Creative Edge, Edge Hill University.

Poole, Carol and Trandafoiu, Ruxandra (2018) Migration, Symbolic Geography and Transforming Identities When Death Comes to Pemberley. In: Cutchins, D, Krebs, K and Voigts, E (eds). Routledge Companion to Adaptation. Routledge, London. ISBN 9781138915404

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Schrimshaw, Will (2012) Undermining Media. Artnodes: Journal on Art, Science and Technology, 12. pp. 100-105. ISSN 1695-5951 DOI https://doi.org/10.7238/a.v0i12.1637

Schrimshaw, William (2012) Any Place Whatever: Schizophonic Dislocation and the Sound of Space in General. Interference (2). ISSN 2009-3578

Shannon, Roger (2013) Lost in Adaptation - The Producer’s View. In: Wells-Lassagne, Shannon and Hudelet, Ariane (eds). Screening Text: Critical Perspectives on Film Adaptation. McFarland & Company, Jefferson, North Carolina, pp. 231-238. ISBN 9780786472307

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Shannon, Roger (2010) Made in Birmingham: Reggae Punk Bhangra. [Video]

Snazell, J. (2010) The Crossover Between Advertising and Experimental Film. Animation Evolution, Society of Animation Studies 22nd Annual Conference, 9 - 11 July, Edinburgh School of Art.

Snazell, J. (2009) Determined Repetitive Strain. Determining Creative Practice Symposium, 2 December, University of Bedfordshire.

Snazell, J. (2010) The Experimental Cross-Over. Animation Evolution: The 22nd Annual Society for Animation Studies Conference, 9-11 July, Edinburgh College of Art, Scotland.

Snazell, J. (2010) Eye-Kea Exhibition. Eye-Kea Exhibition, 16 – 25 April, Basement Project Space, Cork City, Ireland.

Snazell, J. (2010) The Meltdown Factor. Eye-Kea Project, 20 April, Basement Project Space, Cork City, Ireland.

Snazell, J. (2008) Open Studios. Bridgewater Mill, Manchester.

Snazell, J. (2010) Scape. SIMULTAN Festival, September 30 - 2 October, Timisoara, Romania.

Snazell, J. (2010) Scape. Abandon Normal Devices, 7 October, Cornerhouse, Manchester.

Snazell, J. (2010) Scape. Optica Festival, 24-26 September, Madrid, Spain.

Snazell, J. (2010) Scape. fLEXiff, 24-26 September, Sydney, Australia.

Snazell, J. (2010) Scape. Re:Animate, June 26 - 18 August, Powys, Wales.

Snazell, J. (2010) Scape. Da Fest, 13-17 September, National Academy of Art, Sofia, Bulgaria.

Snazell, J. (2010) Scape. Athens Video Art Festival, May, Athens, Greece.

Snazell, J. (2010) Scape. PRISM, 14 May, Sheffield Independent Film.

Snazell, J. (2010) Scape. Crouch End Open, 6-9 May, London, UK.

Snazell, J. (2010) Scape. Australian International Experimental Film Festival, April-May, Preston, Australia.

Snazell, J. (2010) Scape. Eye-Kea, 16-25 April, Basement Project Space, Cork, Ireland.

Snazell, J. (2010) Scape. Berlin Directors Lounge Film Festival, 20 February, Berlin, Germany.

Snazell, J. (2010) Scape (One Minute Version). Plymouth Arts Centre, 19 October, Plymouth, UK.

Snazell, J. (2010) Scape (One Minute Version). The Stew Gallery, 29 September, Norwich, UK.

Snazell, J. (2010) Scape (One Minute Version). Paradox Event, 24 September, The Showroom Cinema, Sheffield.

Snazell, J. (2010) Scape (One Minute Version). BBC Big Screen, July-August, UK-wide.

Snazell, J. (2010) Scape (One Minute Version). The Ukranian Art Festival, 7-9 September, Koktebel, Ukraine.

Snazell, J. (2010) Scape (One Minute Version). Future Proof Exhibition, September, Marseille Project Gallery, France.

Snazell, J. (2010) Scape (One Minute Version). Contemporary Art Ruhr, July, Germany.

Snazell, J. (2010) Scape (One Minute Version). Directors Lounge, Meinblau, 4 June, Berlin, Germany.

Snazell, J. (2008) Solo show film installation. UNSPECIFIED, September, West Wales School of the Arts, Carmarthen, Wales.

Snazell, J. (2008) Super 8 in a Digital World. Salford Film Festival, 15-23 November, Salford, Manchester.

