Items where Subject is "N Fine Arts > NX Arts in general"

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Number of items at this level: 318.

A

Adams, J., Worwood, K., Atkinson, D., Dash, P., Herne, S. and Page, T. (2008) Teaching Through Contemporary Art - A report on innovative practices in the classroom. Tate Publishing. ISBN 9781854378125

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Adams-Davey, Lisa (2017) Red Carpet (Mark Curtis, 2016). Confianca Collaborative Theatre Company Present Red carpet, 12/10/2017, 13/10/17, 14/10/17, The Arts Centre, Edge Hill University, Ormskirk.

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Anderson, Gary and Simic, Lena (2017) Compassion is Dissent. Research in Drama Education, 22 (1). pp. 130-143. ISSN 1356-9783 DOI https://doi.org/10.1080/13569783.2016.1263560

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Anderson, Gary and Simic, Lena (2014) Five: 2008 - 2012. The Institute for the Art and Practice of Dissent at Home, Liverpool. ISBN 978-0-9564165-2-0

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Bailey, Helen (2008) Trace. August Research Intensive, 4-8 August 2008, Bedford, UK.

Bailey, Helen and Hewison, James (2010) Composite Bodies. Composite Bodies, 2010, University of Bedfordshire.

Bailey, Helen and Hewison, James (2008) Dislocate/Relocate. Dislocate/Relocate, 2008, University of Bedfordshire.

Bailey, Helen and Hewison, James (2010) Here and There. Here and There, March 2010, University of Bedfordshire.

Bailey, Helen and Hewison, James (2008) Space/Placed. Space/Placed, 2008, University of Bedfordshire.

Barrett, J. (2011) Another Masquerade? The Temporary Dominatrix and the Erotic. The Global Journal of Sensuality, Sexuality & the Erotic. ISSN 1758-0005

Barrett, J. (2004) Our Fathers, Our Sons: The Masculine Ancestor in American Civil War Films. Film and History League Conference, November, Dallas / Fort Worth, Texas.

Barrett, Jenny (2011) Bucking the trend: Poitier at the frontier. European Journal of American Culture, 30 (1). pp. 5-18. ISSN 1466-0407 DOI https://doi.org/10.1386/ejac.30.1.5_1

Bech, Sidsel (2009) Living Narratives. UNSPECIFIED.

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Bech, Sidsel and Hann, Rachel (2013) Critical Costume, an international research network. Critical Costume, 2013.

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Bech, Sidsel and Hann, Rachel (2013) Towards a vocabulary of scenographic bodies. Critical Costume 2013, 17-18 January 2013, Ormskirk, UK.

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Burrows, James (2017) Rhizo-Memetic Art: The Production & Curation of Transdisciplinary Performance. Doctoral thesis, Edge Hill University.

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Chandler, Clare and Scheuber, Simeon (2017) ‘Does Anybody Have A Map?’ The Impact of ‘Virtual Broadway’ on Musical Theatre Composition. Song, Stage and Screen XII, 19/06/2017-23/06/2017, Guildford School of Acting.

Cort, Sharon and Peimer, David (2003) The Labyrinth of the World and Paradise of the Theatre. Porata: The Jury. The Labyrinth of the World and Paradise of the Theatre., 2003, Prague Quadrennial.

Cowan, Billy Care Takers. Care Takers, Various: April 2009 - January 2010, The Lowry, Salford; The Unity, Liverpool; Oldham Coliseum; Dublin Gay Theatre Festival; The Library Theatre, Manchester.

Cowan, Billy (2016) Care Takers. Care Takers, 13/04/2016 - 31/08/2016, Salford, Manchester, Oldham. Liverpool, Brighton, Edinburgh, Nottingham, Grantham, Seville, Rochdale.

Cowan, Billy (2015) The Crow Lady. In: Morris, Mike and Newman, Jenny (eds). Pulp Idol Firsts. Writing on the Wall, Liverpool, pp. 34-40. ISBN B018R0INAS

Cowan, Billy (2017) Dig if U will the Picture: Writing about Prince or Writing about the Self. Writing About Contemporary Artists: Challenges, Practices and Complexities, 20/10/2017- 22/10/2017, University of Surrey, Guildford.

Cowan, Billy (2013) Glee and Glum. Playdead Press Ltd, Portsmouth. ISBN 978-0957607712

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Cowan, Billy Invisible Theatre: Using Applied Theatre Techniques to Foster Writing. NAWE National COnference 2015, 14-16 November 2015, Durham.

Cowan, Billy (2012) The Right Ballerina. Playdead Press Ltd, Portsmouth. ISBN 978-0957285989

Cowan, Billy Smilin' Through. Smilin' Through, 15-30 April 2005, Birmingham Repertory.

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Cowan, Billy (2014) Smilin' Through & Still Ill. Playdead Press Ltd, Portsmouth. ISBN 9781910067277

Cowan, Billy Stigmata. Stigmata, 1 - 25 Jun 2006, The Drill Hall, London; The Unity, Liverpool.

Cowan, Billy (2014) Still Ill. Still Ill, 14th November 2014 - 28th November 2014, The Lowry, Salford; Oldham Library; The Arts Centre, Ormskirk; Seven Arts, Leeds; The Lantern Theatre, Liverpool.

Cowan, Billy (2014) Web Pal & It Should Have Been Me. In: Cowan, Billy (ed). Act Now: Monologues for Young People. Playdead Press Ltd, Portsmouth. ISBN 978-1910067116

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Dowler, L. (2009) From Where You Are. Living Landscapes: An international Conference on Performance, Landscape and Environment, 18-21 June, Aberystwyth, Wales.

