Items where Subject is "M Music and Books on Music > M Music"

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Number of items at this level: 119.

A

Ashley, M. (2008) Boyhood Melancholia and the Vocal Projection of Masculinity. THYMOS: Journal of Boyhood Studies, 2 (1). pp. 26-45. ISSN 1931-9045 DOI https://doi.org/10.3149/thy.0201.26

Ashley, M. (2009) Is Choral Singing a Cure for Ephebiphobia? Choir in Focus, 12-14 November 2009, Lund, Sweden.

Ashley, M. (2009) Singing and Young People. Singing, wellbeing and health, 9 December, Sidney De Haan Research Centre for Arts and Health, Canterbury Christ Church University.

Ashley, M. (2007) Singing in Chorus: will the boys roar? Music Teacher, 86 (12). pp. 59-64. ISSN 0027-4461

Ashley, M. (2002) Singing, gender and health: perspectives from boys singing in a church choir. Health Education, 102 (4). pp. 180-187. ISSN 0965-4283 DOI https://doi.org/10.1108/09654280210434255

Ashley, M. (2008) Teaching Singing to Boys and Teenagers: The Young Male Voice and the Problem of Masculinity. Edwin Mellen Press, Lewiston, NY. ISBN 9780773449985

Ashley, M. (2010) Technique or Testosterone? An Empirical Report on Changes in the Longevity of Boy Singers. Journal of Singing, 67. pp. 137-145. ISSN 1086-7732

Ashley, M. (2009) Towards an understanding of vocal identity with boys. Fourth International Conference on Physiology and Acoustics of Singing, 6-11 January, University of Texas, San Antonio.

Ashley, M. (2006) You sing like a girl? An exploration of 'boyness' through the treble voice. Sex Education Sexuality Society and Learning, 6 (2). pp. 193-205. ISSN 14681811 DOI https://doi.org/10.1080/14681810600578792

Ashley, Martin (2011) Boyes are apt to change their voices at about fourteene yeerse of age: The Wulstan-Atkins Memorial Lecture. The Three Choirs Festival, 9th - 13th August, Worcester Cathedral.

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Athanasiadou, Foteini, Kagiafa, Diana, Karkou, Vicky, Lykopoulou, Mirto, Babalis, Tasos, Bitzaraki, Aggeliki, Bouzioti, Candia, Sambathianaki, Ergina and Tsiris, Giorgos (2016) The CATI team: Experiences and reflections regarding the co-action of arts therapies. Approaches: An Interdisciplinary Journal of Music Therapy. ISSN 2459-3338

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Baker, Catherine E, Bennett, Marie, Jackson, Phil, Sand, Jon Ola, Scott, Derek B, Singleton, Brian and Witts, Richard (2017) Royal Musical Association Annual Conference 2017: Edge Hill University Panel: The European Song Contest: discussion with Jon Ola Sand, Executive Supervisor of the Eurovision Song Contest (EBU). Royal Musical Association Annual Conference 2017, 07/09/2017 - 09/09/2017, University of Liverpool.

Brabon, Benjamin A (2012) Gaga Gothic. Textus: English Studies in Italy, 25 (3). pp. 161-173. ISSN 1824-3967

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Chandler, Clare (2018) Integration and Disintegration in Next To Normal. MTEA Journal. pp. 82-86. (In Press)

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Chandler, Clare and Schueber-Rush, S. (2018) MUSICAL THEATRE COMPOSITION: HOW DIGITAL BROADWAY HAS CHANGED ‘WHAT’S INSIDE’. Association for Theatre in Higher Education Conference Theatres of Revolution: Performance, Pedagogy, and Protest, 1st- 5th August 2018, Boston.

Cohen, Annabel J. and Ludke, Karen M. (2016) Digital libraries for singing: The example of the AIRS project. In: Graham, Welch, Howard, David M and Nix, John (eds). The Oxford Handbook of Singing. Oxford University Press. ISBN 9780199660773 DOI https://doi.org/10.1093/oxfordhb/9780199660773.001.0001

Cottrell Boyce, Frank (2010) The Believers. [Composition]

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Davismoon, Steve (2016) Atomisation of Sound. Contemporary Music Review, 35 (2). pp. 263-274. ISSN 0749-4467 DOI https://doi.org/10.1080/07494467.2016.1221629

Davismoon, Steve (2017) Beyond the North Tower. Beyond the North Tower, 03/05/2017-03/05/2020, The FED, Salford, Greater Manchester.

