Items where Division is "Performing Arts"

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Number of items at this level: 397.

Peimer, David, ed. (2009) Armed Response Plays From South Africa. In Performance. Seagull, London. ISBN 9781906497088

Karkou, Vicky, ed. (2009) Arts Therapies in Schools: Research and Practice. Jessica Kingsley, London. ISBN 9781843106333

Zubala, Ania and Karkou, Vicky, eds. (2018) Arts Therapies in the Treatment of Depression. International Research in the Arts Therapies. Routledge. ISBN 9781138210769

Karkou, Vicky, Oliver, Sue and Lycouris, Sophia, eds. (2017) The Oxford Handbook for Dance and Wellbeing. Oxford University Press, New York. ISBN 9780199949298

Newall, H., Graham, R., Leach, H. and Singleton, J., eds. (2005) The Road to Somewhere: a Creative Writing Companion. Palgrave Macmillan, London.

Peimer, David, ed. (2012) Theatre in the camps. EU Parliament.

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Adams-Davey, Lisa (2017) Red Carpet (Mark Curtis, 2016). Confianca Collaborative Theatre Company Present Red carpet, 12/10/2017, 13/10/17, 14/10/17, The Arts Centre, Edge Hill University, Ormskirk.

Alotaibi, Abdulazeem, Karkou, Vicky, Van Der Linden, Marietta and Irvine, Lindsey (2017) Movement Therapy Programme with Children with Mild Learning Difficulties in Primary Schools in Saudi Arabia: links between motion and emotion. In: Karkou, Vicky, Oliver, Sue and Lycouris, Sophia (eds). The Oxford Handbook of Dance and Wellbeing. Oxford University Press, pp. 479-492. ISBN 9780199949298 DOI https://doi.org/10.1093/oxfordhb/9780199949298.001.0001

Anderson, Gary and Simic, Lena (2017) At Home and Abroad: The Study Room in Exile. In: Breed, Ananda and Prentki, Tim (eds). Performance & Civic Engagement. Palgrave Macmillan, Cham, Switzerland, pp. 69-88. ISBN 978-3-319-66516-0 DOI https://doi.org/10.1007/978-3-319-66517-7_5

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Anderson, Gary and Simic, Lena (2017) Compassion is Dissent. Research in Drama Education, 22 (1). pp. 130-143. ISSN 1356-9783 DOI https://doi.org/10.1080/13569783.2016.1263560

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Anderson, Gary and Simic, Lena (2014) Five: 2008 - 2012. The Institute for the Art and Practice of Dissent at Home, Liverpool. ISBN 978-0-9564165-2-0

Ashley, Martin and Mecke, Ann-Christine (2013) "Boyes are apt to change their voice at about fourteene yeeres of age": An historical background to the debate about longevity in boy treble singers. Reviews of Research in Human Learning and Music, 1. pp. 1-19. ISSN 2162-2213 DOI https://doi.org/10.6022/journal.rrhlm.2013001

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Athanasiadou, Foteini, Kagiafa, Diana, Karkou, Vicky, Lykopoulou, Mirto, Babalis, Tasos, Bitzaraki, Aggeliki, Bouzioti, Candia, Sambathianaki, Ergina and Tsiris, Giorgos (2016) The CATI team: Experiences and reflections regarding the co-action of arts therapies. Approaches: An Interdisciplinary Journal of Music Therapy. ISSN 2459-3338

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Athanasiadou, Foteini and Karkou, Vicky (2017) Establishing Relationships with Children with Autism Spectrum Disorders through Dance Movement Psychotherapy: A Case Study using Artistic Enquiry. In: Daniels, S and Trevarthen, C (eds). The Rhythm of Relating in Children’s Therapies. Jessica Kingsley, London, pp. 272-292. ISBN 9781785920356

Bailey, Helen (2008) Trace. August Research Intensive, 4-8 August 2008, Bedford, UK.

Bailey, Helen and Hewison, James (2010) Composite Bodies. Composite Bodies, 2010, University of Bedfordshire.

Bailey, Helen and Hewison, James (2008) Dislocate/Relocate. Dislocate/Relocate, 2008, University of Bedfordshire.

Bailey, Helen and Hewison, James (2010) Here and There. Here and There, March 2010, University of Bedfordshire.

Bailey, Helen and Hewison, James (2008) Space/Placed. Space/Placed, 2008, University of Bedfordshire.

Baker, Catherine E, Bennett, Marie, Jackson, Phil, Sand, Jon Ola, Scott, Derek B, Singleton, Brian and Witts, Richard (2017) Royal Musical Association Annual Conference 2017: Edge Hill University Panel: The European Song Contest: discussion with Jon Ola Sand, Executive Supervisor of the Eurovision Song Contest (EBU). Royal Musical Association Annual Conference 2017, 07/09/2017 - 09/09/2017, University of Liverpool.

Bech, Sidsel (2009) Living Narratives. UNSPECIFIED.

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Bech, Sidsel and Hann, Rachel (2013) Critical Costume, an international research network. Critical Costume, 2013.

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Bech, Sidsel and Hann, Rachel (2013) Towards a vocabulary of scenographic bodies. Critical Costume 2013, 17-18 January 2013, Ormskirk, UK.

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Bennett, Rosemary and Jaundrill-Scott, Karen (2017) Intersecting Dialogues. Engaging with Communities:Creative Pedagogies, 22nd - 25th November 2017, University of Auckland.

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Bratchford, Gary, Giotaki, Georgia and Wewiora, Liz (2018) Socially Engaged Photography and Wellbeing: Reflections on a Case Study in the Northwest of England. London Journal of Primary Care, 10 (4). pp. 82-88. ISSN 1757-1472 DOI https://doi.org/10.1080/17571472.2018.1477439

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Burrows, James (2017) Rhizo-Memetic Art: The Production & Curation of Transdisciplinary Performance. Doctoral thesis, Edge Hill University.

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Chandler, Clare (2019) Integration and Disintegration in Next To Normal. MTEA Journal, 2. pp. 82-86.

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Chandler, Clare (2018) “Let me be part of the narrative” – The Schuyler Sisters ‘almost’ feminist? Contemporary Theatre Review Interventions.

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Chandler, Clare and Griffiths, Rachel (2018) ‘LEARN TO DO IT’ – PERFORMER TRAINING ACROSS THE PEDAGOGIES. TaPRA, 2nd - 7th September 2018, Aberystwyth University.

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Chandler, Clare and Scheuber, Simeon (2017) ‘Does Anybody Have A Map?’ The Impact of ‘Virtual Broadway’ on Musical Theatre Composition. Song, Stage and Screen XII, 19/06/2017-23/06/2017, Guildford School of Acting.

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Chandler, Clare and Schueber-Rush, S. (2018) MUSICAL THEATRE COMPOSITION: HOW DIGITAL BROADWAY HAS CHANGED ‘WHAT’S INSIDE’. Association for Theatre in Higher Education Conference Theatres of Revolution: Performance, Pedagogy, and Protest, 1st- 5th August 2018, Boston.

Connolly, R. and Ralley, R. (2008) Brecht and the disembodied actor. Studies in Theatre and Performance, 28 (2). pp. 91-110. ISSN 1468-2761 DOI https://doi.org/10.1386/stap.28.2.91/1

Connolly, R. and Ralley, R. (2007) Embodying interpretation. Studies in Theatre and Performance, 27 (1). pp. 43-58. ISSN 1468-2761 DOI https://doi.org/10.1386/stap.27.1.43/1

Connolly, Roy and Ralley, Richard (2010) Something real is needed: Constructing and dismantling presence. Studies in Theatre and Performance, 30 (2). pp. 203-218. ISSN 2040-0616 DOI https://doi.org/10.1386/stap.30.2.203_1

Copteros, Athena, Karkou, Vicky and Palmer, Tally (2017) Cultural adaptations of Dance Movement Psychotherapy experiences: from a UK higher education context to working with communities in southern Africa facing water related inequality. In: Karkou, Vicky, Oliver, Sue and Lycouris, Sophia (eds). The Oxford Handbook of Dance and Wellbeing. Oxford University Press. ISBN 9780199949298 DOI https://doi.org/10.1093/oxfordhb/9780199949298.001.0001

Cort, Sharon and Peimer, David (2003) The Labyrinth of the World and Paradise of the Theatre. Porata: The Jury. The Labyrinth of the World and Paradise of the Theatre., 2003, Prague Quadrennial.

Cowan, Billy Care Takers. Care Takers, Various: April 2009 - January 2010, The Lowry, Salford; The Unity, Liverpool; Oldham Coliseum; Dublin Gay Theatre Festival; The Library Theatre, Manchester.

Cowan, Billy (2013) Glee and Glum. Playdead Press Ltd, Portsmouth. ISBN 978-0957607712

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Cowan, Billy Invisible Theatre: Using Applied Theatre Techniques to Foster Writing. NAWE National COnference 2015, 14-16 November 2015, Durham.

Cowan, Billy (2012) The Right Ballerina. Playdead Press Ltd, Portsmouth. ISBN 978-0957285989

Cowan, Billy Smilin' Through. Smilin' Through, 15-30 April 2005, Birmingham Repertory.

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Cowan, Billy (2014) Smilin' Through & Still Ill. Playdead Press Ltd, Portsmouth. ISBN 9781910067277

Cowan, Billy Stigmata. Stigmata, 1 - 25 Jun 2006, The Drill Hall, London; The Unity, Liverpool.

