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Number of items at this level: 167.

A

Adams, J. (2001) The photography of Nobuyoshi Araki. Gallery Lecture Series, Ikon Gallery, Birmingham.

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Andrews, Hannah (2016) BBC Four biopics: Lessons in Trashy Respectability. Journal of British Cinema and Television. ISSN 1743-4521

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Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397 DOI https://doi.org/10.1080/19392397.2017.1311634

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Andrews, Hannah (2014) ‘More than a Television Channel’: Channel 4, FilmFour and a failed convergence strategy. VIEW: Journal of European Television History & Culture, 3 (6). pp. 5-13. ISSN 2213-0969

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Andrews, Hannah (2014) Television and British Cinema: Convergence and Divergence since 1990. Palgrave Macmillan.

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Andrews, Hannah (2016) Women We Loved: Paradoxes of public and private in the biographical television drama. Critical Studies in Television. pp. 1-16. ISSN 1749-6020 DOI https://doi.org/10.1177/1749602016682750

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Athanasiadou, Foteini, Kagiafa, Diana, Karkou, Vicky, Lykopoulou, Mirto, Babalis, Tasos, Bitzaraki, Aggeliki, Bouzioti, Candia, Sambathianaki, Ergina and Tsiris, Giorgos (2016) The CATI team: Experiences and reflections regarding the co-action of arts therapies. Approaches: An Interdisciplinary Journal of Music Therapy. ISSN 2459-3338

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Barrett, Jenny (2013) Glory, Glory: Hollywood's Consensus Memory of the American Civil War. In: Morgan, Iwan W. and Davies, Philip J. (eds). Reconfiguring the Union: Civil War Transformations. Studies of the Americas. Palgrave Macmillan, New York, pp. 201-219. ISBN 9781137336477

Barrett, Jenny (2015) A Mighty Spectacle, A Despicable Film: The Fate of The Birth of a Nation. A Mighty Spectacle, A Despicable Film: The Fate of The Birth of a Nation, 12/11/15, The Bluecoat, Liverpool.

Bingham, Adam (2011) Apocalypse Now: Images of The End in the Cinema of Ingmar Bergman. In: Selavy, Virginie (ed). The End: An Electric Sheep Anthology. Strange Attractor Press, London, pp. 236-250. ISBN 9781907222023

Bingham, Adam (2012) Magic in the Attempt: Before Sunset and a Legacy of Criticism. CineAction, 87. pp. 58-61. ISSN 0826-9866

Blake, Charlie, Molloy, Claire and Shakespeare, Steven (2012) Introduction. In: Blake, Charlie, Molloy, Claire and Shakespeare, Steven (eds). Beyond Human: From Animality to Transhumanism. Continuum. ISBN 9781441173997

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Boschi, Elena (2014) Sexuality and the Nation: Urban Popular Music and Queer Identities in Krámpack. Quaderns de Cine, 9. pp. 87-95. ISSN 1888-4571 DOI https://doi.org/10.14198/QdCINE.2014.9.10

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Boschi, Elena (2016) ‘Where you from, you sexy thing?’ Popular Music, Space, and Masculinity in The Full Monty. Journal of British Cinema and Television, 13 (4). pp. 516-535. ISSN 1743-4521 DOI https://doi.org/10.3366/jbctv.2016.0338

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Boschi, Elena and Geraghty, Christine (2016) Introduction: Gender, Ageing, and Sexuality in British Cinema After Thatcher. Journal of British Cinema and Television. ISSN 1743-4521 DOI https://doi.org/10.3366/jbctv.2016.0337

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Burrows, James (2017) Rhizo-Memetic Art: The Production & Curation of Transdisciplinary Performance. Doctoral thesis, Edge Hill University.