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Davismoon, Steve (2017) Conjuring Spectral Sonic Traces from Absent Places. The Drouth (58). ISSN 1474 6190

Davismoon, Steve (2018) Dancing the Blues. [Composition]

Davismoon, Steve (2015) Driven Voids. [Composition]

Davismoon, Steve (2016) God's Own Caught In No Man's Land. [Composition]

Davismoon, Steve (2017) In Search of the Phoenix. [Composition]

Davismoon, Steve (2016) In The Highest. [Composition]

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Davismoon, Steve (2018) Lancelot's Love Eternal. [Composition]

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Davismoon, Steve (2017) Mist/Branches against a white sky. [Composition] (In Press)

Davismoon, Steve (2017) Tales from the dark interior. [Composition]

Davismoon, Steve (2014) Thrones. [Composition]

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Davismoon, Steve (2017) Unlucky for Some. [Composition]

Davismoon, Steve (2014) Well Yeah. [Composition]

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Davismoon, Steve (2017) Wreathed in Clover. [Composition]

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Gibson, Lucy (2012) Becoming More ‘Civilised’: Rock Fans’ Experiences of the Ageing Body. In: Hodkinson, Paul and Bennett, Andy (eds). Ageing and Youth Cultures: Music, Style and Identity. Berg, London. ISBN 9781847888358

Gibson, Lucy (2012) Becoming More ‘Civilised’: Rock Fans’ Experiences of the Ageing Body. In: Hodkinson, P. and Bennett, A. (eds). Ageing and Youth Cultures: Music, Style and Identity. Berg, London & New York, pp. 79-91. ISBN 9781847888358

Gibson, Lucy (2019) Nostalgia, symbolic knowledge and generational conflict. In: Smith, Nicola, Raine, Sarah, Elizabeth and Wall, Tim (eds). The Northern Soul Scene. Studies in Popular Music. Equinox. ISBN 9781781795583 (In Press)

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Gibson, Lucy (2010) Nostalgia, symbolic knowledge and generational conflict: Contentious issues in contemporary northern and rare soul scenes. Rare records and raucous nights: Investigating Northern Soul and the perpetual British love for American rhythm and blues, University of Salford.

Griffin, J. (2006) The Binsons. The Bigger Picture, June-July.

Griffin, J. (2006) [Dancer] Manchester - The Beautiful South. [Video]

Griffin, J., Aeppli, S., Sandiland, N., Anderson, P. and Lee, R. (2004) [Combine Dance and Film Project]. Cheshire Dance, October, Cheshire.

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Griffiths, Rachel (2017) Whose Voice Is It Anyway? Song Stage and Screen XII, 19/06/2017-23/06/2017, Guildford School Of Acting, University Of Surrey.

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Hall, Mark and Hamer, Laura Ann (2009) Der Einfluss der Eisenbahn auf das Konzertwesen des 19. Jahrhunderts. Angewandte Geoinformatik 2009: Beiträge zum 21. AGIT-Symposium, 8-10 July 2009, Salzburg, Austria, pp. 806-815.

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Jackson, Phil (2017) Wenn Politik die Eurovisions-Blase piepst…. Religion & Gesellschaft in OST und West, 45 (7-8). pp. 16-17. ISSN 2253-2465

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Jaundrill-Scott, Karen, Bennett, Geoff and Elliott, Karen (2006) The Citadel Music Hall Years. Heritage Lottery Fund, St Helens EAZ.