Cowan, Billy (2014) Still Ill. Still Ill, 14th November 2014 - 28th November 2014, The Lowry, Salford; Oldham Library; The Arts Centre, Ormskirk; Seven Arts, Leeds; The Lantern Theatre, Liverpool.

Cowan, Billy (2014) Web Pal & It Should Have Been Me. In: Cowan, Billy (ed). Act Now: Monologues for Young People. Playdead Press Ltd, Portsmouth. ISBN 978-1910067116

Davismoon, Steve (2016) Atomisation of Sound. Contemporary Music Review, 35 (2). pp. 263-274. ISSN 0749-4467 DOI https://doi.org/10.1080/07494467.2016.1221629

Davismoon, Steve (2017) Beyond the North Tower. Beyond the North Tower, 03/05/2017-03/05/2020, The FED, Salford, Greater Manchester.

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Davismoon, Steve (2017) Conjuring Spectral Sonic Traces from Absent Places. The Drouth (58). ISSN 1474 6190

Davismoon, Steve (2018) Dancing the Blues. [Composition]

Davismoon, Steve (2015) Driven Voids. [Composition]

Davismoon, Steve (2016) God's Own Caught In No Man's Land. [Composition]

Davismoon, Steve (2017) In Search of the Phoenix. [Composition]

Davismoon, Steve (2016) In The Highest. [Composition]

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Davismoon, Steve (2018) Lancelot's Love Eternal. [Composition]

Davismoon, Steve (2018) Larkhill Place 1918. Larkhill Place 1918, 6th February - 31st December 2018, Salford Museum and Art Gallery.

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Davismoon, Steve (2017) Mist/Branches against a white sky. [Composition] (In Press)

Davismoon, Steve (2017) Tales from the dark interior. [Composition]

Davismoon, Steve (2014) Thrones. [Composition]

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Davismoon, Steve (2017) Unlucky for Some. [Composition]

Davismoon, Steve (2014) Well Yeah. [Composition]

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Davismoon, Steve (2017) Wreathed in Clover. [Composition]

Dowler, L. (2009) From Where You Are. Living Landscapes: An international Conference on Performance, Landscape and Environment, 18-21 June, Aberystwyth, Wales.

Dowler, L. (2009) Improvising On the Ward. European Contact Improvisation Teachers Exchange(ECITE), July, Edge Hill University, Ormskirk.

Dowler, L. (2009) Improvising on the Ward. Enspiring Transformations: Applied Arts and Health, 7 Sept, Northampton.

Dowler, L. (2007) Junction. Liverpool International Festival of Dance Improvisation, Nov, Unity Theatre, Liverpool.

Dowler, L. (2008) Nikki de Saint Phalle Interpretation. UNSPECIFIED, Feb, Tate Liverpool.

Dowler, L. (2009) Response to 24 Fragments Installation. UNSPECIFIED, February, Foundation for Art and Creative Technology (FACT), Liverpool.

Dowler, L. (2008) Singular Duality. Research Exchange, July, Edge Hill University.

Dowler, L. (2007) Singular Duality Part 3. Liverpool International Festival of Dance Improvisation, Nov, Unity Theatre, Liverpool.

Dowler, L. (2009) The Walkers. European Contact Improvisation Teachers Exchange(ECITE), 8 July, Edge Hill University, Ormskirk.

Dowler, L. and Gersten-Roberts, J. (2009) From Where You Are. Living Landscapes: An international Conference on Performance, Landscape and Environment, 18-21 June, Aberystwyth, Wales.

Dowler, L. and Gersten-Roberts, J. (2009) From Where You Are [Short Film]. Performance with Video, March 2009 - July 2009, Research Exchange, Liverpool Hope University, LEAP Festival, Unity Theatre Liverpool, Research Exchange, Edge Hill University, The Lunesdale Studio Trail, Lancashire, Aberystwyth University, Wales, Wenning Studios, High Bentham.

Dowler, Lisa (2013) Embodied Adventures in Medicine: Exploring the effects of improvisation for children and young people with acute pain in a clinical setting. Political Ecologies in Contact: Articulating Improvisation Practices, 6-7th April 2013, Falmouth University.

Dowler, Lisa (2010) Improvising on The Ward: Begin From Where You Are. The Art of Good Health and Wellbeing, 16-19th November, 2010, Sidney Myer Asia Centre, University of Melbourne, Australia.

Dowler, Lisa (2010) Improvising on the Ward. Animated.

Dowler, Lisa (2013) Improvising on the ward: Exploring somatic dance and potential in paediatric health care. Journal of Applied Arts and Health, 4 (2). pp. 163-178. ISSN 2040-2457 DOI https://doi.org/10.1386/jaah.4.2.163_1

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Dowler, Lisa (2013) The Significance of Improvisation in Paediatric Healthcare: The Alder Hey Model. Dance in Health Training, 3rd Sept, 2013, Ty Ffwrness, Wales.

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Dowler, Lisa (2010) A Space to Create: Working with Children in a Hospital. In: Tufnell, M (ed). Dance, Health and Wellbeing: Pathway to Practice for Dance Leaders Working in Health and Care Settings. Foundation for Community Dance, pp. 63-64. ISBN 9781898409083

Dowler, Lisa and GerstenRoberts, June (2012) Invisible Duets (Films 1, 2 & 3). [Video]

Dowler, Lisa, GerstenRoberts, June, Hampson, Paula and Hawkins, Catherine (2012) Invisible Duets. 'Sustainable Creativity in Healthcare' and 'Somatics and Technology', 17th May and 22nd June 2012, The Lyric Theatre, Belfast and The University of Chichester.

Dowler, Lisa and Hawkins, Catherine (2013) The Effects of Somatic Dance for Children and Young People with acute pain in Paediatric Healthcare. CULTURE HEALTH & WELLBEING INTERNATIONAL CONFERENCE, 24-26th June 2013, City Hall, Bristol.

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Dowler, Lisa and Hawkins, Catherine (2011) From Where You Are: Small Things Dance Collective and Alder Hey Children's Hospital. Documentation. Small Things Dance Collective.

Dowler, Lisa and Hawkins, Catherine (2009) Practice-as-Research portfolio: From Where You Are. From Where You Are, 2009-2013, Various.

Dowler, Lisa and Hawkins, Catherine (2013) Provocation: Embodied Adventures in Medicine: Exploring improvisation in paediatric healthcare. Culture, Health and Wellbeing : International Conference, 24-26th June 2013, City Hall, Bristol.

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Dowler, Lisa, Hawkins, Catherine, Charnock, Vicky, Traynor, Helen, O'Brien, Lorna and Rixon, Kellie (2013) The Significance of Improvisation in Paediatric Healthcare. Healthful Dancing: The Significance of Improvisation in Paediatric Healthcare, 13th Sept, 2013, Edge Hill University.

Dowler, Lisa, Hawkins, Catherine and GerstenRoberts, June (2011) Practice-as-Research Portfolio: Invisible Duets. Invisible Duets, 2011-2013, Various UK locations.

Dowler, Lisa, Hawkins, Catherine, Mccann, Paul and Romaya, Leila (2013) From Where You Are: A dance and movement project at Alder Hey Children's NHS Foundation Trust. [Video]

Edward, Mark (2018) Between Dance and Detention: Ethical Considerations of Mesearch in Performance. In: Iphofen, Ron and Tolich, Martin (eds). The SAGE Handbook of Qualitative Research Ethics. SAGE Publications Ltd, Thousand Oaks CA. ISBN 9781473970977

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Edward, Mark (2012) Council House Movie Star. Homotopia Festival 2012, 30 Oct - 11 Nov 2012, The Gallery Camp & Furnace, Liverpool.

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Edward, Mark (2013) Council House Movie Star: Ageing Drag Queens on the Borders of Society. Queer Futures Working Group at the annual conference of the International Federation for Theatre Research (FIRT/IFTR)., July 22nd-26th 2013, Barcelona.

Edward, Mark (2014) Council House Movie Star: Que(e)rying the Costume. Scene, 1-2. pp. 147-153. ISSN 2044-3714 DOI https://doi.org/10.1386/scene.2.1-2.147_1

Edward, Mark (2015) Council House Movie Star: a photographic exhibition of practice based research. Photographic Exhibition, 20th Jan 2015 - 6th Feb 2015, Ormskirk.

Edward, Mark (2015) Council House Movie Star: the film. International, Interdisciplinary Talking Bodies Conference 2015, 31 March – 2 April 2015, University of Chester.

Edward, Mark (2015) Council House Movie Star: the film. Talking Bodies, March 2015, Chester University.

Edward, Mark (2015) Dance: Anarchy From the Margins and Free Expression. In: Gillieron, R and Robson, C (eds). Counter Culture UK: A Celebration. Supernova Books, Twickenham London, pp. 75-94. ISBN 978-0-9566329-6-8

Edward, Mark (2008) Falling Apart at the Seams. British Dance Edition 2008, 30 Jan - 2 Feb, Liverpool.

Edward, Mark (2012) The Making of Council House Movie Star documentary. Re-routing Performance / Re-caminant l’escena, FIRT/IFTR Internacional Federation for Theatre Research, 22nd to 26th July 2013, Barcelona.

Edward, Mark (2017) Me, Myself and Who The Fuck Are You?! Talking Bodies 2017, April 2017, Univeristy of Chester.