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Carman, Emily and Drake, Philip (2015) Talent Contracts in Hollywood. In: McDonald, Paul, Hoyt, Eric, Carman, Emily and Drake, Philip (eds). Hollywood and the Law. British Film Institute, pp. 209-234. ISBN 9781844574773

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Drake, Philip (2016) Approaches to Film and Politics - Introduction. In: Tzioumakis, Yannis and Molloy, Claire (eds). The Routledge Companion to Cinema and Politics. Routledge, pp. 13-16. ISBN 9781315678863

Drake, Philip (2008) Distribution and Marketing in Contemporary Hollywood. In: McDonald, Paul and Wasko, Janet (eds). The Contemporary Hollywood Film Industry. Wiley, Oxford and New York, pp. 63-82. ISBN 9781405133876

Drake, Philip (2013) Policy or practice? Deconstructing the Creative Industries. In: Szczepanik, Petr and Vonderau, Patrick (eds). Behind the Screen: Inside European Production Cultures. Palgrave Macmillan, Basingstoke, pp. 221-236. ISBN 9781137282170

Drake, Philip (2016) ‘Reframing Television Performance’. Journal of Film and Video, 68 (3-4). pp. 6-17. ISSN 0742-4671 DOI https://doi.org/10.5406/jfilmvideo.68.3-4.0006

Drake, Philip (2012) Reputational capital, creative conflict and Hollywood independence: the case of Hal Ashby. In: King, Geoff, Molloy, Claire and Tzioumakis, Yannis (eds). American Independent Cinema: Indie, Indiewood and Beyond. Routledge, London, pp. 140-152. ISBN 9780415684293

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Drake, Philip, Franklin, Michael, Sathe, Deborah and Tierney, Sarah (2015) We Are Colony: Digital VOD Distribution for Independent Film. Project Report. Nesta, London.

Drake, Philip and Haynes, Richard (2010) Television, Deregulation and the Reshaping of Leisure. In: Bramham, Peter and Wagg, Stephen (eds). The New Politics of Leisure and Pleasure. Palgrave Macmillan, Basingstoke, pp. 63-81. ISBN 9780230216846

Drake, Philip and Miah, Andy (2010) The Cultural Politics of Celebrity. Cultural Politics, 6 (1). pp. 49-64. ISSN 1743-2197

Drake, Philip and Smith, Angela (2016) Belligerent broadcasting, male anti-authoritarianism and anti-environmentalism: the case of Top Gear (BBC, 2002-2015). Journal of Environmental Communication, 10 (6). pp. 689-703. ISSN 1752-4032 DOI https://doi.org/10.1080/17524032.2016.1211161

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Edward, Mark (2015) Council House Movie Star: a photographic exhibition of practice based research. Photographic Exhibition, 20th Jan 2015 - 6th Feb 2015, Ormskirk.

Edward, Mark (2018) 'Queer and Fierce' in 'Truth to Power Café'. 'Queer and Fierce' in 'Truth to Power Café', 15/10/2018 -15/10/2018, Rose Theatre, Edge Hill University.

Edward, Mark and Newall, Helen (2017) Dying Swans & Dragged Up Dames. Naked Acts: Queer & Flesh., 31st January, 2017., York Art Gallery.

Edward, Mark and Newall, Helen (2014) Dying Swans and Dragged Up Dames. Dying Swans and Dragged Up Dames, September 2014, Bank Street Gallery, Sheffield.

Evans, Owen (2007) Border Exchanges: The Role of the European Film Festival. Journal of Contemporary European Studies, 15 (1). pp. 23-33. ISSN 1478-2804 (Print), 1478-2790 (Online) DOI https://doi.org/10.1080/14782800701273318

Evans, Owen (2008) Editorial. Studies in European Cinema, 5 (3). pp. 157-160. ISSN 17411548 DOI https://doi.org/10.1386/seci.5.3.157_2

Evans, Owen (2016) ‘Going Underground: Margins, Dreams and Dark Spaces in Nimród Antal’s Kontroll (2003)’. In: Huskinson, Lucy (ed). The Urban Uncanny: A Collection of Interdisciplinary Studies. Routledge, London and New York, pp. 18-33. ISBN 978-1-138-92951-7