Dowler, L. (2009) Improvising On the Ward. European Contact Improvisation Teachers Exchange(ECITE), July, Edge Hill University, Ormskirk.

Dowler, L. (2009) Improvising on the Ward. Enspiring Transformations: Applied Arts and Health, 7 Sept, Northampton.

Dowler, L. (2007) Junction. Liverpool International Festival of Dance Improvisation, Nov, Unity Theatre, Liverpool.

Dowler, L. (2008) Nikki de Saint Phalle Interpretation. UNSPECIFIED, Feb, Tate Liverpool.

Dowler, L. (2009) Response to 24 Fragments Installation. UNSPECIFIED, February, Foundation for Art and Creative Technology (FACT), Liverpool.

Dowler, L. (2008) Singular Duality. Research Exchange, July, Edge Hill University.

Dowler, L. (2007) Singular Duality Part 3. Liverpool International Festival of Dance Improvisation, Nov, Unity Theatre, Liverpool.

Dowler, L. (2009) The Walkers. European Contact Improvisation Teachers Exchange(ECITE), 8 July, Edge Hill University, Ormskirk.

Dowler, L. and Gersten-Roberts, J. (2009) From Where You Are. Living Landscapes: An international Conference on Performance, Landscape and Environment, 18-21 June, Aberystwyth, Wales.

Dowler, L. and Gersten-Roberts, J. (2009) From Where You Are [Short Film]. Performance with Video, March 2009 - July 2009, Research Exchange, Liverpool Hope University, LEAP Festival, Unity Theatre Liverpool, Research Exchange, Edge Hill University, The Lunesdale Studio Trail, Lancashire, Aberystwyth University, Wales, Wenning Studios, High Bentham.

Dowler, Lisa (2013) Embodied Adventures in Medicine: Exploring the effects of improvisation for children and young people with acute pain in a clinical setting. Political Ecologies in Contact: Articulating Improvisation Practices, 6-7th April 2013, Falmouth University.

Dowler, Lisa (2010) Improvising on The Ward: Begin From Where You Are. The Art of Good Health and Wellbeing, 16-19th November, 2010, Sidney Myer Asia Centre, University of Melbourne, Australia.

Dowler, Lisa (2010) Improvising on the Ward. Animated.

Dowler, Lisa (2013) Improvising on the ward: Exploring somatic dance and potential in paediatric health care. Journal of Applied Arts and Health, 4 (2). pp. 163-178. ISSN 2040-2457 DOI https://doi.org/10.1386/jaah.4.2.163_1

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Dowler, Lisa (2013) The Significance of Improvisation in Paediatric Healthcare: The Alder Hey Model. Dance in Health Training, 3rd Sept, 2013, Ty Ffwrness, Wales.

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Dowler, Lisa (2010) A Space to Create: Working with Children in a Hospital. In: Tufnell, M (ed). Dance, Health and Wellbeing: Pathway to Practice for Dance Leaders Working in Health and Care Settings. Foundation for Community Dance, pp. 63-64. ISBN 9781898409083

Dowler, Lisa and GerstenRoberts, June (2012) Invisible Duets (Films 1, 2 & 3). [Video]

Dowler, Lisa, GerstenRoberts, June, Hampson, Paula and Hawkins, Catherine (2012) Invisible Duets. 'Sustainable Creativity in Healthcare' and 'Somatics and Technology', 17th May and 22nd June 2012, The Lyric Theatre, Belfast and The University of Chichester.

Dowler, Lisa and Hawkins, Catherine (2013) The Effects of Somatic Dance for Children and Young People with acute pain in Paediatric Healthcare. CULTURE HEALTH & WELLBEING INTERNATIONAL CONFERENCE, 24-26th June 2013, City Hall, Bristol.

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Dowler, Lisa and Hawkins, Catherine (2011) From Where You Are: Small Things Dance Collective and Alder Hey Children's Hospital. Documentation. Small Things Dance Collective.

Dowler, Lisa and Hawkins, Catherine (2009) Practice-as-Research portfolio: From Where You Are. From Where You Are, 2009-2013, Various.

Dowler, Lisa and Hawkins, Catherine (2013) Provocation: Embodied Adventures in Medicine: Exploring improvisation in paediatric healthcare. Culture, Health and Wellbeing : International Conference, 24-26th June 2013, City Hall, Bristol.

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Dowler, Lisa, Hawkins, Catherine, Charnock, Vicky, Traynor, Helen, O'Brien, Lorna and Rixon, Kellie (2013) The Significance of Improvisation in Paediatric Healthcare. Healthful Dancing: The Significance of Improvisation in Paediatric Healthcare, 13th Sept, 2013, Edge Hill University.

Dowler, Lisa, Hawkins, Catherine and GerstenRoberts, June (2011) Practice-as-Research Portfolio: Invisible Duets. Invisible Duets, 2011-2013, Various UK locations.

Dowler, Lisa, Hawkins, Catherine, Mccann, Paul and Romaya, Leila (2013) From Where You Are: A dance and movement project at Alder Hey Children's NHS Foundation Trust. [Video]

Duckworth, Vicky (2016) The power of creative, critical and empathetic imagination to shape transformative opportunities in the teaching of literacy. In: bland, Derek (ed). Imagination for Inclusion Diverse contexts of educational practice. Routledge Research in Education, 1 (1). Routledge, Oxon, pp. 100-116. ISBN 9781138915985

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Edward, Mark (2012) Council House Movie Star. Homotopia Festival 2012, 30 Oct - 11 Nov 2012, The Gallery Camp & Furnace, Liverpool.

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Edward, Mark (2013) Council House Movie Star: Ageing Drag Queens on the Borders of Society. Queer Futures Working Group at the annual conference of the International Federation for Theatre Research (FIRT/IFTR)., July 22nd-26th 2013, Barcelona.