Snazell, J. and Watson, T. (2009) Collaborative Practices. The Art of With Symposium, 25 November, Cornerhouse, Manchester.

Snazell, J. and Whiteman, N. (2008) Wanderer. West Wales School of the Arts, September, Carmarthen, Wales.

Snazell, J. and Whiteman, N. (2009) Wanderer. Darklight Film Festival, 8-11 October, Dublin, Ireland.

Snazell, J. and Whiteman, N. (2009) Wanderer. Ourense Film Festival, 10-17 October, Galicia, Spain.

Snazell, J. and Whiteman, N. (2009) Wanderer. Abstracta Cinema Festival, 26 August, Tiber Island, Rome.

Snazell, J. and Whiteman, N. (2009) Wanderer. Athens Video Art Festival, 14-17 May, Athens, Greece.

Snazell, J. and Whiteman, N. (2009) Wanderer. Kinofilm: Kino Shorts, 8 April, Greenroom, Manchester.

Snazell, J. and Whiteman, N. (2009) Wanderer. Radiator Media Art Festival, 13-24 January, Broadway Media Centre, Nottingham.

Snazell, J. and Whiteman, N. (2009) Wanderer. Outcasting Season 7, April-May, [online].

Snazell, James (2015) Borowczyk’s Serial Labyrinth: From ‘Goto, L'île D'Amour’ to ‘Interno di un Convento. In: Kuc, Kamila, Mikurda, Kuba and Oleszczyk, Michał (eds). BORO, L'ILE D'AMOUR. BERGHAHN BOOKS, NEW YORK/OXFORD, pp. 93-102. ISBN 9781782387015

Snazell, James (2007) Flow. The Museum of Science and Industry, Manchester.

Snazell, James (2007) Flow. Islington Mill, Manchester.

Snazell, James (2010) Overpass. NODE10, 15-20 November, Frankfurter Kunstverein, Germany.

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Snazell, James (2011) Overpass. [Video]

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Snazell, James (2014) The Perpetual Movement of Dots and Grains. In: De Cuir, Jr, Greg (ed). On Fragmentation. Salford, Gr. Manchester, Salford, Gr. Manchester, pp. 42-49. ISBN 9788679330925

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Snazell, James (2010) Scape. [Video]

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Thompson, Kevin (2016) Liverpool Century Road Club. Liverpool Century Road Club, 25 Sep 2016- 30 Mar 2017, National Museums Liverpool, Museum of Liverpool, Pier Head, Liverpool Waterfront, L3 1DG.

Tibbs, Andrew (2009) Advertising: Its business, culture and careers. Routledge, Abingdon. ISBN 9780415544665

Trandafoiu, R. (2006) The Geopolitics of Work Migrants: The Romanian Diaspora, Legal Rights and Symbolic Geographies. Project Report. Teleki László Institute.

Trandafoiu, R. (2001) Media and Democratisation in Post '89 Romania. CAMRI Journal, 1 (1).

Trandafoiu, R. (2006) Translating Europeanness to the Europeans, a Common 'Language' in the East and West. In: Kaitatzi-Whitlock, S. and Baltzis, A. (eds). Innovation and Challenges in the European Media. Thessaloniki: University Studio Press. ISBN 9601215716

Trandafoiu, Ruxandra (2013) Diaspora Online: Identity Politics and Romanian Migrants. Berghahn Books, Oxford. ISBN 9780857459435

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Trandafoiu, Ruxandra (2018) Manele, Symbolic Geography and Music Cosmopolitanism in Romania. Popular Music History, 11 (1). pp. 61-79. ISSN 1740-7133

Trandafoiu, Ruxandra (2013) Music in Cyberspace: Transitions, Translations, and Adaptations on Romanian Diasporic Websites. In: Kruger, Simone and Trandafoiu, Ruxandra (eds). The Globalization of Musics in Transit: Music Migration and Tourism. Routledge, pp. 298-317. ISBN 9780415640077

Trandafoiu, Ruxandra (2014) ‘The World on a Plate’: Transformed Cosmopolitan
Utopia in Food Blog Culture. In: Yilmaz, Aybige, Trandafoiu, Ruxandra and Mousoutzanis, Aris (eds). Media and Cosmopolitanism. New Visions of the Cosmopolitan, 3. Peter Lang, Oxford, pp. 29-50. ISBN 9783035306637 DOI https://doi.org/10.3726/978-3-0353-0663-7