Evans, Owen (2012) Memories, Secrets and Lies: The Emotional Legacy of the GDR in Christian Schwochow’s Novemberkind (2008). In: Saunders, Anna and Pinfold, Debbie (eds). Remembering and Rethinking the GDR : Multiple Perspectives and Plural Authenticities. Media and Culture. Palgrave Macmillan, Basingstoke, pp. 214-228. ISBN 9780230360570 DOI https://doi.org/10.1057/9781137292094.0023

Evans, Owen (2013) Memory, Melodrama and History: The Return of the Past in Contemporary Popular Film in Germany. In: Sundholm, John, Mithander, Conny and Velicu, Adrian (eds). European Cultural Memory Post-89. European Studies - An Interdisciplinary Series in European Culture, History and Politics (30). Rodopi, Amsterdam and New York, pp. 241-269. ISBN 9789042036185

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Evans, Owen (2006) Taking Stock of the Wende on Screen: Michael Klier’s Ostkreuz (1991) and Hannes Stöhr’s Berlin is in Germany (2001). German as a Foreign Language (1). pp. 60-75. ISSN 1470-9570

Evans, Owen (2004) Tom Tykwer’s Run Lola Run: Postmodern, post-human or post-theory? Studies in European Cinema, 1 (2). pp. 105-115. ISSN 17411548 DOI https://doi.org/10.1386/seci.1.2.105/0

Evans, Owen and Canning, Elaine (2007) Introduction: Films without Frontiers. Studies in European Cinema, 4 (3). pp. 163-166. ISSN 17411548 DOI https://doi.org/10.1386/seci.4.3.163_2

Evans, Owen and Harper, Graeme (2004) Editorial. Studies in European Cinema, 1 (1). pp. 3-6. ISSN 17411548 DOI https://doi.org/10.1386/seci.1.1.3/0

Evans, Owen and Harper, Graeme (2005) Editorial. Studies in European Cinema, 2 (1). pp. 3-6. ISSN 17411548 DOI https://doi.org/10.1386/seci.2.1.3/2

Evans, Owen and Harper, Graeme (2005) Editorial. Studies in European Cinema, 2 (2). pp. 77-80. ISSN 17411548 DOI https://doi.org/10.1386/seci.2.2.77/2

Evans, Owen and Harper, Graeme (2006) Editorial. Studies in European Cinema, 3 (1). pp. 3-6. ISSN 17411548 DOI https://doi.org/10.1386/seci.3.1.3/1

Evans, Owen and Harper, Graeme (2006) Editorial. Studies in European Cinema, 3 (2). pp. 89-92. ISSN 17411548 DOI https://doi.org/10.1386/seci.3.2.89_2

Evans, Owen and Harper, Graeme (2008) Editorial. Studies in European Cinema, 5 (1). pp. 3-6. ISSN 17411548

Evans, Owen and Harper, Graeme (2009) Editorial. Studies in European Cinema, 6 (2/3). pp. 93-96. ISSN 17411548 DOI https://doi.org/10.1386/seci.6.2-3.93/2

Evans, Owen and Harper, Graeme (2010) Editorial. Studies in European Cinema, 7 (1). pp. 3-4. ISSN 17411548 DOI https://doi.org/10.1386/seci.7.1.3_2

Evans, Owen and Harper, Graeme (2010) Editorial. Studies in European Cinema, 7 (2). pp. 91-94. ISSN 17411548 DOI https://doi.org/10.1386/seci.7.2.91_2

Evans, Owen and Harper, Graeme (2010) Editorial. Studies in European Cinema, 7 (3). pp. 173-176. ISSN 17411548

Evans, Owen and Harper, Graeme (2009) Editorial: A European Imaginary. Studies in European Cinema, 6 (1). pp. 3-6. ISSN 17411548 DOI https://doi.org/10.1386/seci.6.1.3/2

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Fong, Rosa (2016) Deconstructing Zoe 52" Documentary. [Video]

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GerstenRoberts, June, Turvey, Gerry and Bygott, Roger (2017) The Skin I'm In. Performance with Video, 01/09/2017, Yorkshire Dance Leeds.

Griffin, J. (2006) New Moves North West. New Moves North West, 6 March, North West.