Edward, Mark (2017) Mesearch and the Performing Body. Palgrave Pivot. ISBN 9783319699974

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Edward, Mark (2011) More Hip Op Than Hip Hop: Temporality of the Dancing Body. Animated. pp. 22-24.

Edward, Mark (2018) 'Queer and Fierce' in 'Truth to Power Café'. 'Queer and Fierce' in 'Truth to Power Café', 15/10/2018 -15/10/2018, Rose Theatre, Edge Hill University.

Edward, Mark (2014) Shake What Ya Momma Gave Ya: Growing Old, Performing Bold. Art of Age Conference., 15 Sep 2014, Sadler's Wells Theatre, Rosebery Avenue, London, EC1R 4TN.

Edward, Mark (2015) Surely You’re Not Still Prancing About On Stage At YOUR Age?! International, Interdisciplinary Talking Bodies Conference 2015, 31 March – 2 April 2015, University of Chester.

Edward, Mark and Bannon, Fiona (2017) Being in Pieces: Integrating Dance, Identity and Mental Health. In: Lycouris, Sophia, Karkou, Vicky and Oliver, Sue (eds). The Oxford Handbook for Dance and Wellbeing. Oxford University Press, pp. 329-348. ISBN 9780199949298 DOI https://doi.org/10.1093/oxfordhb/9780199949298.001.0001

Edward, Mark, Farrier, Stephen, D' Bray, Chris and Parslow, Joe (2017) Beyond The Slap: Reflections on Drag. Manchester Drag Symposium, January 19th, 2017, Manchester Central Library.

Edward, Mark and Greenough, Christopher (2019) Queer Literacy: Visibility, Representation, and LGBT+ Research Ethics. In: Iphofen, Ron (ed). Handbook of Research Ethics and Scientific Integrity. Springer, Cham. ISBN 978-3-319-76040-7 DOI https://doi.org/10.1007/978-3-319-76040-7_57-1

Edward, Mark and Griffin, Julia (2001) Flat 6. Tour, Sept 2001, North West, UK.

Edward, Mark and Newall, Helen (2017) Dying Swans & Dragged Up Dames. Naked Acts: Queer & Flesh., 31st January, 2017., York Art Gallery.

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Edward, Mark and Newall, Helen (2013) Dying Swans and Dragged Up Dames. Animated Magazine. pp. 14-16.

Edward, Mark and Newall, Helen (2014) Dying Swans and Dragged Up Dames. Dying Swans and Dragged Up Dames, September 2014, Bank Street Gallery, Sheffield.

Edward, Mark and Newall, Helen (2013) Dying Swans and dragged up dames: a photographic exploration of the ageing dancer. Dance Congress 2013, 6-9 June 2013, Düsseldorf, Germany.

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Edward, Mark and Newall, Helen (2013) Not With My Body Ya Don't! Ageing Performers and the Habitus Turn. TAPRA Performance and the Body working group, 4th - 6th September 2013, Glasgow.

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Edward, Mark and Newall, Helen (2011) Temporality of the Performing Body: Tears, Fears and Ageing Dears. Making Sense of Pain 2nd Global Conference, 22-24 May 2011, Warsw, Poland.

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Galon, Caroline (2019) Trauma-informed Dance Movement Psychotherapy: Understanding the Therapeutic Process and its Components. Doctoral thesis, Edge Hill University.

Gersten-Roberts, J. (2006) Grey [Short film]. Dance Film, May, Wenning Studios, North Yorkshire, Lunesdale Studio Trail, Lancashire, World Dance Day, Preston, International Videodance 2007, Athens and Thessolonik, Greece.

Gersten-Roberts, J. (2008) Lily [Short film]. [Video]

Gersten-Roberts, J. (2007) The Projectionist [Short Film]. UNSPECIFIED, Rushes Soho Shorts Festival, London, International Film Festival, Hull, International Film Festival, Leeds, Digi Fest, Florence, Italy, Cannes Film Festival, Cannes France.

Gersten-Roberts, J. (2007) The Projectionist [Short film]. [Video]

Gersten-Roberts, J., Stark, M and Broomy, B (2009) Lily [Short film]. Film Festival, Film Makers Network, Cumbria, Kilburn Film Festival, London, London Barbican Children's Film Festival, London, Exposures Film Festival, Manchester.

Gersten-Roberts, J. and Stark, M. (2009) Best Day [Short Film]. Best Day, Dukes Cinema, Lancaster, Heritage Centre Gallery, Pendle, Wenning Studios Lancashire, Lanternhouse International, Ulverston.

Gersten-Roberts, June (2009) Letter To Mr X [Short film]. [Video]

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Gersten-Roberts, June (2016) Transient Light: enchanted encounters with dappled light. Dance Movement and Spiritualities, 3 (1-2). pp. 89-106. ISSN 2051-7068 DOI https://doi.org/10.1386/dmas.3.1-2.89_1

Gersten-Roberts, June, Man, Michelle and Haigh, Howard (2016) The Dappled Light Project. Lunesdale Art Trail, Wenning Studios; Bentham, 04/06/2016 - 12/06/2016, Tate Exchange with Concurrent Three, Tate, Liverpool 23/2/2017.

Gersten-Roberts, June, Turvey, Gerry, Bygott, Roger and Oneill, Rachael (2016) Words Are Not Enough. Words Are Not Enough, 30/04/2016, Leeds Central Library.

GerstenRoberts, June (2017) Writing Body Stories. In: Karkou, Vicky, Lycouris, Sofia and Oliver, Sue (eds). Writing Body Stories. Oxford University Press, pp. 349-368. ISBN 9780199949298 DOI https://doi.org/10.1093/oxfordhb/9780199949298.013.51

GerstenRoberts, June, Turvey, Gerry and Bygott, Roger (2017) The Skin I'm In. Performance with Video, 01/09/2017, Yorkshire Dance Leeds.

Gordon, Robert and Peimer, David (2011) Pinter: In Other Rooms Party Time, The Examination, Press Conference, Mountain Language, Night, Victoria Station, A New World Order. Pinter: In Other Rooms, 2011, Toured Prague (Havel’s theatre), Berlin, Greece, Slovenia, London, Poland, Budapest.

Graham, R, Newall, Helen, Singleton, J and Leach, H (2013) The Road to Somewhere: A Creative Writing Companion. Palgrave Macmillan, London. ISBN 9781137263568

Griffin, J. (2004) Bad Reputation. Contact Theatre, June, Manchester.

Griffin, J. (2006) The Binsons. The Bigger Picture, June-July.

Griffin, J. (2002) Bird Engine. Dancehouse Theatre, March, Manchester.

Griffin, J. (2004) Circular Tape. Vaudeville Theatre, Spring - Autumn, London.

Griffin, J. (2004) Circular Tape. Liverpool Biennial, Spring - Autumn, Liverpool.

Griffin, J. (2004) Circular Tape. Greenroom, Spring - Autumn, Manchester.

Griffin, J. (2006) [Dancer] Manchester - The Beautiful South. [Video]

Griffin, J. (2009) Dancing in the Aisles. UNSPECIFIED, Chester.

Griffin, J. (2004) DigiLounge. DigiLounge Workshop, February, Chelmsford.

Griffin, J. (2010) Epilogue. UNSPECIFIED, Newcastle; Lancaster; Chester; Manchester.

Griffin, J. (2009) Forum For The Pedestrians. UNSPECIFIED, 29-30 October, Chester City Walls, Chester.

Griffin, J. (2000) Grebo's Dance Theatre. Launch Performance, May, Manchester.

Griffin, J. (2000) Grebo's Dance Theatre. Regional Tour.

Griffin, J. (2007) Hooked Up. 700.is, 1 April, Iceland.

Griffin, J. (2006) I Am Woman. Regeneration of Culture and Arts in Bury, 9 March, Bury Met Arts.

Griffin, J. (2005) Lazurd. Urban Moves International Dance Festival, 15-17 July, Manchester.

Griffin, J. (2007) The Migrant Body Project. Estonian TV, Estonia.

Griffin, J. (2001) Miss Fluff. x.trax Festival, May, Manchester.

Griffin, J. (2008) Night Cocoons. Urban Moves International Dance Festival, 25-26 July, Manchester.

Griffin, J. (2006) On the Big Screen: 27 May - 9 June. The Bigger Picture, June, Manchester.

Griffin, J. (2008) Physically Feminine with 'Blink'. LEAP Festival '08, Merseyside.

Griffin, J. (2008) Promotional Video. [Video]

Griffin, J. (2006) Ran out of Credit. The Bigger Picture, June-July.

Griffin, J. (2007) Reindeerland. 700.is, 1 April, Iceland.

Griffin, J. (2005) Swan. Commonwealth Film Festival, April 29 - 8 May, Manchester.

Griffin, J. (2004) SwanQuake. Motion Capture Project, April, Amsterdam.

Griffin, J. (2009) Tourist Information. [Video]

Griffin, J. (2007) Written on the Body. Digital Planetarium, October, Birmingham.

Griffin, J., Aeppli, S., Sandiland, N., Anderson, P. and Lee, R. (2004) [Combine Dance and Film Project]. Cheshire Dance, October, Cheshire.

Griffin, J., Engineer, K. and Fiske, B. (2009) Three Crows on a Road. UNSPECIFIED, Jan 2009 - ongoing, The Greenroom, Manchester.