Edward, Mark (2014) Council House Movie Star: Que(e)rying the Costume. Scene, 1-2. pp. 147-153. ISSN 2044-3714 DOI https://doi.org/10.1386/scene.2.1-2.147_1

Edward, Mark (2015) Council House Movie Star: the film. International, Interdisciplinary Talking Bodies Conference 2015, 31 March – 2 April 2015, University of Chester.

Edward, Mark (2015) Council House Movie Star: the film. Talking Bodies, March 2015, Chester University.

Edward, Mark (2015) Dance: Anarchy From the Margins and Free Expression. In: Gillieron, R and Robson, C (eds). Counter Culture UK: A Celebration. Supernova Books, Twickenham London, pp. 75-94. ISBN 978-0-9566329-6-8

Edward, Mark (2008) Falling Apart at the Seams. British Dance Edition 2008, 30 Jan - 2 Feb, Liverpool.

Edward, Mark (2012) The Making of Council House Movie Star documentary. Re-routing Performance / Re-caminant l’escena, FIRT/IFTR Internacional Federation for Theatre Research, 22nd to 26th July 2013, Barcelona.

Edward, Mark (2017) Me, Myself and Who The Fuck Are You?! Talking Bodies 2017, April 2017, Univeristy of Chester.

Edward, Mark (2017) Mesearch and the Performing Body. Palgrave Pivot. ISBN 9783319699974

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Edward, Mark (2011) More Hip Op Than Hip Hop: Temporality of the Dancing Body. Animated. pp. 22-24.

Edward, Mark (2018) 'Queer and Fierce' in 'Truth to Power Café'. 'Queer and Fierce' in 'Truth to Power Café', 15/10/2018 -15/10/2018, Rose Theatre, Edge Hill University.

Edward, Mark (2014) Shake What Ya Momma Gave Ya: Growing Old, Performing Bold. Art of Age Conference., 15 Sep 2014, Sadler's Wells Theatre, Rosebery Avenue, London, EC1R 4TN.

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Edward, Mark (2014) Stop prancing about: boys, dance and the reflective glance. Equality, Diversity and Inclusion: An International Journal, 33 (5). pp. 470-479. ISSN 2040-7149 DOI https://doi.org/10.1108/EDI-03-2014-0018

Edward, Mark (2015) Surely You’re Not Still Prancing About On Stage At YOUR Age?! International, Interdisciplinary Talking Bodies Conference 2015, 31 March – 2 April 2015, University of Chester.

Edward, Mark and Bannon, Fiona (2017) Being in Pieces: Integrating Dance, Identity and Mental Health. In: Lycouris, Sophia, Karkou, Vicky and Oliver, Sue (eds). The Oxford Handbook for Dance and Wellbeing. Oxford University Press, pp. 329-348. ISBN 9780199949298 DOI https://doi.org/10.1093/oxfordhb/9780199949298.001.0001

Edward, Mark, Farrier, Stephen, D' Bray, Chris and Parslow, Joe (2017) Beyond The Slap: Reflections on Drag. Manchester Drag Symposium, January 19th, 2017, Manchester Central Library.

Edward, Mark and Griffin, Julia (2001) Flat 6. Tour, Sept 2001, North West, UK.

Edward, Mark and Newall, Helen (2017) Dying Swans & Dragged Up Dames. Naked Acts: Queer & Flesh., 31st January, 2017., York Art Gallery.

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Edward, Mark and Newall, Helen (2013) Dying Swans and Dragged Up Dames. Animated Magazine. pp. 14-16.

Edward, Mark and Newall, Helen (2013) Dying Swans and dragged up dames: a photographic exploration of the ageing dancer. Dance Congress 2013, 6-9 June 2013, Düsseldorf, Germany.

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Edward, Mark and Newall, Helen (2013) Not With My Body Ya Don't! Ageing Performers and the Habitus Turn. TAPRA Performance and the Body working group, 4th - 6th September 2013, Glasgow.

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Edward, Mark and Newall, Helen (2011) Temporality of the Performing Body: Tears, Fears and Ageing Dears. Making Sense of Pain 2nd Global Conference, 22-24 May 2011, Warsw, Poland.

Evans, Owen (2018) Building Bridges: Fatih Akin and the Cinema of Intercultural Dialogue. In: Harvey, James (ed). Nationalism in Contemporary Western European Cinema. Palgrave Macmillan, London, pp. 145-167. ISBN 978-3-319-73666-2 DOI https://doi.org/10.1007/978-3-319-73667-9

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Evans, Owen (2017) ‘Humphrey Jennings: Of Images, Poetry and Pandaemonium’. In: Newland, Patrick and Hoyle, Brian (eds). British Art Cinema. Manchester University Press, Manchester. (In Press)

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Fong, Rosa (2016) Deconstructing Zoe/ Scent of an Orchid. 1) Q! Film Festival. Screening and Q&A, 01/02/2016 - 21/06/2017, Jakarta.

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Fong, Rosa (2018) Deconstructing Zoe: Performing Race. Zapruder World, 4. ISSN 2385-1171 (In Press)

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Geraghty, Christine, Weissmann, Elke, Jermyn, Deborah, Lad, Mita, Gorton, Krystin, McCourt, Molly and Kies, Bridget (2016) Women, Soap Opera, and New Generations of Feminists. Critical Studies in Television, 11 (3). pp. 365-384. ISSN 1749-6020 DOI https://doi.org/10.1177/1749602016661948

Gersten-Roberts, J. (2006) Grey [Short film]. Dance Film, May, Wenning Studios, North Yorkshire, Lunesdale Studio Trail, Lancashire, World Dance Day, Preston, International Videodance 2007, Athens and Thessolonik, Greece.