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Hann, Rachel (2012) Dwelling in light and sound: An intermedial site for digital opera. International Journal of Performance Arts & Digital Media, 8 (1). pp. 61-78. ISSN 1479-4713 DOI https://doi.org/10.1386/padm.8.1.61_1

Heney, Clare and Hunter, Carl (2009) Accelerate. [Video]

Heney, Clare and Hunter, Carl (2011) Coast of Soap Ships. [Video]

Hopkinson, B. (2008) B.Lecoq's Neutral Mask: Performing a Corporeal Model of Consciousness. In: Meyer-Dinkgräfe, D. (ed). Consciousness, Theatre, Literature and the Arts 2007. Cambridge Scholars Publishing, Newcastle. ISBN 978-1847184184

Hopkinson, B. (2010) Clown Consciousness: a pedagogical intervention in undergraduate actor training. In: Meyer-Dinkgrafe, D. (ed). Consciousness, Theatre, Literature and the Arts 2009. Cambridge Scholars Publishing. ISBN 978-1443816496

Hopkinson, B. (2008) A Clown in the academy: the psychophysical imperative in 1st year undergraduate theatre practice. 7th CLTR Learning and Teaching Conference, Edge Hill University.

Hopkinson, B. (2004) (Director) Henhouse - by Kaite O'Reilly. UNSPECIFIED, 21 September - 9 October, Arcola Theatre London.

Hopkinson, B. (2007) LUDD (Director). European Tour.

Hopkinson, B. (2007) Lecoq's Neutral Mask: Performing a Corporeal Model of Consciousness. 2nd International Conference of Theatre, Literature, and the Arts, 5-7 May, Aberystwyth, Wales.

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Jaundrill-Scott, Karen (2018) The role of visual storytelling in the training of emerging dance artists: engaging with filmed discourse through open landscapes. 4 th International congress on Visual Culture, 28th - 29th May 2018, Pontificia Univerista della Santa Croce, pp. 1-13. (In Press)

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Johnston, Nessa (2014) The Celtic Tiger ‘Unplugged’: DV realism, liveness, and sonic authenticity in Once (2007). The Soundtrack, 7 (1). pp. 25-38. ISSN 17514193 DOI https://doi.org/10.1386/st.7.1.25_1

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Johnston, Nessa (2014) Theorising ‘bad’ sound: what puts the ‘mumble’ into mumblecore? The Velvet Light Trap (74). pp. 67-79. ISSN 0149-1830 DOI https://doi.org/10.7560/VLT7407

Jukes, Alex (2008) Art Machine Vision. Art-Machine-Vision, 18-31 August 2008, Centro De Convivencia, UNIFOR, Fortaleza.

Jukes, Alex (2012) Primitive 1. Primitive 1, 27th February – 2nd March 2012, Hockney Gallery, Kensington Gore, London SW7 2EU.

Jukes, Alex (2011) Pylons. Logic11, November 2011 - February 2012, Museum of Science and Industry Manchester.

Jukes, Alex (2010) Reflection Projection. Reflection & Projection, 18-28 August 2010, Contemporary Urban Centre Novas Gallery.

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Kenter, Jasper, Reed, Mark S, Irvine, Katherine, O'Brien, Liz, Brady, E, Bryce, R, Christie, M, Cooper, N, Davies, A, Hockley, N, Fazey, I, Jobstvogt, N, Molloy, Claire, Orchard-Webb, J, Ravencroft, N, Ryan, M and Watson, V (2014) UK National Ecosystem Assessment Follow-on. Work Package 6: Shared, plural and cultural values of ecosystems. Project Report. UNEP-WCMC LWEC, UK.