Griffin, J., Engineer, K. and Fiske, B. (2009) Three Crows on the Road. The GEF House Experiment, Greenroom, Manchester.

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Griffin, Julia, Davismoon, Steve and Newall, Helen (2017) STUCK. STUCK, 17/06/2017 - 28/06/2017, Edge Hill University.

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Griffiths, Rachel (2017) Whose Voice Is It Anyway? Song Stage and Screen XII, 19/06/2017-23/06/2017, Guildford School Of Acting, University Of Surrey.

Hann, Rachel (2012) Dwelling in light and sound: An intermedial site for digital opera. International Journal of Performance Arts & Digital Media, 8 (1). pp. 61-78. ISSN 1479-4713 DOI https://doi.org/10.1386/padm.8.1.61_1

Hann, Rachel and Bech, Sidsel (2014) Critical costume. Scene, 2 (1-2). pp. 3-8. ISSN 2044-3714 DOI https://doi.org/10.1386/scene.2.1-2.3_2

Harrop, Angharad and De Vargas, Ruan (2012) Hiraeth/Saudade. Cultural Exchanges, 28th February 2012, Leicester.

Harrop, Angharad and de Vargas, Ruan (2013) Refugio do Pensamento. Llangollen International Musical Eisteddfod 2013; Performance of Work from Cia Cymru: Brasil, 12th July; 26th - 27th July, Llangollen; Centro Coreografico da Cidade do Rio de Janeiro.

Harrop, Angharad Ruth (2012) Journey of Heritage: Voyage of Culture. V congresso internacional em artes, novas tecnologias e comunicacao: As imbricacoes da cultura contemporanea a popular, 5 (1). pp. 116-123.

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Hatton, C and Bech, Sidsel (2015) Critical Costume 2015. Critical Costume 2015, 25-27 March 2015, Helsinki, Finland, Aalto University, School of Arts, Design and Archtechture.

Haughey, Laura and Hopkinson, Bill (2015) At the End of My Hands. At the End of My Hands, 01/05/2015-01/05/2015, Hamilton, New Zealand.

Haughey, Laura and Hopkinson, Bill (2017) Salonica! Salonica!, 04/05/2017-04/05/2017.

Hewison, James (2012) Land of the Giants. Performance, 30 June 2012, Belfast.

Hewison, James (2013) Oh Let Me Confess (Hewison). The Birthday Party, February and March 2013, Swansea, Wales.

Hewison, James (2012) Preston Passion. The Preston Passion, 6 April 2012, Preston, UK.

Hewison, James (2009) Queen Anne Summerhouse Site-specific Performance Project. Queen Anne Summerhouse Site-specific Performance Project, June 2009, Queen Anne Summerhouse, Old Warden, Bedfordshire.

Hewison, James (2019) Shakespeare and L.O.V.E: Dance and Desire in the Sonnets. In: McCulloch, Lynsey and Shaw, Brandon (eds). Oxford Handbook of Shakespeare and Dance. Oxford Handbooks. Oxford University Press, UK, pp. 525-545. ISBN 9780190498788

Hewison, James and Bailey, Helen (2008) e-dance Project. e-dance project, 2008 to 2010, Bedford, UK.

Hewison, James and Bradley, Elsa (2010) Flow Project. International Association of Dance Medicine and Science / 2nd annual HEA Arts and Humanities conference, 25 - 28 October 2012 / 29 - 30 May 2013, Singapore / Brighton.

Hewison, James and Charnock, Nigel (2012) L.O.V.E. L.O.V.E., September - November 2012, National Tour.

Hewison, James and Davies, Paul (2009) A Few Little Drops portfolio. A Few Little Drops / Preston Passion / Land of Giants, March 2009 - June 2012, Qatar & Kuwait / Preston / Belfast.

Hewison, James and Davies, Paul (2009) A Few Little Drops. A Few little drops, March 2009, Kuwait and Qatar.

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Hewison, James and Man, Michelle (2015) Imaginarium. Leonora Carrington Exhibition, March to April 2015, Tate Gallery Liverpool.

Hewison, James and Man, Michelle (2013) Landscape of the Bones project. Costa Contemporanea/The Birthday Party, February - September 2013, Spain/Wales.

Hewison, James and Man, Michelle (2013) The Landscape of the Bones. Costa Contemporanea Festival, 5-7 September 2013, Almeria, Spain.

Hewison, James and Man, Michelle (2017) Of Cabbages and Queens: Dancing Carrington. The Leonora Carrington Centenary Symposium, 30/06/2017-30/06/2017, Edge Hill University.

Hewison, James, Turner, Martin and Bailey, Helen (2008) Choreographic Morphologies: digital visualisation of spatio-temporal structure in dance and the implications for performance and documentation. Electronic Visualisation in the Arts 2008 International Conference Proceedings,. ISSN 978-1-906124-07-6

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Hewison, James and Urmston, Elsa (2014) Risk and Flow in Contact Improvisation: pleasure, play and presence (Hewison and Urmston). Journal of Dance and Somatic Practices, 6 (2). pp. 219-232. ISSN 17571871 DOI https://doi.org/10.1386/jdsp.6.2.219_1

Hopkinson, B. (2008) B.Lecoq's Neutral Mask: Performing a Corporeal Model of Consciousness. In: Meyer-Dinkgräfe, D. (ed). Consciousness, Theatre, Literature and the Arts 2007. Cambridge Scholars Publishing, Newcastle. ISBN 978-1847184184

Hopkinson, B. (2010) Clown Consciousness: a pedagogical intervention in undergraduate actor training. In: Meyer-Dinkgrafe, D. (ed). Consciousness, Theatre, Literature and the Arts 2009. Cambridge Scholars Publishing. ISBN 978-1443816496

Hopkinson, B. (2009) Clown Consciousness: a pedagogical intervention in undergraduate actor training. Third International Conference Consciousness, Theatre, Literature and the Arts, University of Lincoln.

Hopkinson, B. (2008) A Clown in the academy: the psychophysical imperative in 1st year undergraduate theatre practice. 7th CLTR Learning and Teaching Conference, Edge Hill University.

Hopkinson, B. (2004) (Director) Henhouse - by Kaite O'Reilly. UNSPECIFIED, 21 September - 9 October, Arcola Theatre London.

Hopkinson, B. (2007) LUDD (Director). European Tour.

Hopkinson, B. (2007) Lecoq's Neutral Mask: Performing a Corporeal Model of Consciousness. 2nd International Conference of Theatre, Literature, and the Arts, 5-7 May, Aberystwyth, Wales.

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Hopkinson, Bill (2011) The Fear of Forgetting Who We Are: Masks, Identity and the New Era in the Plays of Kaite O`Reilly. Symbolon (1). pp. 73-77. ISSN 1582-327X

Hopkinson, Bill, Haughey, Laura and Martin, A (2010) Scenes in a Mirror. [Video]

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Hopkinson, Bill and Mcnulty, Jane (2013) Beyond Verbatim: Dramatising the Search forJean McConville. Kritika Kultura, 21/22. pp. 457-471. ISSN 1656-152X

Jaundrill-Scott, Karen (2008) Engaging Boys in Creative Dance. North West Physical Education Conference, 6 March 2008, Ewood Park, Blackburn.

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Jaundrill-Scott, Karen (2016) Making Do you see what I see? Tapra Conference 2016, 5th -7th September 2016, Bristol.

Jaundrill-Scott, Karen (2017) The role of discourse in the training of emerging dance artists and safe haven filming:opening boundaries through the movement of the narrative. TaPRA Gallery, TaPRA Conference 2017, 30/8/2017-01/09/2017, Salford.

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Jaundrill-Scott, Karen (2018) The role of visual storytelling in the training of emerging dance artists: engaging with filmed discourse through open landscapes. 4 th International congress on Visual Culture, 28th - 29th May 2018, Pontificia Univerista della Santa Croce, pp. 1-13. (In Press)

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Jaundrill-Scott, Karen, Bennett, Geoff and Elliott, Karen (2005) Air Raid Archie. Home Front Recall, Heritage Lottery.

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Jaundrill-Scott, Karen, Bennett, Geoff and Elliott, Karen (2006) The Citadel Music Hall Years. Heritage Lottery Fund, St Helens EAZ.

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Jaundrill-Scott, Karen, Bennett, Geoff and Elliott, Karen (2005) The legacy of Samuel Taylor: a history of Taylor Park. Local Heritage Initiative.

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Jaundrill-Scott, Karen, Bennett, Geoff, Elliott, Karen and Macauley, Elisa (2007) From the Co-op to Boundary Road. From the Co-op to Boundary Road, 15th January 2007-July 2009, Rainford Gallery St Helens and local schools, Edge Hill University.

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Jaundrill-Scott, Karen, Bennett, Geoff, Macauley, Elisa and Elliott, Karen (2006) Tales of Oak Wood. Local Heritage Initiative.

Jaundrill-Scott, Karen and Cullen, Lisa (2009) Towards a Graduate Company. Towards a Graduate Dance Company, 6th July 2009, Edge Hill University.

Jaundrill-Scott, Karen and Cullen, Lisa (2009) Towards a Graduate Company. Project Report. Arts Council England.

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Jaundrill-Scott, Karen and Milner, Debbie (2013) And then there were Twelve. Storyville: Exploring narratives of learning and teaching, the 2nd annual HEA Arts and Humanities conference, 2013, 29-30 May 2013, Brighton.