Gersten-Roberts, J. (2008) Lily [Short film]. [Video]

Gersten-Roberts, J. (2007) The Projectionist [Short Film]. UNSPECIFIED, Rushes Soho Shorts Festival, London, International Film Festival, Hull, International Film Festival, Leeds, Digi Fest, Florence, Italy, Cannes Film Festival, Cannes France.

Gersten-Roberts, J. (2007) The Projectionist [Short film]. [Video]

Gersten-Roberts, J., Stark, M and Broomy, B (2009) Lily [Short film]. Film Festival, Film Makers Network, Cumbria, Kilburn Film Festival, London, London Barbican Children's Film Festival, London, Exposures Film Festival, Manchester.

Gersten-Roberts, J. and Stark, M. (2009) Best Day [Short Film]. Best Day, Dukes Cinema, Lancaster, Heritage Centre Gallery, Pendle, Wenning Studios Lancashire, Lanternhouse International, Ulverston.

Gersten-Roberts, June (2009) Letter To Mr X [Short film]. [Video]

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Gersten-Roberts, June (2016) Transient Light: enchanted encounters with dappled light. Dance Movement and Spiritualities, 3 (1-2). pp. 89-106. ISSN 2051-7068 DOI https://doi.org/10.1386/dmas.3.1-2.89_1

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Gersten-Roberts, June, Man, Michelle and Haigh, Howard (2016) The Dappled Light Project. Lunesdale Art Trail, Wenning Studios; Bentham, 04/06/2016 - 12/06/2016, Tate Exchange with Concurrent Three, Tate, Liverpool 23/2/2017.

Gersten-Roberts, June, Turvey, Gerry, Bygott, Roger and Oneill, Rachael (2016) Words Are Not Enough. Words Are Not Enough, 30/04/2016, Leeds Central Library.

GerstenRoberts, June (2017) Writing Body Stories. In: Karkou, Vicky, Lycouris, Sofia and Oliver, Sue (eds). Writing Body Stories. Oxford University Press, pp. 349-368. ISBN 9780199949298 DOI https://doi.org/10.1093/oxfordhb/9780199949298.013.51

GerstenRoberts, June, Turvey, Gerry and Bygott, Roger (2017) The Skin I'm In. Performance with Video, 01/09/2017, Yorkshire Dance Leeds.

Glass, Rodge (2008) Alasdair Gray: A Secretary's Biography. Bloomsbury, UK & Commonwealth. ISBN 9780747590156

Glass, Rodge (2012) Bring Me the Head of Ryan Giggs. Tindal Street Press, Birmingham. ISBN 9781906994389

Glass, Rodge (2008) Hope for Newborns. Faber & Faber, UK & Commonwealth. ISBN 9780571238217

Glass, Rodge and Turbitt, D (2010) Dougie's War. Freight Books, UK & Commonwealth. ISBN 9780954402488

Gordon, Robert and Peimer, David (2011) Pinter: In Other Rooms Party Time, The Examination, Press Conference, Mountain Language, Night, Victoria Station, A New World Order. Pinter: In Other Rooms, 2011, Toured Prague (Havel’s theatre), Berlin, Greece, Slovenia, London, Poland, Budapest.

Griffin, J. (2004) Bad Reputation. Contact Theatre, June, Manchester.

Griffin, J. (2006) The Binsons. The Bigger Picture, June-July.

Griffin, J. (2002) Bird Engine. Dancehouse Theatre, March, Manchester.

Griffin, J. (2004) Circular Tape. Vaudeville Theatre, Spring - Autumn, London.

Griffin, J. (2004) Circular Tape. Liverpool Biennial, Spring - Autumn, Liverpool.

Griffin, J. (2004) Circular Tape. Greenroom, Spring - Autumn, Manchester.

Griffin, J. (2006) [Dancer] Manchester - The Beautiful South. [Video]

Griffin, J. (2009) Dancing in the Aisles. UNSPECIFIED, Chester.

Griffin, J. (2004) DigiLounge. DigiLounge Workshop, February, Chelmsford.

Griffin, J. (2010) Epilogue. UNSPECIFIED, Newcastle; Lancaster; Chester; Manchester.

Griffin, J. (2009) Forum For The Pedestrians. UNSPECIFIED, 29-30 October, Chester City Walls, Chester.

Griffin, J. (2007) Golden Day Waltzing. Moves07, 12-17 June, Manchester.

Griffin, J. (2000) Grebo's Dance Theatre. Launch Performance, May, Manchester.

Griffin, J. (2000) Grebo's Dance Theatre. Regional Tour.

Griffin, J. (2007) Hooked Up. 700.is, 1 April, Iceland.

Griffin, J. (2006) I Am Woman. Regeneration of Culture and Arts in Bury, 9 March, Bury Met Arts.

Griffin, J. (2005) Lazurd. Urban Moves International Dance Festival, 15-17 July, Manchester.

Griffin, J. (2007) The Migrant Body Project. Estonian TV, Estonia.

Griffin, J. (2001) Miss Fluff. x.trax Festival, May, Manchester.

Griffin, J. (2008) Night Cocoons. Urban Moves International Dance Festival, 25-26 July, Manchester.

Griffin, J. (2006) On the Big Screen: 27 May - 9 June. The Bigger Picture, June, Manchester.

Griffin, J. (2008) Physically Feminine with 'Blink'. LEAP Festival '08, Merseyside.

Griffin, J. (2006) Ran out of Credit. The Bigger Picture, June-July.

Griffin, J. (2007) Reindeerland. 700.is, 1 April, Iceland.

Griffin, J. (2005) Swan. Commonwealth Film Festival, April 29 - 8 May, Manchester.