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Long, Paul, Baig-Clifford, Yasmeen and Shannon, Roger (2013) ‘What We’re Trying to Do is Make Popular Politics’: The Birmingham Film and Video Workshop. Historical Journal of Film, Radio and Television, 33 (3). pp. 377-395. ISSN 0143-9685 DOI https://doi.org/10.1080/01439685.2013.823025

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McDonald, Paul, Hoyt, Eric, Carman, Emily and Drake, Philip (2015) Hollywood and the Law. British Film Istitute. ISBN 9781844574773

McDonald, Paul, Hoyt, Eric, Carman, Emily and Drake, Philip (2015) On the Legal Lives of Hollywood. In: McDonald, Paul, Hoyt, Eric, Carman, Emily and Drake, Philip (eds). Hollywood and the Law. British Film Institute, pp. 1-22. ISBN 9781844574773

McInnes, Andrew (2014) ‘Amazonian Fashions: Lady Delacour’s (Re)Dress in Maria Edgeworth’s Belinda’. In: Scott, F M, Scarth, Kate and Chung, Ji-Won (eds). Picturing Women’s Health. Warwick Series in the Humanities, 4. Pickering & Chatto, London, pp. 29-44. ISBN 9781848934245

Millie, Andrew (2015) Book Review: Street Art, Public City: Law, Crime and the Urban Imagination. By Alison Young (Routledge, 2014, 177pp. £75.00 hb, £24.99 pb). Oxford University Press, The British Journal of Criminology, 55 (1) pp 205-2018 ISSN: 0007-0955.

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Mollaghan, Aimee (2011) “An Experiment in Pure Design:” The Minimalist Aesthetic in the Line Films of Norman McLaren. Animation Studies Journal, 6. pp. 26-33. ISSN 1930-1928

Mollaghan, Aimee (2017) ‘Rebalancing the Picture/Sound Relationship: the Audiovisual Compositions of Lis Rhodes’. In: Rodgers, Holly and Barham, Jeremy (eds). The Music and Sound of Experimental Film. Oxford University Press, Oxford, pp. 205-218. ISBN 9780190469900

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Mollaghan, Aimee (2015) ‘The Rest is Silence’:Psychogeography, Soundscape and Nostalgia in Pat Collins’ Silence. The New Soundtrack, 5 (2). pp. 121-132. ISSN 2042-8855 DOI https://doi.org/10.3366/sound.2015.0074

Mollaghan, Aimee (2015) The Visual Music Film. Palgrave Macmillan, Basingstoke. ISBN 978-1-137-49281-4

Molloy, Claire (2016) Animal Cruelty and Reality Television: A Critical Review. In: Brewster, Mary P and Reyes, Cassandra L (eds). Animal Cruelty: A multidisciplinary approach to understanding. Second edition. Carolina Academic Press, pp. 379-395. ISBN 9781611630725

Molloy, Claire (2013) Christopher Nolan and Indie Sensibilities. Revue française d’études américaines, 136. pp. 40-51. ISSN 0397-7870 DOI https://doi.org/10.3917/rfea.136.0040

Molloy, Claire (2016) Fears for blue tang fish spike in the wake of Finding Dory. The Conversation.

Molloy, Claire (2016) Indie Cinema and the Neoliberal Commodification of Creative Labor: Rethinking the Indie Sensibility of Christopher Nolan. In: King, Geoff (ed). A Companion to American Indie Film. Wiley-Blackwell, pp. 368-388. ISBN 9781118758083

Molloy, Claire (2016) Propaganda, activism and environmental nostalgia. In: Molloy, Claire and Tzioumakis, Yannis (eds). The Routledge Companion to Cinema and Politics. Routledge, pp. 139-150. ISBN 9780415717397

Molloy, Claire (2012) Remediating Cows and the Construction of Ethical Landscape. Antennae: The Journal of Nature in Visual Culture (23). pp. 23-28. ISSN 1756-9575

Molloy, Claire (2014) Transformation, fashion and Funny Face. In: Miller, Jacqui (ed). Fan Phenomena: Audrey Hepburn. Intellect, pp. 38-47. ISBN 9781783202065

Molloy, Claire and Tzioumakis, Yannis (2016) Introduction. In: Molloy, Claire and Tzioumakis, Yannis (eds). Routledge Companion to Cinema and Politics. Routledge, pp. 1-10. ISBN 9780415717397

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Newall, Helen and Jaundrill-Scott, Karen (2016) Can visual documentation support the emerging dancer to self-reflect? Embedding graduate employability. Inspire – sharing great practice in Arts and Humanities teaching and learning - See more at: https://www.heacademy.ac.uk/events-conferences/event/inspire-%E2%80%93-sharing-great-practice-arts-and-humanities-teaching-and-learning, 2nd and 3rd of March 2016, Brighton.