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Johnston, Nessa (2012) Beneath Sci-fi Sound: Primer, Science Fiction Sound Design, and American Independent Cinema. Alphaville: Journal of Film and Screen Media (3). ISSN 2009-4078

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Johnston, Nessa (2014) The Celtic Tiger ‘Unplugged’: DV realism, liveness, and sonic authenticity in Once (2007). The Soundtrack, 7 (1). pp. 25-38. ISSN 17514193 DOI https://doi.org/10.1386/st.7.1.25_1

Johnston, Nessa (2017) Feeling the Voice: Embodied Aural Encounters in Under the Bombs. In: Whittaker, Tom and Wright, Sarah (eds). Locating the Voice in Film: Critical Approaches and Global Practices. Oxford University Press, Oxford, pp. 191-208. ISBN 9780190261122

Johnston, Nessa (2017) Sounding Decay in the Digital Age: Audio-Visions of Decasia (2002) and Lyrical Nitrate (1991). In: Rogers, Holly and Barham, Jeremy (eds). The Music and Sound of Experimental Film. Oxford University Press, Oxford, pp. 219-232. ISBN 9780190469900

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Johnston, Nessa (2014) Theorising ‘bad’ sound: what puts the ‘mumble’ into mumblecore? The Velvet Light Trap (74). pp. 67-79. ISSN 0149-1830 DOI https://doi.org/10.7560/VLT7407

Johnston, Nessa (2016) Unlearning Film School: The ‘lo-fi’ Soundtracks of Joe Swanberg. In: Greene, Liz and Kulezic-Wilson, Danijela (eds). The Palgrave Handbook of Sound Design and Music in Screen Media. Palgrave Macmillan, London, pp. 289-304. ISBN 978-1-137-51679-4 DOI https://doi.org/10.1057/978-1-137-51680-0_20

Johnston, Nessa (2015) The Voiceless Acousmêtre: Paranormal Activity’s digital surround sound demon. Music, Sound, and the Moving Image, 9 (2). pp. 131-144. ISSN 1753-0768 DOI https://doi.org/10.3828/msmi.2015.9

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Karkou, Vicky and Joseph, Julie (2017) The Moving and Movement Identities of Adolescents: Lessons from Dance Movement Psychotherapy in Schools. In: MacDonald, Raymond, Heardgreaves, David and Miell, Dorothy (eds). The Handbook of Musical Identities. Oxford University Press, New York, pp. 232-244. ISBN 9780199679485

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Karkou, Vicky and Meekums, Bonnie (2014) Dance movement therapy for dementia (protocol). Cochrane Database of Systematic Reviews (3). pp. 1-15. DOI https://doi.org/10.1002/14651858.CD011022.

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Lauke, Karen (2009) Copper Vibrations. Seeing Sound Symposium / New York City Electroacoustic Music Festival / Women & Minorities in Media Festival / SOUNDplay Festival, 19-20 September 2009 / 25th March 2010 / 27th March 2010 / 12th November 2010, Bath Spa University / Graduate Centre, New York / Baltimore, Maryland / Factory Theatre, Toronto.

Lauke, Karen (2010) Memories Unearthed. Dirt & Dreams 3, 26 September, Clifton Country Park, Salford.

Lauke, Karen (2010) The Placement of Sound in Artistic Contexts. Body, Space & Technology Journal, 9 (1). ISSN 1470-9120

Lauke, Karen (2011) Practice as Research: two related site-specific multichannel sound performances with additional live sound feed: Synecdoche:praha; The Ghost of Someone Not Yet Drowned (TGoSNYD). Synecdoche:praha / The Ghost of Someone Not Yet Drowned, 2011 / 2012, National Theatre, Prague; Victoria Baths, Manchester / V&A Museum, London; Bute Theatre, Cardiff.

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Lawson, Matt (2013) Film Music and the Holocaust. War and Displacement Conference, 3-4 May 2013, Munich.

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Loydell, Rupert and Witts, Richard (2017) Post-Punk Poet: An interview with Dick Witts of The Passage. Punk and Post Punk, 6 (3). pp. 415-423. ISSN 2044-1983 DOI https://doi.org/10.1386/punk.6.3.415_7

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Ludke, Karen (2016) Singing and arts activities in support of foreign language learning: An exploratory study. Innovation in Language Learning and Teaching. pp. 1-16. ISSN 1750-1229 DOI https://doi.org/10.1080/17501229.2016.1253700

Ludke, Karen M., Ferreira, Fernanda and Overy, Katie (2014) Singing can facilitate foreign language learning. Memory & Cognition, 42 (1). pp. 41-52. ISSN 0090-502X DOI https://doi.org/10.3758/s13421-013-0342-5

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Mollaghan, Aimee (2011) “An Experiment in Pure Design:” The Minimalist Aesthetic in the Line Films of Norman McLaren. Animation Studies Journal, 6. pp. 26-33. ISSN 1930-1928