Griffin, J. (2004) SwanQuake. Motion Capture Project, April, Amsterdam.

Griffin, J. (2009) Tourist Information. [Video]

Griffin, J., Aeppli, S., Sandiland, N., Anderson, P. and Lee, R. (2004) [Combine Dance and Film Project]. Cheshire Dance, October, Cheshire.

Griffin, J., Engineer, K. and Fiske, B. (2009) Three Crows on a Road. UNSPECIFIED, Jan 2009 - ongoing, The Greenroom, Manchester.

Griffin, J., Engineer, K. and Fiske, B. (2009) Three Crows on the Road. The GEF House Experiment, Greenroom, Manchester.

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Griffin, Julia, Davismoon, Steve and Newall, Helen (2017) STUCK. STUCK, 17/06/2017 - 28/06/2017, Edge Hill University.

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Hann, Rachel (2012) Dwelling in light and sound: An intermedial site for digital opera. International Journal of Performance Arts & Digital Media, 8 (1). pp. 61-78. ISSN 1479-4713 DOI https://doi.org/10.1386/padm.8.1.61_1

Hann, Rachel and Bech, Sidsel (2014) Critical costume. Scene, 2 (1-2). pp. 3-8. ISSN 2044-3714 DOI https://doi.org/10.1386/scene.2.1-2.3_2

Harker, James (2016) Port Stories: Black Mary and A History of Violence. Port Stories: Black Mary and A History of Violence, 01/12/2016 - 31/12/2016, Lancaster.

Harrop, Angharad and De Vargas, Ruan (2012) Hiraeth/Saudade. Cultural Exchanges, 28th February 2012, Leicester.

Harrop, Angharad Ruth (2012) Journey of Heritage: Voyage of Culture. V congresso internacional em artes, novas tecnologias e comunicacao: As imbricacoes da cultura contemporanea a popular, 5 (1). pp. 116-123.

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Hatton, C and Bech, Sidsel (2015) Critical Costume 2015. Critical Costume 2015, 25-27 March 2015, Helsinki, Finland, Aalto University, School of Arts, Design and Archtechture.

Hewison, James (2012) Land of the Giants. Performance, 30 June 2012, Belfast.

Hewison, James (2013) Oh Let Me Confess (Hewison). The Birthday Party, February and March 2013, Swansea, Wales.

Hewison, James (2012) Preston Passion. The Preston Passion, 6 April 2012, Preston, UK.

Hewison, James (2009) Queen Anne Summerhouse Site-specific Performance Project. Queen Anne Summerhouse Site-specific Performance Project, June 2009, Queen Anne Summerhouse, Old Warden, Bedfordshire.

Hewison, James and Bailey, Helen (2008) e-dance Project. e-dance project, 2008 to 2010, Bedford, UK.

Hewison, James and Bradley, Elsa (2010) Flow Project. International Association of Dance Medicine and Science / 2nd annual HEA Arts and Humanities conference, 25 - 28 October 2012 / 29 - 30 May 2013, Singapore / Brighton.

Hewison, James and Charnock, Nigel (2012) L.O.V.E. L.O.V.E., September - November 2012, National Tour.

Hewison, James and Davies, Paul (2009) A Few Little Drops portfolio. A Few Little Drops / Preston Passion / Land of Giants, March 2009 - June 2012, Qatar & Kuwait / Preston / Belfast.

Hewison, James and Davies, Paul (2009) A Few Little Drops. A Few little drops, March 2009, Kuwait and Qatar.

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Hewison, James and Man, Michelle (2015) Imaginarium. Leonora Carrington Exhibition, March to April 2015, Tate Gallery Liverpool.

Hewison, James and Man, Michelle (2013) Landscape of the Bones project. Costa Contemporanea/The Birthday Party, February - September 2013, Spain/Wales.

Hewison, James and Man, Michelle (2013) The Landscape of the Bones. Costa Contemporanea Festival, 5-7 September 2013, Almeria, Spain.

Hewison, James and Man, Michelle (2017) Of Cabbages and Queens: Dancing Carrington. The Leonora Carrington Centenary Symposium, 30/06/2017-30/06/2017, Edge Hill University.

Hewison, James, Turner, Martin and Bailey, Helen (2008) Choreographic Morphologies: digital visualisation of spatio-temporal structure in dance and the implications for performance and documentation. Electronic Visualisation in the Arts 2008 International Conference Proceedings,. ISSN 978-1-906124-07-6

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Hewison, James and Urmston, Elsa (2014) Risk and Flow in Contact Improvisation: pleasure, play and presence (Hewison and Urmston). Journal of Dance and Somatic Practices, 6 (2). pp. 219-232. ISSN 17571871 DOI https://doi.org/10.1386/jdsp.6.2.219_1

Hopkinson, B. (2009) Clown Consciousness: a pedagogical intervention in undergraduate actor training. Third International Conference Consciousness, Theatre, Literature and the Arts, University of Lincoln.

Hopkinson, Bill, Haughey, Laura and Martin, A (2010) Scenes in a Mirror. [Video]

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Jaundrill-Scott, Karen (2008) Engaging Boys in Creative Dance. North West Physical Education Conference, 6 March 2008, Ewood Park, Blackburn.

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Jaundrill-Scott, Karen (2016) Making Do you see what I see? Tapra Conference 2016, 5th -7th September 2016, Bristol.

Jaundrill-Scott, Karen (2017) The role of discourse in the training of emerging dance artists and safe haven filming:opening boundaries through the movement of the narrative. TaPRA Gallery, TaPRA Conference 2017, 30/8/2017-01/09/2017, Salford.

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Jaundrill-Scott, Karen, Bennett, Geoff and Elliott, Karen (2005) Air Raid Archie. Home Front Recall, Heritage Lottery.