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Ozduzen, Ozge (2014) 33rd International Istanbul Film Festival. Istanbul, Turkey 5-20 April 2014. Alphaville: Journal of Film and Screen Media (7). pp. 1-6. ISSN 2009-4078

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Ozduzen, Ozge (2015) The Politicisation and ‘Occupy’sation of the Istanbul Film Festival Audience. Participations, 13 (2). pp. 679-702. ISSN 1749-8716

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Schrimshaw, Will (2012) Undermining Media. Artnodes: Journal on Art, Science and Technology, 12. pp. 100-105. ISSN 1695-5951 DOI https://doi.org/10.7238/a.v0i12.1637

Shannon, Roger (2013) Lost in Adaptation - The Producer’s View. In: Wells-Lassagne, Shannon and Hudelet, Ariane (eds). Screening Text: Critical Perspectives on Film Adaptation. McFarland & Company, Jefferson, North Carolina, pp. 231-238. ISBN 9780786472307

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Shannon, Roger (2010) Made in Birmingham: Reggae Punk Bhangra. [Video]

Snazell, J. (2010) The Crossover Between Advertising and Experimental Film. Animation Evolution, Society of Animation Studies 22nd Annual Conference, 9 - 11 July, Edinburgh School of Art.

Snazell, J. (2009) Determined Repetitive Strain. Determining Creative Practice Symposium, 2 December, University of Bedfordshire.

Snazell, J. (2010) The Experimental Cross-Over. Animation Evolution: The 22nd Annual Society for Animation Studies Conference, 9-11 July, Edinburgh College of Art, Scotland.

Snazell, J. (2010) Eye-Kea Exhibition. Eye-Kea Exhibition, 16 – 25 April, Basement Project Space, Cork City, Ireland.

Snazell, J. (2010) The Meltdown Factor. Eye-Kea Project, 20 April, Basement Project Space, Cork City, Ireland.

Snazell, J. (2008) Open Studios. Bridgewater Mill, Manchester.

Snazell, J. (2010) Scape. SIMULTAN Festival, September 30 - 2 October, Timisoara, Romania.

Snazell, J. (2010) Scape. Abandon Normal Devices, 7 October, Cornerhouse, Manchester.

Snazell, J. (2010) Scape. Optica Festival, 24-26 September, Madrid, Spain.

Snazell, J. (2010) Scape. fLEXiff, 24-26 September, Sydney, Australia.

Snazell, J. (2010) Scape. Re:Animate, June 26 - 18 August, Powys, Wales.

Snazell, J. (2010) Scape. Da Fest, 13-17 September, National Academy of Art, Sofia, Bulgaria.

Snazell, J. (2010) Scape. Athens Video Art Festival, May, Athens, Greece.

Snazell, J. (2010) Scape. PRISM, 14 May, Sheffield Independent Film.

Snazell, J. (2010) Scape. Crouch End Open, 6-9 May, London, UK.

Snazell, J. (2010) Scape. Australian International Experimental Film Festival, April-May, Preston, Australia.

Snazell, J. (2010) Scape. Eye-Kea, 16-25 April, Basement Project Space, Cork, Ireland.

Snazell, J. (2010) Scape. Berlin Directors Lounge Film Festival, 20 February, Berlin, Germany.

Snazell, J. (2010) Scape (One Minute Version). Plymouth Arts Centre, 19 October, Plymouth, UK.

Snazell, J. (2010) Scape (One Minute Version). The Stew Gallery, 29 September, Norwich, UK.

Snazell, J. (2010) Scape (One Minute Version). Paradox Event, 24 September, The Showroom Cinema, Sheffield.

Snazell, J. (2010) Scape (One Minute Version). BBC Big Screen, July-August, UK-wide.

Snazell, J. (2010) Scape (One Minute Version). The Ukranian Art Festival, 7-9 September, Koktebel, Ukraine.