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Jaundrill-Scott, Karen and Milner, Debbie (2013) And then there were twelve...the journey of a graduate dance company in the North West. Storyville, 29-30 May, Brighton.

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Jaundrill-Scott, Karen, Milner, Debbie and Wilson, Gil (2012) 12 Degrees North Triple Bill. North West Autumn Tour 2012, September 1st-November 22nd, North West England.

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Jaundrill-Scott, Karen and Newall, Helen (2016) 12 Degrees North: Do you see what I see? 12 Degrees North-An Exhibtion, October 2014 - March 2016, Edge Hill University Ormskirk,The Lowry Salford Quays,The Citadel Arts Centre, St Helens.

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Jaundrill-Scott, Karen and Newall, Helen (2016) The role of visual documentation in supporting the emerging dancer to self-reflect: embedding graduate employability via visual literacy. Sustaining the Discipline: Embedding the Right to Dance, Annual Dance HE Conference, 28/10/2016- 30/10/2016, RNCD, Leeds.

Jennings, M. (2010) Aesthetics and Efficacy in Community Theatre in Contemporary Northern Ireland. Research in Drama Education: The Journal of Applied Theatre and Performance,, 15 (1). pp. 111-117. ISSN 1470-112X

Joseph, Julie and Karkou, Vicky (2017) Holding and adolescent angst: Significant moments within a dance movement psychotherapy group in a mainstream secondary school. In: Payne, Helen (ed). Essentials of Dance Movement Psychotherapy International Perspectives on Theory, Research, and Practice. Routledge. ISBN 9781138200470

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Karkou, Vicky, Aithal, Supritha, Zubala, Ania and Meekums, Bonnie (2019) Effectiveness of Dance Movement Therapy in the Treatment of Adults with Depression: A Systematic Review with Meta-Analyses. Frontiers in Psychology. ISSN 1664-1078 DOI https://doi.org/10.3389/fpsyg.2019.00936 (In Press)

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Karkou, Vicky and Joseph, Julie (2017) The Moving and Movement Identities of Adolescents: Lessons from Dance Movement Psychotherapy in Schools. In: MacDonald, Raymond, Heardgreaves, David and Miell, Dorothy (eds). The Handbook of Musical Identities. Oxford University Press, New York, pp. 232-244. ISBN 9780199679485

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Karkou, Vicky, Martinsone, K, Nazarova, N and Vaverniece, I (2011) Art Therapy in the Postmodern World: Findings from a Comparative Study across the UK, Russia, and Latvia. The Arts in Psychotherapy, 38 (2). pp. 86-95. ISSN 0197-4556 DOI https://doi.org/10.1016/j.aip.2010.12.005

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Karkou, Vicky and Meekums, Bonnie (2017) Dance Movement Therapy for Dementia (Review). Cochrane Database of Systematic Reviews (2). pp. 1-27. DOI https://doi.org/10.1002/14651858.CD011022.pub2.

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Karkou, Vicky and Meekums, Bonnie (2014) Dance movement therapy for dementia (protocol). Cochrane Database of Systematic Reviews (3). pp. 1-15. DOI https://doi.org/10.1002/14651858.CD011022.

Karkou, Vicky and Oliver, Sue (2017) Conclusions to the Oxford Handbook of Dance and Wellbeing. In: Karkou, Vicky, Oliver, Sue and Lycouris, Sophia (eds). The Oxford Handbook of Dance and Wellbeing. Oxford University Press, pp. 925-928. ISBN 9780199949298 DOI https://doi.org/10.1093/oxfordhb/9780199949298.001.0001

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Karkou, Vicky, Oliver, Sue and Lycouris, Sophia (2017) Introduction to the Oxford Handbook of Dance and Wellbeing. In: Karkou, Vicky, Oliver, Sue and Lycouris, Sophia (eds). The Oxford Handbook of Dance and Wellbeing. Oxford University Press, pp. 9-12. ISBN 9780199949298 DOI https://doi.org/10.1093/oxfordhb/9780199949298.001.0001

King, Barnaby (2008) Acts of Violence: Theatre of Resistance and Relief in the Colombian War Zone. TDR/The Drama Review, 52 (1). pp. 88-109. ISSN 1054-2043 DOI https://doi.org/10.1162/dram.2008.52.1.88

King, Barnaby (2000) The African-Caribbean Identity and the English Stage. New Theatre Quarterly, 16 (2). pp. 131-136. ISSN 0266-464X DOI https://doi.org/10.1017/S0266464X00013646

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King, Barnaby (2013) Carnivalesque Economies: Clowning and the Neoliberal Impasse. Kritika Kultura, 21/22. pp. 472-489. ISSN 1656-152X DOI https://doi.org/10.13185/KK2013.02114

King, Barnaby (2015) Clowning as Social Performance in Colombia: Ridicule and Resistance. Bloombury, London. ISBN 9781474249287

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King, Barnaby (2000) Landscapes of Fact and Fiction: Asian Theatre Arts in Britain. New Theatre Quarterly, 16 (1). pp. 26-33. ISSN 0266-464X DOI https://doi.org/10.1017/S0266464X00013439

King, Barnaby and Talbot, Richard (2014) Clowns do ethnography: an experiment in long-distance comic failure. Comedy Studies, 5 (1). pp. 64-77. ISSN 2040-610X DOI https://doi.org/10.1080/2040610X.2014.905104

King, Neil (2009) Sport Policy and Governance: Local Perspectives. Butterworth-Heinemann, Oxford. ISBN 978-0-7506-8547-4

Lauke, Karen (2009) Copper Vibrations. Seeing Sound Symposium / New York City Electroacoustic Music Festival / Women & Minorities in Media Festival / SOUNDplay Festival, 19-20 September 2009 / 25th March 2010 / 27th March 2010 / 12th November 2010, Bath Spa University / Graduate Centre, New York / Baltimore, Maryland / Factory Theatre, Toronto.

Lauke, Karen (2011) Glesum. Glesum, December 2011.

Lauke, Karen (2011) Korrigan's Lair. Secret Light Garden, October 2011, Picton Castle.

Lauke, Karen (2010) Memories Unearthed. Dirt & Dreams 3, 26 September, Clifton Country Park, Salford.

Lauke, Karen (2010) The Placement of Sound in Artistic Contexts. Body, Space & Technology Journal, 9 (1). ISSN 1470-9120

Lauke, Karen (2011) Practice as Research: two related site-specific multichannel sound performances with additional live sound feed: Synecdoche:praha; The Ghost of Someone Not Yet Drowned (TGoSNYD). Synecdoche:praha / The Ghost of Someone Not Yet Drowned, 2011 / 2012, National Theatre, Prague; Victoria Baths, Manchester / V&A Museum, London; Bute Theatre, Cardiff.

Lauke, Karen (2011) Synecdoche:praha. Prague Quadrennial, June 2011, Prague.

Lauke, Karen, Newall, Helen and Griffin, Julia (2012) The Ghost of Someone Not Yet Drowned. The Ghost of Someone Not Yet Drowned, 19th April 2012, Victoria Baths, Manchester.

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Loveless, Natalie, Buller, Rachel Epp, Donoghue, Deirdre, Drummond, Davina, El-Sherbini, Yara, Haq, Farheen, Hawkes, Jodie, Irvin, Sarah, Kessel, Courtney, Knowles, Helen, Lusztig, Irene, McCloskey, Paula, Regn, Iris Anna, Richter, Shira and Simic, Lena (2016) Contemporary Mamactivist Artists: A Forum on Maternal Activist Art for the Studies in the Maternal Special Issue on The Everyday Maternal Practice: Activist Structures in Creative Work, Summer 2016. Studies in the Maternal, 8 (2). pp. 56-62. ISSN 1759-0434 DOI https://doi.org/10.16995/sim.224

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Loydell, Rupert and Witts, Richard (2017) Post-Punk Poet: An interview with Dick Witts of The Passage. Punk and Post Punk, 6 (3). pp. 415-423. ISSN 2044-1983 DOI https://doi.org/10.1386/punk.6.3.415_7

Lyons, S, Karkou, Vicky, Richards, Michael and Meekums, B (2018) Exploring the value of a music and dance movement therapy group for older people with dementia living in the community. Collaborative Approaches to Music and Wellbeing Research Conference, 9th - 10th November 2018, School of Music, University of Leeds.

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Macauley, Elisa and Milner, Debbie (2014) 'Battlefield Boy'. Battlefield Boy, 2014, Falinge Park High School in Rochdale, The Imperial War Museum North and performed across the NW.

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Mala, A, Karkou, Vicky and Meekums, B (2012) Dance/Movement Therapy (D/MT) for depression: A scoping review. The Arts in Psychotherapy, 39 (4). pp. 287-295. ISSN 0197-4556 DOI https://doi.org/10.1016/j.aip.2012.04.002

Man, Michelle (2017) Atmos (Blue Light) Sphering. Atmospheres 3rd Annual Practice Research Symposium at the University of Surrey, 13th January 2018, Institute of Performance at Guildford School of Acting, University of Surrey.

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Man, Michelle (2018) Attenuating Light and the Choreographic in Breaking New Ground, Doctoral College Conference. University of Surrey, 3/7/2018, Surrey.

Man, Michelle (2017) Book Review Choreographic dwellings: practising place (new world choreographies). Taylor & Francis, Theatre and Performance Design 3 (1-2).