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Jaundrill-Scott, Karen, Bennett, Geoff and Elliott, Karen (2006) The Citadel Music Hall Years. Heritage Lottery Fund, St Helens EAZ.

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Jaundrill-Scott, Karen, Bennett, Geoff and Elliott, Karen (2005) The legacy of Samuel Taylor: a history of Taylor Park. Local Heritage Initiative.

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Jaundrill-Scott, Karen, Bennett, Geoff, Elliott, Karen and Macauley, Elisa (2007) From the Co-op to Boundary Road. From the Co-op to Boundary Road, 15th January 2007-July 2009, Rainford Gallery St Helens and local schools, Edge Hill University.

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Jaundrill-Scott, Karen, Bennett, Geoff, Macauley, Elisa and Elliott, Karen (2006) Tales of Oak Wood. Local Heritage Initiative.

Jaundrill-Scott, Karen and Cullen, Lisa (2009) Towards a Graduate Company. Towards a Graduate Dance Company, 6th July 2009, Edge Hill University.

Jaundrill-Scott, Karen and Cullen, Lisa (2009) Towards a Graduate Company. Project Report. Arts Council England.

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Jaundrill-Scott, Karen and Milner, Debbie (2013) And then there were Twelve. Storyville: Exploring narratives of learning and teaching, the 2nd annual HEA Arts and Humanities conference, 2013, 29-30 May 2013, Brighton.

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Jaundrill-Scott, Karen and Milner, Debbie (2013) And then there were twelve...the journey of a graduate dance company in the North West. Storyville, 29-30 May, Brighton.

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Jaundrill-Scott, Karen, Milner, Debbie and Wilson, Gil (2012) 12 Degrees North Triple Bill. North West Autumn Tour 2012, September 1st-November 22nd, North West England.

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Jaundrill-Scott, Karen and Newall, Helen (2016) 12 Degrees North: Do you see what I see? 12 Degrees North-An Exhibtion, October 2014 - March 2016, Edge Hill University Ormskirk,The Lowry Salford Quays,The Citadel Arts Centre, St Helens.

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Jaundrill-Scott, Karen and Newall, Helen (2016) The role of visual documentation in supporting the emerging dancer to self-reflect: embedding graduate employability via visual literacy. Sustaining the Discipline: Embedding the Right to Dance, Annual Dance HE Conference, 28/10/2016- 30/10/2016, RNCD, Leeds.

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Johnston, Nessa (2012) Beneath Sci-fi Sound: Primer, Science Fiction Sound Design, and American Independent Cinema. Alphaville: Journal of Film and Screen Media (3). ISSN 2009-4078

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Johnston, Nessa (2014) The Celtic Tiger ‘Unplugged’: DV realism, liveness, and sonic authenticity in Once (2007). The Soundtrack, 7 (1). pp. 25-38. ISSN 17514193 DOI https://doi.org/10.1386/st.7.1.25_1

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Johnston, Nessa (2016) The Magic of the Space: An interview with Niall Brady and Steve Fanagan about Room (2015). The New Soundtrack, 6 (2). pp. 159-169. ISSN 2042-8855 DOI https://doi.org/10.3366/sound.2016.0089

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Johnston, Nessa (2016) Teorizando o som “ruim”: o que põe o mumble no mumblecore? REBECA - Revista Brasileira de Estudos de Cinema e Audiovisual, 5 (1). pp. 419-450. ISSN 2316-9230

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Johnston, Nessa (2014) Theorising ‘bad’ sound: what puts the ‘mumble’ into mumblecore? The Velvet Light Trap (74). pp. 67-79. ISSN 0149-1830 DOI https://doi.org/10.7560/VLT7407

Johnston, Nessa (2015) The Voiceless Acousmêtre: Paranormal Activity’s digital surround sound demon. Music, Sound, and the Moving Image, 9 (2). pp. 131-144. ISSN 1753-0768 DOI https://doi.org/10.3828/msmi.2015.9

Jukes, Alex (2014) Creative Animation Knowledge Exchange. Creative Animation Knowledge Exchange, 14/07/2014 - 18/07/2014, EHU.

Jukes, Alex (2016) Martial ART. Martial ART, 26/11/2016-26/11/2016, Tate Liverpool.

Jukes, Alex (2014) Moving Horizons: Space as Material Within 3-D CGI Animation. 18th Avanca 2014 Film Festival: International Meeting of Cinema, TV, Video and Multimedia, 18/07/2014-27/07/2014, Avanca, Portugal, pp. 343-352, ISBN 978-989-96858-4-0, ISSN 2053-8821.

Jukes, Alex (2017) New Primitives. StrangeLove Festival, 10/03/2017-24/03/2017, Sassoon Gallery, Folkestone.

Jukes, Alex (2017) Yves Klein: Animation and the Pictorial moment. Society of Animation Studies “… And Yet It Moves!”, 03/07/2017-07/07/2017, Padua, Italy.

Jukes, Alex, Young, Susan and Meng, Chunhui (2015) Flux Exhibition and Artist Seminar. Flux Exhibition and Artist Seminar, 13/04/2015-17/04/2015, Hockney Gallery, Kensington, London.

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Karkou, Vicky and Meekums, Bonnie (2014) Dance movement therapy for dementia (protocol). Cochrane Database of Systematic Reviews (3). pp. 1-15. DOI https://doi.org/10.1002/14651858.CD011022.