Snazell, J. (2010) Scape (One Minute Version). Future Proof Exhibition, September, Marseille Project Gallery, France.

Snazell, J. (2010) Scape (One Minute Version). Contemporary Art Ruhr, July, Germany.

Snazell, J. (2010) Scape (One Minute Version). Directors Lounge, Meinblau, 4 June, Berlin, Germany.

Snazell, J. (2008) Solo show film installation. UNSPECIFIED, September, West Wales School of the Arts, Carmarthen, Wales.

Snazell, J. (2008) Super 8 in a Digital World. Salford Film Festival, 15-23 November, Salford, Manchester.

Snazell, J. and Watson, T. (2009) Collaborative Practices. The Art of With Symposium, 25 November, Cornerhouse, Manchester.

Snazell, J. and Whiteman, N. (2008) Wanderer. West Wales School of the Arts, September, Carmarthen, Wales.

Snazell, J. and Whiteman, N. (2009) Wanderer. Darklight Film Festival, 8-11 October, Dublin, Ireland.

Snazell, J. and Whiteman, N. (2009) Wanderer. Ourense Film Festival, 10-17 October, Galicia, Spain.

Snazell, J. and Whiteman, N. (2009) Wanderer. Abstracta Cinema Festival, 26 August, Tiber Island, Rome.

Snazell, J. and Whiteman, N. (2009) Wanderer. Athens Video Art Festival, 14-17 May, Athens, Greece.

Snazell, J. and Whiteman, N. (2009) Wanderer. Kinofilm: Kino Shorts, 8 April, Greenroom, Manchester.

Snazell, J. and Whiteman, N. (2009) Wanderer. Radiator Media Art Festival, 13-24 January, Broadway Media Centre, Nottingham.

Snazell, J. and Whiteman, N. (2009) Wanderer. Outcasting Season 7, April-May, [online].

Snazell, James (2015) Borowczyk’s Serial Labyrinth: From ‘Goto, L'île D'Amour’ to ‘Interno di un Convento. In: Kuc, Kamila, Mikurda, Kuba and Oleszczyk, Michał (eds). BORO, L'ILE D'AMOUR. BERGHAHN BOOKS, NEW YORK/OXFORD, pp. 93-102. ISBN 9781782387015

Snazell, James (2007) Flow. Islington Mill, Manchester.

Snazell, James (2007) Flow. The Museum of Science and Industry, Manchester.

Snazell, James (2010) Overpass. NODE10, 15-20 November, Frankfurter Kunstverein, Germany.

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Snazell, James (2011) Overpass. [Video]

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Snazell, James (2014) The Perpetual Movement of Dots and Grains. In: De Cuir, Jr, Greg (ed). On Fragmentation. Salford, Gr. Manchester, Salford, Gr. Manchester, pp. 42-49. ISBN 9788679330925

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Snazell, James (2010) Scape. [Video]

Stock, J. (2000) Le Ciel Veut Pas De Toi. In: Collective, . (ed). Petites Pièces d'auteurs 2. Theatrales, pp. 133-159. ISBN 978-2842600488

Stock, J. (2007) Nuit Bleue au Coeur de l'Ouest. In: Corvin, M. (ed). Anthologie critique des auteurs dramatiques européens (1945-2000). Editions Théâtrales, pp. 252-255. ISBN 978-2842602314

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Vathi, Zana (2016) Visualising Belongingness to the Urban Space: Locals and Migrants in Toxteth, Liverpool. Visualising Belongingness to the Urban Space: Locals and Migrants in Toxteth, Liverpool, 15 June - 15 July 2016, The Black E.