Trandafoiu, Ruxandra and Poole, Carol (2018) The Past and “The Way We Live Now”: Andrew Davies’s Screen Adaptations of Pride & Prejudice and War & Peace. The Midwest Quarterly A Journal of Contemporary Thought, 60 (1). pp. 87-110. ISSN 0026-3451

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Weissmann, E. (2009) Drama counts: uncovering Channel 4's history with quantitative research methods. New Review of Film and Television Studies, 7 (2). pp. 189-207. ISSN 1470-0309 DOI https://doi.org/10.1080/17400300902816960

Weissmann, E. (2010) The Forensic Sciences of CSI: How to Know About Crime. VDM Verlag. ISBN 978-3639267099

Weissmann, E. (2008) Negotiating American Quality: the NBC Brand in Britain. Critical Studies in Television, 3 (2). pp. 40-58. ISSN 1749-6020 DOI https://doi.org/10.7227/CST.3.2.5

Weissmann, E. (2009) Travelling Cultures: The Development of the American Mini Serial and its Import to Britain. Journal of British Cinema and Television, 6 (1). pp. 41-57. ISSN 1743-4521 DOI https://doi.org/10.3366/E1743452109000673

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Weissmann, E. (2014) Troubled by Violence: Transnational Complexity and the Critique of Masculinity in Ripper Street. In: Leggott, J. and Taddeo, J. (eds). Upstairs and Downstairs. British Costume Drama Television from The Forsyte Saga to Downton Abbey. Rowman & Littlefield, Lanham, Bolder, New York, London, pp. 275-286. ISBN 978-1-4422-4482-5

Weissmann, E. and Boyle, K. (2007) Evidence of Things Unseen: The Pornographic Aesthetic and the Search for Truth in CSI. In: Allen, M. (ed). Reading "CSI": Television Under the Microscope. I.B.Tauris. ISBN 978-1845114282

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Weissmann, Elke (2014) Exploring the Wild Wild East: The Transnational Aesthetics of Ripper Street. In: Eichner, Susanne (ed). Fernsehen: Europaeische Perspektiven. Festschrift Prof. Dr. Lothar Mikos. UVK, Konstanz und Muenchen, pp. 107-120. ISBN 978-3-86764-518-8

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Weissmann, Elke (2018) Local, National, Transnational: Y Gwyll/Hinterland as Crime of/for all Places. In: Turnbull, Sue, Peacock, Stephen and Hansen, Kim Toft (eds). European Television Crime Drama and Beyond. Palgrave, London, pp. 119-137. ISBN 9783319968865 DOI https://doi.org/10.1007/978-3-319-96887-2

Weissmann, Elke (2013) 'Scheduling as Feminist Issue: UK's Channel 4 and US Female-Centred Sitcoms'. In: Thornham, Helen and Weissmann, Elke (eds). Renewing Feminisms: Radical Narratives, Fantasies and Futures in Media Studies. I.B. Tauris, London, New York, pp. 140-154. ISBN 9781848858268

Weissmann, Elke (2012) Transnational Television Drama: Special Relations and Mutual Influences between the US and the UK. Palgrave Macmillan, Abingdon and New York. ISBN 9781137283931

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Weissmann, Elke (2017) Watching CSI: a study of British audiences watching Channel 5 and Five USA. Critical Studies in Television, 12 (2). pp. 174-190. ISSN 1749-6020 DOI https://doi.org/10.1177/1749602017701663

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Weissmann, Elke (2016) Women, Television and Feelings: Theorising Emotional Difference in Gender in SouthLAnd and Mad Men. In: Garcia, Alberto N. (ed). Emotions in Contemporary TV Series. Palgrave Macmillan, Basingstoke, New York, pp. 87-101. ISBN 978-1-137-56884-7

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Weissmann, Elke and Thornham, Helen (2014) Remaking Public Service for Commercial Consumption: Jamie's School Dinners Comes to America. In: Lavigne, Carlen (ed). Remake Television. Reboot, Re-use, Recycle. Lexington Books, Lanham, Maryland, Plymouth, pp. 187-202. ISBN 978-0-7391-8333-5

Whitfield, A., Hetherington, R., Redmond, P. and Beaumont, C. (2007) Aspirations of University Students in Digital Media Education. International Technology, Education and Development Conference, 7-9 March, Valencia, Spain.