King, Barnaby (2008) Acts of Violence: Theatre of Resistance and Relief in the Colombian War Zone. TDR/The Drama Review, 52 (1). pp. 88-109. ISSN 1054-2043 DOI https://doi.org/10.1162/dram.2008.52.1.88

King, Barnaby (2000) The African-Caribbean Identity and the English Stage. New Theatre Quarterly, 16 (2). pp. 131-136. ISSN 0266-464X DOI https://doi.org/10.1017/S0266464X00013646

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King, Barnaby (2013) Carnivalesque Economies: Clowning and the Neoliberal Impasse. Kritika Kultura, 21/22. pp. 472-489. ISSN 1656-152X DOI https://doi.org/10.13185/KK2013.02114

King, Barnaby (2015) Clowning as Social Performance in Colombia: Ridicule and Resistance. Bloombury, London. ISBN 9781474249287

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King, Barnaby (2000) Landscapes of Fact and Fiction: Asian Theatre Arts in Britain. New Theatre Quarterly, 16 (1). pp. 26-33. ISSN 0266-464X DOI https://doi.org/10.1017/S0266464X00013439

King, Barnaby and Talbot, Richard (2014) Clowns do ethnography: an experiment in long-distance comic failure. Comedy Studies, 5 (1). pp. 64-77. ISSN 2040-610X DOI https://doi.org/10.1080/2040610X.2014.905104

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Lauke, Karen (2011) Glesum. Glesum, December 2011.

Lauke, Karen (2011) Korrigan's Lair. Secret Light Garden, October 2011, Picton Castle.

Lauke, Karen (2011) Synecdoche:praha. Prague Quadrennial, June 2011, Prague.

Lauke, Karen, Newall, Helen and Griffin, Julia (2012) The Ghost of Someone Not Yet Drowned. The Ghost of Someone Not Yet Drowned, 19th April 2012, Victoria Baths, Manchester.

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Loveless, Natalie, Buller, Rachel Epp, Donoghue, Deirdre, Drummond, Davina, El-Sherbini, Yara, Haq, Farheen, Hawkes, Jodie, Irvin, Sarah, Kessel, Courtney, Knowles, Helen, Lusztig, Irene, McCloskey, Paula, Regn, Iris Anna, Richter, Shira and Simic, Lena (2016) Contemporary Mamactivist Artists: A Forum on Maternal Activist Art for the Studies in the Maternal Special Issue on The Everyday Maternal Practice: Activist Structures in Creative Work, Summer 2016. Studies in the Maternal, 8 (2). pp. 56-62. ISSN 1759-0434 DOI https://doi.org/10.16995/sim.224

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Ludke, Karen (2016) Singing and arts activities in support of foreign language learning: An exploratory study. Innovation in Language Learning and Teaching. pp. 1-16. ISSN 1750-1229 DOI https://doi.org/10.1080/17501229.2016.1253700

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Macauley, Elisa and Milner, Debbie (2014) 'Battlefield Boy'. Battlefield Boy, 2014, Falinge Park High School in Rochdale, The Imperial War Museum North and performed across the NW.

Man, Michelle (2016) Dancing in the Dark: Lowering the Lights for an Uncertain World. Dance in the 21st Century: Questioning methods of practice, pedagogy and research, 07/04/16, University of Bedfordshire.

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Man, Michelle (2016) Forrest Lights: collaborative glimmerings in performance making with mediated light. “How do to things with ...” Practice Research Symposium, 20.07.16, University of Surrey.

Man, Michelle (2016) 'InTarsi'. Circ d'ara Mateix, 22-24.04.16 and on-going, El Mercat de les Flors, Barcelona.

Man, Michelle (2014) ‘Into Darkness…Towards l i g h t o u c h: The Challenges of Creating and Performing in the Dark’. Theatre in the Dark Symposium, 12/07/14, University of Surrey.

Man, Michelle (2017) Lighting States- Lighting Scapes: when light performs as a choreographic scorer. Theatre and Performance Research Association Annual Conference (TaPRA), 30/08/2017-01/09/2017, University of Salford.

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Man, Michelle and Summerlin, Dawn (2016) Porcelain Moves: When Costume Choreographs with Summerlin, D. Perceptive Fragility. Costume and Fashion in Context and Practice Symposium, 5th-6th December 2016, The Fashion and Costume Research Centre, University of Huddersfield.

McCormick, Sheila (2007) Back on Stage: Movements in Irish Theatre, 2006. New Hibernia Review, Volume 11, Number 3, Autumn 2007, 145-153, 11 (3). pp. 145-153.

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McGregor, Rafe (2014) A Critique of the Value Interaction Debate. The British Journal of Aesthetics, 54 (4). pp. 449-466. ISSN 0007-0904 DOI https://doi.org/10.1093/aesthj/ayt052

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McGregor, Rafe (2018) The Problem of Thick Representation. Contemporary Aesthetics, 16. ISSN 1932-8478

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Merriman, Victor (2018) ATHENS’ SHADOWS. Kritika Kultura, 30/31. pp. 110-128. ISSN 1656-152X DOI https://doi.org/10.13185/2808

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Milner, Debbie (2016) If The Hat Fits. If The Hat Fits, 01/09/2017, TaPRA- Salford University, New Adelphi Building.

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Milner, Debbie (2017) ‘If the Hat Fits’ Examining the impact of male-only, extra-Curricular provision on male dancers studying in Higher Education. TaPRA Conference 2017, 30/08/2017-01/09/2017, Salford University, New Adelphi Building.