Man, Michelle (2016) Dancing in the Dark: Lowering the Lights for an Uncertain World. Dance in the 21st Century: Questioning methods of practice, pedagogy and research, 07/04/16, University of Bedfordshire.

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Man, Michelle (2016) Forrest Lights: collaborative glimmerings in performance making with mediated light. “How do to things with ...” Practice Research Symposium, 20.07.16, University of Surrey.

Man, Michelle (2016) INTERFACES: Investigación para las Artes Circenses y Su Cruce con la Arquitectura (2016). Practice Research Investigation, 6th August to 6th September 2016, UK and Chile.

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Man, Michelle (2016) 'InTarsi'. Circ d'ara Mateix, 22-24.04.16 and on-going, El Mercat de les Flors, Barcelona.

Man, Michelle (2014) ‘Into Darkness…Towards l i g h t o u c h: The Challenges of Creating and Performing in the Dark’. Theatre in the Dark Symposium, 12/07/14, University of Surrey.

Man, Michelle (2018) Modes of Hospitality as a Methodology for Devising Contemporary Circus Performance. Circus and its Others II International Circus Conference, 27/08/2018-29/08/2018, Charles University, Prague, Czech Republic.

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Man, Michelle and Summerlin, Dawn (2016) Porcelain Moves: When Costume Choreographs with Summerlin, D. Perceptive Fragility. Costume and Fashion in Context and Practice Symposium, 5th-6th December 2016, The Fashion and Costume Research Centre, University of Huddersfield.

McCormick, Sheila (2009) “And You Dinnay Want tay Join the Army?” Friendship, Conflict and Kinship in Gregory Burke’s Black Watch. In: Watson, Graeme, Renzi, Barbara Gabriella, Viggiani, Elisabetta and Collins, Máiréad (eds). Friends and Foes Volume I: Friendship and Conflict in Philosophy and the Arts. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 67-76. ISBN 9781443803328

McCormick, Sheila (2007) Back on Stage: Movements in Irish Theatre, 2006. New Hibernia Review, Volume 11, Number 3, Autumn 2007, 145-153, 11 (3). pp. 145-153.

McCormick, Sheila (2012) The Darkest Corner Series: Theatre Challenging the State? Irish Studies Review, 20 (2). pp. 179-191. ISSN 0967-0882 DOI https://doi.org/10.1080/09670882.2012.679216

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McCormick, Sheila (2013) Heroes with Their Hands in the Air: Memory and Commemoration in Contemporary Documentary Theater. Kritika Kultura, 21/22 (21/22). pp. 500-515. ISSN 1656-152X

McCormick, Sheila (2012) Verbatim theatre and The Voice of Dissent. In: Brisset, Sandrine and Doody, Noreen (eds). Voicing Dissent: New Perspectives in Irish Criticism. Irish Academic Press, Dublin, Ireland, pp. 61-69. ISBN 9780716531388

McHitarian, Mariam, Moutiris, Joseph and Karkou, Vicky (2017) Attending to the heart beat in Dance Movement Psychotherapy: improvements in mood and quality of life for patients with Coronary Heart Disease. In: Karkou, Vicky, Oliver, Sue and Lycouris, Sophia (eds). The Oxford Handbook of Dance and Wellbeing. Oxford University Press, pp. 903-924. ISBN 9780199949298 DOI https://doi.org/10.1093/oxfordhb/9780199949298.001.0001

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Meekums, Bonnie, Karkou, Vicky and Nelson, Andrea (2015) Dance movement therapy for depression. Cochrane Database of Systematic Reviews (2). pp. 1-54. ISSN 1469-493X DOI https://doi.org/10.1002/14651858.CD009895.pub2

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Meekums, Bonnie, Karkou, Vicky and Nelson, Andrea (2012) Dance movement therapy fro depression (protocol). Cochrane Database of Systematic Reviews (6). pp. 1-15. DOI https://doi.org/10.1002/14651858.CD009895

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Merriman, Victor (2018) ATHENS’ SHADOWS. Kritika Kultura, 30/31. pp. 110-128. ISSN 1656-152X DOI https://doi.org/10.13185/2808

Merriman, Victor (2016) ‘As We Must’: Growth and Diversification in Ireland’s Theatre Culture 1977–2000. In: Grene, Nicholas and Morash, Chris (eds). The Oxford Handbook of Modern Irish Theatre. Oxford University Press, Oxford. ISBN 0198706138

Merriman, Victor (2011) Because We Are Poor: Irish Theatre in the 1990s. Carysfort Press, Dublin. ISBN 9781904505518

Merriman, Victor (2010) Bernard Shaw in contemporary Irish studies: "Passe and contemptible"? Shaw: The Annual of Bernard Shaw Studies, 30. pp. 216-235. ISSN 0741-5842

Merriman, Victor (2014) “Holes in the Ground: theatre as critic and conscience of Celtic Tiger Ireland”. In: Maher, Eamon and O'Brien, Eugene (eds). From Prosperity to Austerity: Sociocultural readings of the Celtic Tiger and its Aftermath. Manchester University Press, Manchester, pp. 188-202. ISBN 9780719091674

Merriman, Victor (2017) Locked Out: Working-Class Lives in Irish Drama 1958-1998. In: Pierse, Michael (ed). A History of Irish Working-Class Writing. Cambridge University Press, pp. 318-331. ISBN 978-1-107-14968-7 DOI https://doi.org/10.1017/9781316570425.020

Merriman, Victor (2013) Marking "Austerity": Critique, Purpose and Performance. Kritika Kultura, 21/22. pp. 373-396. ISSN 2094-6937 DOI https://doi.org/10.13185/KK2013.02109

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Merriman, Victor (2010) "Not Always But Often": Introduction to a Special Issue on Radical Theatre and Ireland (Part 1). Kritika Kultura, 14. pp. 42-52. ISSN 1656-152X

Merriman, Victor (2013) O'Casey's Postcolonial Dramaturgy. In: Moran, James (ed). The Theatre of Sean O'Casey. Critical Companions. Bloomsbury Methuen Drama, London and New York, pp. 214-226. ISBN 9781408175347

Merriman, Victor (2010) “Willing To Do Public Work”: Introduction to a special issue on radical theatre and Ireland (Part 2). Kritika Kultura, 15. pp. 56-76. ISSN 1656-152X

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Milner, Debbie (2016) If The Hat Fits. If The Hat Fits, 01/09/2017, TaPRA- Salford University, New Adelphi Building.

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Milner, Debbie (2017) ‘If the Hat Fits’ Examining the impact of male-only, extra-Curricular provision on male dancers studying in Higher Education. TaPRA Conference 2017, 30/08/2017-01/09/2017, Salford University, New Adelphi Building.

Newall, H. (2007) Another Sun (War Trilogy part III). UNSPECIFIED, Southhampton.

Newall, H. (2004) Anthem For Doomed Youth (War Trilogy part I). UNSPECIFIED, Southampton.

Newall, H. (2001) The Book of Days. Pretext.

Newall, H. (2007) Characters. In: Graham, R. (ed). How to Write Fiction (And Think About It). Palgrave Macmillan, London. ISBN 978-1403993151

Newall, H. (2008) Cyrano: le Vraie Story. UNSPECIFIED, North West, Wales, NI and Eire.

Newall, H. (2007) Dreaming the Silence. UNSPECIFIED, Edge Hill.

Newall, H. (2004) Grimms' Tales. UNSPECIFIED, Southampton.

Newall, H. (2001) The Memory of Water. In: Duffy, M. (ed). Pool. Headland. ISBN 9781902096759

Newall, H. (2007) Robin Hood and the Golden Arrow of Doom. UNSPECIFIED, North West, Wales, NI and Eire.

Newall, H. (2007) Scriptwriting. In: Graham, R. and Leach, H. (eds). Everything You Need to Know About Writing (But Knowing Isn't Everything...). Continum, London. ISBN 978-0826490223

Newall, H. (2006) Shoah (War Trilology part II). UNSPECIFIED, Southampton.

Newall, H. (2006) Some Sunny Day. UNSPECIFIED, Chester.

Newall, H. (2000) The Spring Stone. UNSPECIFIED.

Newall, H. (2006) Sweet Sixteen. UNSPECIFIED, Chester.

Newall, H. (2008) There Must Be Silence. Deep Wireless Festival and Conference, Toronto.

Newall, H. (2007) There Must Be Silence. UNSPECIFIED, Manchester.

Newall, H. (2007) The Twelve Days of Christmas. UNSPECIFIED, Chester.

Newall, H. (2009) A View From the Hill, Knowledge Transfer. UNSPECIFIED, Cheshire.

Newall, H. (2004) Waiting for the Fall. Mslexia. ISSN 1473-9399

Newall, H. (2007) Writing for Television. In: Graham, R. and Leach, H. (eds). Everything You Need to Know About Writing (But Knowing Isn't Everything...). Continum, London. ISBN 978-0826490223

Newall, Helen (2017) Characterisation. In: Graham, Robert (ed). How to Write a Short Story (And Think About It). Palgrave Macmillan, London, pp. 101-113. ISBN 9781137517081

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Newall, Helen (2014) Honour. Honour, 02/08/2014-02/08/2014, Media City UK, salford.