Mollaghan, Aimee (2017) ‘Rebalancing the Picture/Sound Relationship: the Audiovisual Compositions of Lis Rhodes’. In: Rodgers, Holly and Barham, Jeremy (eds). The Music and Sound of Experimental Film. Oxford University Press, Oxford, pp. 205-218. ISBN 9780190469900

Mollaghan, Aimee (2015) The Visual Music Film. Palgrave Macmillan, Basingstoke. ISBN 978-1-137-49281-4

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Newall, Helen and Lauke, Karen (2010) Blodeuwedd. Secret Light Garden, 8-9 October 2010, Pembrokeshire, South Wales.

Norris, D. and Pereira, E. (2007) SYN-PHONICS: To Aid the Development of Phonological Awareness. E-Activity and Leading Technologies (E-ALT 2007), 3-6 December, Porto, Portugal.

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Peters, Eleanor (2017) Criminal Records: The relationship between music, criminalisation and harm. Forging Social Justice: Local Challenges, Global Complexities, 4th - 7th July 2017, Sheffield Hallam University, 17, ISSN 1759-0043.

Pratt, Stephen (2016) At the turn of the year. [Composition]

Pratt, Stephen (2016) Moving On. [Composition]

Pratt, Stephen (2016) Solo Uno. [Composition]

Pratt, Stephen (2017) Song and Dance. [Composition]

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Schrimshaw, Will (2013) Non-cochlear sound: On affect and exteriority. In: Biddle, Ian and Thompson, Marie (eds). Sound, Music, Affect: Theorizing sonic experience. Bloomsbury Academic, London and New York, pp. 27-43. ISBN 9781441126344

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Schrimshaw, Will (2018) The Tone of Prime Unity. Organised Sound, 23 (2). ISSN 1355-7718 DOI https://doi.org/10.1017/S1355771818000080

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Schrimshaw, William (2016) Exit Immersion. Sound Studies: An Interdisciplinary Journal, 1 (1). pp. 155-170. ISSN 2055-1940 DOI https://doi.org/10.1080/20551940.2015.1079982

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Schrimshaw, William (2015) Ur-Writings: A Geophonographic Fiction. Leonardo. pp. 1-12. ISSN 0024-094X DOI https://doi.org/10.1162/LEON_a_01075

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Shannon, Roger (2010) Made in Birmingham: Reggae Punk Bhangra. [Video]

Shirley, I. (2009) Music ICT Study Guide. [Dataset]

Shirley, I. (2009) Teaching Creatively. In: Evans, J. and Philpott, C. (eds). A Practical Guide to Teaching Music in the Secondary School. Routledge, pp. 45-53. ISBN 978-0415482585

Stefani, E. and Lauke, Karen (2010) Music, Space and Theatre: Site-specific approaches to multichannel spatialisation. Organised Sound, 15 (3). pp. 251-259. ISSN 1355-7718 DOI https://doi.org/10.1017/S1355771810000270

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Toth, Aniko and Stravropoulos, Nikos (2016) ELEGEIA (for Anna). [Composition]

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Trandafoiu, Ruxandra (2018) Manele, Symbolic Geography and Music Cosmopolitanism in Romania. Popular Music History, 11 (1). pp. 61-79. ISSN 1740-7133

Trandafoiu, Ruxandra (2013) Music in Cyberspace: Transitions, Translations, and Adaptations on Romanian Diasporic Websites. In: Kruger, Simone and Trandafoiu, Ruxandra (eds). The Globalization of Musics in Transit: Music Migration and Tourism. Routledge, pp. 298-317. ISBN 9780415640077

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Witts, R. (2000) [12 subject entries: Nationalism, Smyth, R Strauss, Elgar, Germany & Austria 1880-1920, Britain 1880-1920, Britain 1920-1960, Elgar, Vaughan Williams, Holst, Britten, Tippett]. In: Ashkenazy, V. (ed). Collins Encyclopedia of Classical Music. Collins. ISBN 978-0004723907 DOI 978-0004723907

Witts, R. (2004) Advice to Clever Children: Interview with Karlheinz Stockhausen, Aphex Twin and others. In: Cox, C. and Warner, D. (eds). Audio Culture: Readings in Modern Music. Continuum International Publishing Group. ISBN 978-0826416155

Witts, R. (2008) 'Clement Crisp is in the House' - Mediated Delineations of the Composer's Role in Dance. Dance, Timing and Musical Gesture, 13-15 June.