Wiltshire, Kim and Kitchen, Helen (2011) Cystic fibrosis transitions art project. The UNESCO Observatory E-Journal, 2 (2). ISSN 1835-2776

Witts, R. (2000) [12 subject entries: Nationalism, Smyth, R Strauss, Elgar, Germany & Austria 1880-1920, Britain 1880-1920, Britain 1920-1960, Elgar, Vaughan Williams, Holst, Britten, Tippett]. In: Ashkenazy, V. (ed). Collins Encyclopedia of Classical Music. Collins. ISBN 978-0004723907 DOI 978-0004723907

Witts, R. (2004) Advice to Clever Children: Interview with Karlheinz Stockhausen, Aphex Twin and others. In: Cox, C. and Warner, D. (eds). Audio Culture: Readings in Modern Music. Continuum International Publishing Group. ISBN 978-0826416155

Witts, R. (1998) Artist Unknown: Alternative History of the Arts Council. Little, Brown & Company. ISBN 978-0316878203

Witts, R. (2008) 'Clement Crisp is in the House' - Mediated Delineations of the Composer's Role in Dance. Dance, Timing and Musical Gesture, 13-15 June.

Witts, R. (2007) The Hall In Your Home - the Proms on radio and television 1928 - 1970. The Proms and British Musical Life Conference, 23-25 April, British Library, London.

Witts, R. (2001) 'Renewal' in Recent British Music: Remastering the Past. The Musical Times, 142 (1876). pp. 7-10. ISSN 0027-4666

Witts, R. (2007) Review: But Is It Garbage? On Rock And Trash. By Steven L. Hamelman. Popular Music, 26 (1). pp. 191-192. ISSN 0261-1430 DOI https://doi.org/10.1017/S0261143007007039

Witts, R. (2008) "That was Stockhausen. And now for some music." - BBC, music, the future. Research Seminar, University of Edinburgh.

Witts, R. (2007) Thatcherism and the Performing Right Society. Fifth Biennial International Conference on Music Since 1900, 5-8 July, University of York.

Witts, R. (2008) Totally Wired - the character(s) of a band. A Conference on the Aesthetics and Politics of Mark E. Smith and the Fall, 9 May, University of Salford.

Witts, R. (2010) Tovey & the Reid Symphony Orchestra. Music in Britain Seminar.

Witts, R. (2006) The Velvet Underground. Equinox Publishing. ISBN 978-1904768272

Witts, R. (2009) A moment or two before zero and one: 1978-82. In: Cook, N., Clarke, E., Leech-Wilkinson, D. and Rink, J. (eds). The Cambridge Companion to Recorded Music. Cambridge University Press. ISBN 978-0521684613

Witts, Richard (2010) Building up a Band: Music for a Second City. In: Goddard, M. and Halligan, B. (eds). Mark E. Smith and The Fall: Art, Music and Politics. Ashgate Publishing, pp. 19-32. ISBN 978-0754668626

Witts, Richard (2016) Foreword. In: Lefkovitz, Aaron (ed). Three Transnational Jazz Singers ( Josephine Baker, Billie Holiday, Ella Fitzgerald): A Political History of Music. Edwin Mellen Press, Lewiston NY Lampeter, p. 334. ISBN 978-1-4955-0513-3

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Witts, Richard (2016) Foreword to 'Three Transnational Jazz Singers: a political history of music'. In: Lefkovitz, A L (ed). Foreword to 'Three Transnational Jazz Singers: a political history of music'. The Edwin Mellon Press, Lewiston, New York, USA, pp. 7-9. ISBN 978-1-4955-0513-3 26

Witts, Richard (2015) Linear note to 'Nico 1971' (BBC Session). Gearbox Records, London.

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Witts, Richard (2015) Manpool, the Musical: Harmony and counterpoint on the Lancashire Plain. Popular Music History, 10 (1). pp. 10-30. ISSN 1740-7133 DOI https://doi.org/10.1558/pomh.32552

Witts, Richard (2017) Nico: The Life and Lies of an Icon. Virgin Digital, New Edition. ISBN 9780863696558

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Witts, Richard (2013) One, Two, Three: BBC Radio's formation of intercluded stations, from the Marriott Report (1957) to the present. 8th Biennial International Conference on Music Since 1900, 12-15 September 2013, Hope University, Liverpool.

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Witts, Richard (2017) The Passage: Post Punk Poets. Eyewear Publishing Ltd, London. ISBN 978-1-911335-47-4

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Witts, Richard (2015) Shopping and Fricker: the origins of the Cheltenham Festival of Modern British Music and the 'Cheltenham Symphony'. The Musical Times, 150 (1931). 09-22. ISSN 0027-4666

Witts, Richard (2011) Vorsprung durch Technik - Kraftwerk and the British fixation with Germany. In: Albiez, S and Pattie, D (eds). Kraftwerk: Music Non-Stop. Continuum, pp. 163-180. ISBN 9781441165077

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Woodward, Jennifer (2017) Apocalypse and Authenticity. Foundation: the international review of science fiction. pp. 82-84. ISSN 0306-4964

Woodward, Jennifer (2013) Following the Flood: Deluge, Adaptation and the “Ideal” Woman. In: Van Parys, Thomas and Hunter, Ian (eds). Science Fiction across Media: Adaptation/Novelisation. Gylphi, Canterbury.