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Weissmann, E. (2014) Troubled by Violence: Transnational Complexity and the Critique of Masculinity in Ripper Street. In: Leggott, J. and Taddeo, J. (eds). Upstairs and Downstairs. British Costume Drama Television from The Forsyte Saga to Downton Abbey. Rowman & Littlefield, Lanham, Bolder, New York, London, pp. 275-286. ISBN 978-1-4422-4482-5

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Weissmann, Elke (2014) Exploring the Wild Wild East: The Transnational Aesthetics of Ripper Street. In: Eichner, Susanne (ed). Fernsehen: Europaeische Perspektiven. Festschrift Prof. Dr. Lothar Mikos. UVK, Konstanz und Muenchen, pp. 107-120. ISBN 978-3-86764-518-8

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Weissmann, Elke and Thornham, Helen (2014) Remaking Public Service for Commercial Consumption: Jamie's School Dinners Comes to America. In: Lavigne, Carlen (ed). Remake Television. Reboot, Re-use, Recycle. Lexington Books, Lanham, Maryland, Plymouth, pp. 187-202. ISBN 978-0-7391-8333-5

Witts, R. (1998) Artist Unknown: Alternative History of the Arts Council. Little, Brown & Company. ISBN 978-0316878203

Wright, Andrea (2012) Classical myths and legendary journeys: Hercules, landscape, identity and New Zealand. The Australasian Journal of Popular Culture, 2 (3). pp. 351-362. ISSN 2045-5852 DOI https://doi.org/10.1386/ajpc.2.3.351_1

Wright, Andrea (2014) A Dark Story Retold: Adaptation, Representation and Design in Snow White: A Tale of Terror. In: Greenhill, P. and Rudy, J. (eds). Channeling Wonder: Fairy Tales on Television. Series in Fairy-Tale Studies. Wayne State University Press, Detroit, pp. 229-247. ISBN 978-0-8143-3922-0

Wright, Andrea (2011) Imagining the Fairy Tale: Production Design in Neil Jordan's The Company of Wolves and Ridley Scott's Legend. In: Kérchy, A. (ed). Postmodern Reinterpretations of Fairy Tales: How Applying New Methods Generates New Meanings. Edwin Mellen Press, Lewison, Lampeter, pp. 33-48. ISBN 9780773415195

Wright, Andrea (2013) Quiet Earths: Adaptation, Representation and National Identity in New Zealand's Apocalypse. In: Hunter, I. and Van Parys, T. (eds). Science Fiction Across Media: Adaptation / Novelization. SF Storyworlds: Critical Studies in Science Fiction. Gylphi, Canterbury, pp. 167-182. ISBN 978-1780240121

Wright, Andrea (2014) This Wonderful Commercial Machine: Gender, Class, and The Pleasures and Spectacle of Shopping in The Paradise and Mr Selfridge. In: Leggott, J. and Taddeo, J.A. (eds). Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey. Rowman and Littlefield, Lanham, Boulder, New York, London, pp. 235-248. ISBN 978-1-4422-4482-5

Wright, Peter (2009) The Doctor (1963-). In: Bould, M, Butler, A M, Roberts, A and Vint, S (eds). Fifty Key Figures in Science Fiction. Routledge, London, pp. 71-76. ISBN 9780415439503

Wright, Peter (2011) Expatriate! Expatriate! Doctor Who: The Movie and Commercial Negotiation of a Multiple Text. In: Hochscherf, T and Leggott, J (eds). British Science Fiction Film and Television: Critical Essays. Critical Explorations in Science Fiction and Fantasy (29). McFarland & Co, Jefferson, NC, pp. 128-142. ISBN 9780786446216

Wright, Peter (2009) Film and television, 1960-1980. In: Bould, M, Butler, A M, Roberts, A and Vint, S (eds). The Routledge Companion to Science Fiction. Routledge, London, pp. 90-101. ISBN 9780415453783

Wright, Peter (2013) Ringing the changes: a production history of the BBC's adaptation of Peter Dickinson's ‘The Changes’. Science Fiction Film and Television, 6 (2). pp. 281-297. ISSN 1754-3770 DOI https://doi.org/10.3828/sfftv.2013.18

Wright, Peter (2013) Science Fiction from Text to Screen: Adaptation, the Novum and Cinematic Estrangement. In: Van-Parys, T and Hunter, I Q (eds). Science Fiction Across Media: Adaptation / Novelization. Gylphi, Canterbury, pp. 19-42. ISBN 9781780240121