Newall, Helen (2008) Oh, Whistle and I'll Come to You, My Lad. In: Cox, Ailsa (ed). The Short Story. Cambridge Scholars Publishing, Newcastle. ISBN 1847186696

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Newall, Helen (2014) Over By Christmas. Over By Christmas, 01/09/2014-15/12/2014, NW Tour; Piccadilly Station; St Pancras International Station; Chester Cathedral.

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Newall, Helen (2011) Practice as Research: site responsive text: A Fairy Tale Not Yet Written. Secret Light Garden, 2011, Picton Castle.

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Newall, Helen (2008) Silent Night. [Artefact]

Newall, Helen and Edward, Mark (2013) Dying Swans and Dragged Up Dames: a Photographic Exploration of the Ageing Dancer. Dying Swans and Dragged Up Dames, 14 October 2013 - 14 November 2013, The Arts Centre, Edge Hill University.

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Newall, Helen and Jaundrill-Scott, Karen (2014) 12◦ North: Visual Literacy and the Emerging Artist. 12◦ North: Visual Literacy and the Emerging Artist, 01/02/2014-31/12/2018.

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Newall, Helen and Jaundrill-Scott, Karen (2016) Can visual documentation support the emerging dancer to self-reflect? Embedding graduate employability. Inspire – sharing great practice in Arts and Humanities teaching and learning - See more at: https://www.heacademy.ac.uk/events-conferences/event/inspire-%E2%80%93-sharing-great-practice-arts-and-humanities-teaching-and-learning, 2nd and 3rd of March 2016, Brighton.

Newall, Helen and Jaundrill-Scott, Karen (2017) The Impact of Visual Literacy on the Emerging Artistry of the Professional Dancer. Visual Culture Congress 2017, 22/05/2017-23/05/2017, Barcelona.

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Newall, Helen and Lauke, Karen (2010) Blodeuwedd. Secret Light Garden, 8-9 October 2010, Pembrokeshire, South Wales.

Newall, Helen and Lauke, Karen (2012) Dreaming the Silence: An Un-trance-lated performance. [Video]

Newall, Helen and Lauke, Karen (2008) In the Museum of Lost Sounds (Dreaming the Silence Project). Sorderas [Deafnesses] Festival and Conference, Barcalona.

Newall, Helen, Skinner, A and Taylor, A (2017) Translating Performance: Desire, Intention and Interpretation in Photographic Documents. In: Sant, Toni (ed). Documenting Performance: The Context and Processes of Digital Curation and Archiving. Bloomsbury, London, pp. 93-112. ISBN 9781472588203

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Norris, Debbie (2017) ConSequence - The Genomes Dance Project. ConSequence, 25/06/2017-25/06/2017, William Thomas Theatre, Denton Manchester.

Oruche, Phina and Hopkinson, Bill (2016) Identity Crisis. Identity Crisis, 08/09/2017-09/09/2017, Soho Playhouse, New York.

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Payne, Helen, Warnecke, Tom, Karkou, Vicky and Westland, Gill (2016) A comparative analysis of body psychotherapy and dance movement psychotherapy from a European perspective. Body, Movement and Dance in Psychotherapy, 11 (2-3). pp. 144-166. ISSN 1743-2979 DOI https://doi.org/10.1080/17432979.2016.1165291

Peimer, David (2015) Austerity and Postcolonialism; How the Bird seeks the Cage in the works of Kafka and Pinter. Postcolonial Studies Association 2015 Convention, 7th-9th September 2015, University of Leicester.

Peimer, David (2007) Avant Garde SA theater. In: Cody, Gabrielle. H and Sprinchorn, Evert (eds). The Columbia Encyclopedia of Modern Drama. Columbia University Press. ISBN 9780231140324

Peimer, David (2007) Avant Garde SA theatre. In: Cody, Gabrielle H and Sprinchorn, Evert (eds). The Columbia Encyclopedia of Modern Drama. Columbia University Press. ISBN 9780231140324

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Peimer, David (2018) A Brief Moment in the Great Postcolonial Story: Crime, Violence and Grief in Contemporary South African Theatre. African Performance Review, 9 (1). pp. 26-42. ISSN 1750-4848

Peimer, David (2008) David Mamet's Edmond. Premiere of Edmond by American playwright David Mamet, December 2008.

Peimer, David (2017) Decolonising Shakespeare in A Pound of Flesh (Caliban and Shylock Speak). Literature and Identity in a Globalized World, 04/07/2017-06/07/2017, Wurtzburg, Germany.

Peimer, David (2010) Directed and Adapted Nobel Prize winner Elie Wiesel’s book Night, Dorota Maslowska’s A Couple of Poor Polish Speaking Romanians. Dorota Maslowska’s A Couple of Poor Polish Speaking Romanians, 2010, Na Zabradli Theatre.

Peimer, David (2017) 'A Director's Perspective: Stanislavsky in South Africa'. In: Pitches, Jonathan and Aquilina, Stefan (eds). Stanislavsky in the World - The System and its Transformations Across Continents. Bloomsbury, UK. ISBN 9781472587886

Peimer, David (2008) Durang's Laughing Wild. Laughing Wild, 24/04/2008 & 2-3/05/2008, Prague Playhouse.

Peimer, David (2016) Fracturing Identities: Crime and Grief in Contemporary South African theatre. In: Gordon, R and Carr, H (eds). Fractured Identities in Postcolonial Theatre (Working Title). Pinter Centre, London. (In Press)

Peimer, David (2014) Grief in Contemporary South African Theatre. Performing Grief, 17th -18th October 2014, University of Sorbonne, Paris-Sorbonne.

Peimer, David (2017) Havel Foundation (Prague) in collaboration with Mandela Foundation on: Havel and Mandela; Human Rights in South African and Czech Theatre Today. Creative Africa: Havel and Mandela and Human Rights, 24/05/2017-26/05/2017, Prague.

Peimer, David (2012) The Opposite of Memory is Indifference. EU Parliament Culture Department, 2012, Brussels.

Peimer, David (2017) A Pound of Flesh (Caliban and Shylock Speak). A Pound of Flesh (Caliban and Shylock Speak), 23/03/2017-23/03/2017, EHU.

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Peimer, David (2016) Re- Considering Intercultural Actor Training in South Africa today; ‘Borrowing on our own terms’. Theatre, Dance and Perfromance Training, 7 (3). pp. 403-416. ISSN 1944-3927 DOI https://doi.org/10.1080/19443927.2016.1217261

Peimer, David (2013) Representations of Crime in Post Apartheid Theatre; A brief moment in the Post Colonial Narrative. In: Bray, Suzanne and Preher, Gerald (eds). Culture and Crime. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 131-144. ISBN 978-1-4438-5134-3

Peimer, David (2011) Shylock's Ghosts: The afterlife of Shakespeare's Jew. Shylock's Ghosts: The afterlife of Shakespeare's Jew., 2011, Falmouth Theatre.

Peimer, David (2009) Vaclav Havel’s The Unveiling and Audience and an adaptation of Kafka’s The Trial with NYU students. Vaclav Havel’s The Unveiling, 2009, Na Zabradli Theatre (President Havel’s theatre in Prague).

Peimer, David (2015) Violence and Grief in Contemporary South African Theatre. Inaugural Lecture Series – Professor David Peimer, 20th Nov 2015, Edge Hill University- Rose Theatre, Ormskirk.

Peimer, David (2016) Who Owns the Narrative of the City; Views from Liverpool and Johannesburg. Babel Replay, 9th April 2016- 10th April 2016, Durrenmatt Centre, Neuchatel, Switzerland..

Peimer, David (1993) The theatre of images: how it functions, the pioneers and a way forward for the movement. Doctoral thesis, Columbia University.

Pratt, Stephen (2016) At the turn of the year. [Composition]

Pratt, Stephen (2016) Moving On. [Composition]

Pratt, Stephen (2016) Solo Uno. [Composition]

Pratt, Stephen (2017) Song and Dance. [Composition]

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Radosavljević, Duška, Rigby, Annie and Simic, Lena (2015) The Mums and Babies Ensemble: A Manual. The Institute for the Art and Practice of Dissent at Home. ISBN 978-0-9564165-3-7

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Ralley, Richard and Connolly, Roy (2010) In front of our eyes: Presence and the cognitive audience. About Performance, 10. pp. 51-66. ISSN 1324-6089

Schrimshaw, Will (2017) Immanence and Immersion: on the acoustic condition in contemporary art. Bloomsbury. ISBN 9781501315879

Schrimshaw, Will (2013) Non-cochlear sound: On affect and exteriority. In: Biddle, Ian and Thompson, Marie (eds). Sound, Music, Affect: Theorizing sonic experience. Bloomsbury Academic, London and New York, pp. 27-43. ISBN 9781441126344

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Schrimshaw, Will (2018) The Tone of Prime Unity. Organised Sound, 23 (2). ISSN 1355-7718 DOI https://doi.org/10.1017/S1355771818000080

Schrimshaw, Will (2012) Undermining Media. Artnodes: Journal on Art, Science and Technology, 12. pp. 100-105. ISSN 1695-5951 DOI https://doi.org/10.7238/a.v0i12.1637

Schrimshaw, William (2012) Any Place Whatever: Schizophonic Dislocation and the Sound of Space in General. Interference (2). ISSN 2009-3578

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Schrimshaw, William (2016) Exit Immersion. Sound Studies: An Interdisciplinary Journal, 1 (1). pp. 155-170. ISSN 2055-1940 DOI https://doi.org/10.1080/20551940.2015.1079982

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Schrimshaw, William (2015) Ur-Writings: A Geophonographic Fiction. Leonardo. pp. 1-12. ISSN 0024-094X DOI https://doi.org/10.1162/LEON_a_01075

Simic, Lena (2014) 40 Minutes (2014). 40 Minutes, 29 November 2014, The Institute for the Art and Practice of Dissent at Home, Liverpool.