Woodward, Jennifer (2007) Gateways to Forever: The Story of the Science - Fiction Magazines from 1970 -1980 by Mike Ashley. Reviewed in Times Higher Education Suppliment.

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Woodward, Jennifer (2017) R.C. Sherriff’s The Hopkins Manuscript (1939) and Transformative Disaster Fiction. Foundation: the international review of science fiction, 127. ISSN 0306-4964

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Woodward, Jennifer (2016) Review of Dramatising Disaster:Character, Event, Representation (Christine Cornea and Rhys Owain Thomas, eds). Science Fiction Film & Television, 9 (1). pp. 133-145. ISSN 1754-3789 DOI https://doi.org/10.3828/sfftv.2016.6

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Woodward, Jennifer (2018) Social criticism in Arthur Conan Doyle’s The Poison Belt: Cataclysm as Contemporary British Tableau. Science Fiction Studies, 45 (1). pp. 129-145. ISSN 0091-7729 DOI https://doi.org/10.5621/sciefictstud.45.1.0129

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Woodward, Jennifer (2019) Totalitarian Opportunism: Cataclysm, Nietzschean Thought and Cultural Transformation in J. J. Connington’s Nordenholt's Million (1923). Journal for Religion, Film and Media. ISSN 2617-3697 (In Press)

Wright, A. (2005) Selling the Fantastic: The Marketing and Merchandising of the British Fairytale Film in the 1980s. Journal of British Cinema and Television, 2 (2). pp. 256-274. ISSN 1743-4521 DOI https://doi.org/10.3366/JBCTV.2005.2.2.256

Wright, Andrea (2014) A Dark Story Retold: Adaptation, Representation and Design in Snow White: A Tale of Terror. In: Greenhill, P. and Rudy, J. (eds). Channeling Wonder: Fairy Tales on Television. Series in Fairy-Tale Studies. Wayne State University Press, Detroit, pp. 229-247. ISBN 978-0-8143-3922-0

Wright, Andrea (2014) This Wonderful Commercial Machine: Gender, Class, and The Pleasures and Spectacle of Shopping in The Paradise and Mr Selfridge. In: Leggott, J. and Taddeo, J.A. (eds). Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey. Rowman and Littlefield, Lanham, Boulder, New York, London, pp. 235-248. ISBN 978-1-4422-4482-5

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Wright, Andrea (2019) ‘Vampires don’t do dishes’: Old myths, the modern world, horror and the mundane in What We Do in the Shadows (2014). Journal of New Zealand and Pacific Studies, 6 (2). ISSN 2050-4039 (In Press)

Wright, Peter (2009) The Doctor (1963-). In: Bould, M, Butler, A M, Roberts, A and Vint, S (eds). Fifty Key Figures in Science Fiction. Routledge, London, pp. 71-76. ISBN 9780415439503

Wright, Peter (2011) Expatriate! Expatriate! Doctor Who: The Movie and Commercial Negotiation of a Multiple Text. In: Hochscherf, T and Leggott, J (eds). British Science Fiction Film and Television: Critical Essays. Critical Explorations in Science Fiction and Fantasy (29). McFarland & Co, Jefferson, NC, pp. 128-142. ISBN 9780786446216

Wright, Peter (2009) Film and television, 1960-1980. In: Bould, M, Butler, A M, Roberts, A and Vint, S (eds). The Routledge Companion to Science Fiction. Routledge, London, pp. 90-101. ISBN 9780415453783

Wright, Peter (2013) Ringing the changes: a production history of the BBC's adaptation of Peter Dickinson's ‘The Changes’. Science Fiction Film and Television, 6 (2). pp. 281-297. ISSN 1754-3770 DOI https://doi.org/10.3828/sfftv.2013.18

Wright, Peter (2013) Science Fiction from Text to Screen: Adaptation, the Novum and Cinematic Estrangement. In: Van-Parys, T and Hunter, I Q (eds). Science Fiction Across Media: Adaptation / Novelization. Gylphi, Canterbury, pp. 19-42. ISBN 9781780240121