Witts, R. (2007) The Hall In Your Home - the Proms on radio and television 1928 - 1970. The Proms and British Musical Life Conference, 23-25 April, British Library, London.

Witts, R. (2001) 'Renewal' in Recent British Music: Remastering the Past. The Musical Times, 142 (1876). pp. 7-10. ISSN 0027-4666

Witts, R. (2007) Review: But Is It Garbage? On Rock And Trash. By Steven L. Hamelman. Popular Music, 26 (1). pp. 191-192. ISSN 0261-1430 DOI https://doi.org/10.1017/S0261143007007039

Witts, R. (2008) "That was Stockhausen. And now for some music." - BBC, music, the future. Research Seminar, University of Edinburgh.

Witts, R. (2007) Thatcherism and the Performing Right Society. Fifth Biennial International Conference on Music Since 1900, 5-8 July, University of York.

Witts, R. (2008) Totally Wired - the character(s) of a band. A Conference on the Aesthetics and Politics of Mark E. Smith and the Fall, 9 May, University of Salford.

Witts, R. (2010) Tovey & the Reid Symphony Orchestra. Music in Britain Seminar.

Witts, R. (2006) The Velvet Underground. Equinox Publishing. ISBN 978-1904768272

Witts, R. (2009) A moment or two before zero and one: 1978-82. In: Cook, N., Clarke, E., Leech-Wilkinson, D. and Rink, J. (eds). The Cambridge Companion to Recorded Music. Cambridge University Press. ISBN 978-0521684613

Witts, Richard (2010) Building up a Band: Music for a Second City. In: Goddard, M. and Halligan, B. (eds). Mark E. Smith and The Fall: Art, Music and Politics. Ashgate Publishing, pp. 19-32. ISBN 978-0754668626

Witts, Richard (2016) Foreword. In: Lefkovitz, Aaron (ed). Three Transnational Jazz Singers ( Josephine Baker, Billie Holiday, Ella Fitzgerald): A Political History of Music. Edwin Mellen Press, Lewiston NY Lampeter, p. 334. ISBN 978-1-4955-0513-3

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Witts, Richard (2016) Foreword to 'Three Transnational Jazz Singers: a political history of music'. In: Lefkovitz, A L (ed). Foreword to 'Three Transnational Jazz Singers: a political history of music'. The Edwin Mellon Press, Lewiston, New York, USA, pp. 7-9. ISBN 978-1-4955-0513-3 26

Witts, Richard (2015) Linear note to 'Nico 1971' (BBC Session). Gearbox Records, London.

Witts, Richard (2018) Manpool, the Musical: Harmony and Counterpoint on the Lancashire Plain. In: Masierska, Ewa (ed). Sounds Northern: Popular Music, Culture and Place in England’s North. Equinox Publishing. ISBN 9781781795705

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Witts, Richard (2015) Manpool, the Musical: Harmony and counterpoint on the Lancashire Plain. Popular Music History, 10 (1). pp. 10-30. ISSN 1740-7133 DOI https://doi.org/10.1558/pomh.32552

Witts, Richard (2017) Nico: The Life and Lies of an Icon. Virgin Digital, New Edition. ISBN 9780863696558

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Witts, Richard (2013) One, Two, Three: BBC Radio's formation of intercluded stations, from the Marriott Report (1957) to the present. 8th Biennial International Conference on Music Since 1900, 12-15 September 2013, Hope University, Liverpool.

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Witts, Richard (2017) The Passage: Post Punk Poets. Eyewear Publishing Ltd, London. ISBN 978-1-911335-47-4

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Witts, Richard (2015) Shopping and Fricker: the origins of the Cheltenham Festival of Modern British Music and the 'Cheltenham Symphony'. The Musical Times, 150 (1931). 09-22. ISSN 0027-4666

Witts, Richard (2011) Vorsprung durch Technik - Kraftwerk and the British fixation with Germany. In: Albiez, S and Pattie, D (eds). Kraftwerk: Music Non-Stop. Continuum, pp. 163-180. ISBN 9781441165077