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Simic, Lena (2016) 42 Among the Gormleys. 42 Among the Gormleys, 27 November 2016, Crosby Beach.

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Simic, Lena (2014) Birth Story. Performance Research, 19 (4). pp. 24-30. ISSN 1352-8165 DOI https://doi.org/10.1080/13528165.2014.947135

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Simic, Lena (2018) Encountering Performing (M)Others: Feminist Maternal Practice in Contemporary Performance. Contemporary Theatre Review, 28 (3). pp. 401-412. ISSN 1048-6801 DOI https://doi.org/10.1080/10486801.2018.1475359

Simic, Lena (2016) Friday Records - Online Journal (2014) and Live Art Event (2016). Friday Records, January 2014 - January 2015; August 2016, Online and MART Gallery, Dublin Live Art Festival.

Simic, Lena (2016) Medea/Mothers’ Clothes and 6 Notebooks for 6 Women for 6 Years in Bratislava double bill of performances. Medea/Mothers’ Clothes and 6 Notebooks for 6 Women for 6 Years in Bratislava double bill, 26 February 2016, Studio 12, Bratislava, Slovakia.

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Simic, Lena (2018) My Sea: on the waves of poetics and politics. Performance Research, 23 (4-5). pp. 74-78. ISSN 1352-8165 DOI https://doi.org/10.1080/13528165.2018.1518613

Simic, Lena and Anderson, Gary (2012) The Hazardous Conversation: The Practice of Intimacy in Performance at The Institute for the Art and Practice of Dissent at Home. In: Chatzichristodoulou, Maria and Zerihan, Rachel (eds). Intimacy: Across Visceral and Digital Performance. Palgrave MacMillan, Basingstoke, pp. 51-62.

Simic, Lena and Anderson, Gary (2010) Negotiating a Domestic: Cultural Agency and the Institute for the Art and Practice of Dissent at Home. In: Degen, Monica and Miles, Malcolm (eds). Culture and Agency: Contemporary Culture and Urban Change. Plymouth University Press. ISBN 978-1-84102-1-652

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Simic, Lena, Anderson, Gary, Jones, Chris, Hunter, Ritchie, Evans, Mel and Jasiewicz, Ewa (2016) 4 Boys [for Beuys]. The Institute for the Art and Practice of Dissent at Home, Liverpool. ISBN 978-0-9564165-4-4

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Simic, Lena, Anderson, Gary and Kingdom, Richard (2010) Watch Out! Here Comes Uselessness: The Institute for the Art and Practice of Dissent at Home on Financial Transparency. In: Live Art Development Agency, Live Art UK (ed). In Time: A Collection of Live Art Case Studies: A Live Art UK Project. Live Art Development Agency, London, pp. 70-82. ISBN 9780956134202

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Simic, Lena, Anderson, Neal and Anderson, Gabriel (2015) Backpages 25.3, A Provocative Cold Consideration: 3 Winters at the National Theatre in London. Contemporary Theatre Review, 25 (3). pp. 446-464. ISSN 1048-6801 DOI https://doi.org/10.1080/10486801.2015.1049879

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Simic, Lena and O'Malley, Julieann (2015) Full Term video film (9 minutes) (2014). [Video]

Simic, Lena and Tyler, Imogen (2014) Becoming British: exploring citizenship through arts practice. In: Tyler, Imogen and Marciniak, Katarzyna (eds). Immigrant protest: politics, aesthetics and everyday dissent. SUNY, pp. 63-81. ISBN 9781438453118

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Simic, Lena, Tyler, Imogen, Lake, Abi, Bueschges, Kerstin and Butterworth, Cathy (2009) Maternal Matters and Other Sisters Artist Catalogue. [Artefact]

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Simic, Lena and Underwood-Lee, Emily (2016) Backpages 26.4, Performance and the Maternal. Contemporary Theatre Review, 26 (4). pp. 536-539. ISSN 1048-6801 DOI https://doi.org/10.1080/10486801.2016.1242644

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Simic, Lena, Underwood-Lee, Emily, Phillips, Áine, Furse, Anna, Bean, Bean, Qualmann, Clare, Marchevska, Elena, Surman, Grace, Sargeant, Helen, Walsh, Helena, Clarke, Liz, Philps, Lizzie, Gingell, Zoe, Ryan, Miffy, Evans, Tracy, Rippel, Ildiko, Garton, Rosie and Dent, Eve (2016) Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal. Documentation. Live Art Development Agency.

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Simic, Lena and Verson, Jennifer (2011) Blood & Soil: we were always meant to meet… Performance Document. [Artefact]

Stefani, E. and Lauke, Karen (2010) Music, Space and Theatre: Site-specific approaches to multichannel spatialisation. Organised Sound, 15 (3). pp. 251-259. ISSN 1355-7718 DOI https://doi.org/10.1017/S1355771810000270

Stock, J. (2008) Blue Night in the Heart of the West. UNSPECIFIED, Los Angeles.

Stock, J. (2000) Le Ciel Veut Pas De Toi. In: Collective, . (ed). Petites Pièces d'auteurs 2. Theatrales, pp. 133-159. ISBN 978-2842600488

Stock, J. (2003) Le Ciel Veut Pas De Toi (Leeds). UNSPECIFIED, Leeds.

Stock, J. (2003) Le Ciel Veut Pas De Toi (Paris). UNSPECIFIED, Paris.

Stock, J. (2007) Nuit Bleue au Coeur de l'Ouest. UNSPECIFIED, Paris.

Stock, J. (2007) Nuit Bleue au Coeur de l'Ouest. In: Corvin, M. (ed). Anthologie critique des auteurs dramatiques européens (1945-2000). Editions Théâtrales, pp. 252-255. ISBN 978-2842602314

Stock, J. (2000) Petites Pieces D'Auteurs 2. In: UNSPECIFIED (ed). Le Ciel veut pas de toi. Editions Theatrales, Paris, pp. 133-159.

Stock, J. (2009) Star-Gazy Pie and Sauerkraut. UNSPECIFIED, Salford.

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Toth, Aniko and Stravropoulos, Nikos (2016) ELEGEIA (for Anna). [Composition]

Wiltshire, Kim (2010) Joy With Child. Joy With Child, 30th September - 2nd October, Taurus, Manchester.

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Wiltshire, Kim (2017) The Value of Nothing - performed play and published by Aurora Metro. The Value of Nothing, 10/10/2017- 08/11/2017, Tour: Edge Hill University Arts Centre, Carlisle Old Fire Station, Sale Waterside Arts Centre, TUC Equality Conference at the Mechanics Institute in Manchester, Old Joint Stock Theatre in Birmingham.

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Wiltshire, Kim and Greenhill, Ella Carmen No Offence Trilogy from Pages From My Songbook. Pages From My Songbook, 19th and 20th July, 2013, The Studio, Royal Exchange Theatre, Manchester.

Wiltshire, Kim and Hine, Paul (2012) Project XXX. Project XXX Scratch Performance, 21st June and 3rd July, Octagon Theatre Bolton and Axis Arts Centre Crewe.

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Witts, Richard (2017) Live from Liperpool: lip-synching as a radical act. Royal Musical Association 53rd Annual Conference, 7/9/2017-9/09/2017, University of Liverpool.

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Zubala, Ania and Karkou, Vicky (2015) Dance movement psychotherapy practice in the UK: Findings from the Arts Therapies Survey 2011. Body, Movement and Dance in Psychotherapy, 10 (1). pp. 21-38. ISSN 17432979 DOI https://doi.org/10.1080/17432979.2014.920918

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Zubala, Ania, MacIntyre, Donald J, Gleeson, Nigel and Karkou, Vicky (2013) Description of arts therapies practice with adults suffering from depression in the UK: quantitative results from the nationwide survey. The Arts in Psychotherapy, 40 (5). pp. 458-464. ISSN 0197-4556 DOI https://doi.org/10.1016/j.aip.2013.09.003

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Zubala, Ania, MacIntyre, Donald J and Karkou, Vicky (2016) Evaluation of a brief art psychotherapy group for adults suffering from mild to moderate depression: Pilot pre, post and follow-up study. International Journal of Art Therapy. pp. 1-12. ISSN 1745-4832 DOI https://doi.org/10.1080/17454832.2016.1250797

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Zubala, Ania, McIntyre, Donald, Gleeson, Nigel and Karkou, Vicky (2014) Description of arts therapies practice with adults suffering from depression in the UK: Qualitative findings from the nationwide survey. The Arts in Psychotherapy, 41 (5). pp. 535-544. ISSN 0197-4556 DOI https://doi.org/10.1016/j.aip.2014.10.005

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Zubala, Ania, McIntyre, Donald and Karkou, Vicky (2014) Art psychotherapy practice with adults who suffer from depression in the UK: Qualitative findings from a depression-specific questionnaire. The Arts in Psychotherapy, 41 (5). pp. 563-569. ISSN 0197-4556 DOI https://doi.org/10.1016/j.aip.2014.10.007