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Mollaghan, Aimee (2014) Audio-visual moiré patterns: Phasing in Guy Sherwin’s Optical Sound films. The Soundtrack, 7 (1). pp. 47-57. ISSN 17514193 DOI https://doi.org/10.1386/st.7.1.47_1

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Mollaghan, Aimee (2011) “An Experiment in Pure Design:” The Minimalist Aesthetic in the Line Films of Norman McLaren. Animation Studies Journal, 6. pp. 26-33. ISSN 1930-1928

Mollaghan, Aimee (2017) Rebalancing the Picture-Sound Relationship: the Audiovisual Compositions of Lis Rhodes. In: Rogers, Holly and Barham, Jeremy (eds). The Music and Sound of Experimental Film. Oxford University Press, Oxford, pp. 205-218. ISBN 0190469897

Mollaghan, Aimee (2017) ‘Rebalancing the Picture/Sound Relationship: the Audiovisual Compositions of Lis Rhodes’. In: Rodgers, Holly and Barham, Jeremy (eds). The Music and Sound of Experimental Film. Oxford University Press, Oxford, pp. 205-218. ISBN 9780190469900

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Mollaghan, Aimee (2015) ‘The Rest is Silence’:Psychogeography, Soundscape and Nostalgia in Pat Collins’ Silence. The New Soundtrack, 5 (2). pp. 121-132. ISSN 2042-8855 DOI https://doi.org/10.3366/sound.2015.0074

Mollaghan, Aimee (2015) The Visual Music Film. Palgrave Macmillan, Basingstoke. ISBN 978-1-137-49281-4

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Newall, H. (2007) Another Sun (War Trilogy part III). UNSPECIFIED, Southhampton.

Newall, H. (2004) Anthem For Doomed Youth (War Trilogy part I). UNSPECIFIED, Southampton.

Newall, H. (2008) Cyrano: le Vraie Story. UNSPECIFIED, North West, Wales, NI and Eire.

Newall, H. (2007) Dreaming the Silence. UNSPECIFIED, Edge Hill.

Newall, H. (2004) Grimms' Tales. UNSPECIFIED, Southampton.

Newall, H. (2007) Robin Hood and the Golden Arrow of Doom. UNSPECIFIED, North West, Wales, NI and Eire.

Newall, H. (2006) Shoah (War Trilology part II). UNSPECIFIED, Southampton.

Newall, H. (2006) Some Sunny Day. UNSPECIFIED, Chester.

Newall, H. (2000) The Spring Stone. UNSPECIFIED.

Newall, H. (2006) Sweet Sixteen. UNSPECIFIED, Chester.

Newall, H. (2008) There Must Be Silence. Deep Wireless Festival and Conference, Toronto.

Newall, H. (2007) There Must Be Silence. UNSPECIFIED, Manchester.

Newall, H. (2007) The Twelve Days of Christmas. UNSPECIFIED, Chester.

Newall, Helen (2008) Oh, Whistle and I'll Come to You, My Lad. In: Cox, Ailsa (ed). The Short Story. Cambridge Scholars Publishing, Newcastle. ISBN 1847186696

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Newall, Helen (2011) Practice as Research: site responsive text: A Fairy Tale Not Yet Written. Secret Light Garden, 2011, Picton Castle.

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Newall, Helen (2008) Silent Night. [Artefact]

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Newall, Helen and Jaundrill-Scott, Karen (2014) 12◦ North: Visual Literacy and the Emerging Artist. 12◦ North: Visual Literacy and the Emerging Artist, 01/02/2014-31/12/2018.

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Newall, Helen and Jaundrill-Scott, Karen (2016) Can visual documentation support the emerging dancer to self-reflect? Embedding graduate employability. Inspire – sharing great practice in Arts and Humanities teaching and learning - See more at: https://www.heacademy.ac.uk/events-conferences/event/inspire-%E2%80%93-sharing-great-practice-arts-and-humanities-teaching-and-learning, 2nd and 3rd of March 2016, Brighton.

Newall, Helen and Lauke, Karen (2012) Dreaming the Silence: An Un-trance-lated performance. [Video]

Newall, Helen and Lauke, Karen (2008) In the Museum of Lost Sounds (Dreaming the Silence Project). Sorderas [Deafnesses] Festival and Conference, Barcalona.

Newall, Helen, Skinner, A and Taylor, A (2017) Translating Performance: Desire, Intention and Interpretation in Photographic Documents. In: Sant, Toni (ed). Documenting Performance: The Context and Processes of Digital Curation and Archiving. Bloomsbury, London, pp. 93-112. ISBN 9781472588203

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Norris, Debbie (2017) ConSequence - The Genomes Dance Project. ConSequence, 25/06/2017-25/06/2017, William Thomas Theatre, Denton Manchester.

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Page, T., Herne, S., Dash, P., Charman, H., Atkinson, D. and Adams, J. (2009) Teaching Now with the Living: A Dialogue with Teachers Investigating Contemporary Art Practices. In: Herne, S., Cox, S. and Watts, R. (eds). Readings in Primary Art Education. Intellect Books, Bristol, UK, pp. 219-230. ISBN 9781841502427

Page, T., Herne, S., Dash, P., Charman, H., Atkinson, D. and Adams, J. (2006) Teaching now with the living: a dialogue with teachers investigating contemporary art practices. International Journal of Art and Design Education, 25 (2). pp. 146-155. ISSN 1476-8062

Peimer, David (2015) Austerity and Postcolonialism; How the Bird seeks the Cage in the works of Kafka and Pinter. Postcolonial Studies Association 2015 Convention, 7th-9th September 2015, University of Leicester.

Peimer, David (2007) Avant Garde SA theater. In: Cody, Gabrielle. H and Sprinchorn, Evert (eds). The Columbia Encyclopedia of Modern Drama. Columbia University Press. ISBN 9780231140324

Peimer, David (2007) Avant Garde SA theatre. In: Cody, Gabrielle H and Sprinchorn, Evert (eds). The Columbia Encyclopedia of Modern Drama. Columbia University Press. ISBN 9780231140324

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Peimer, David (2018) A Brief Moment in the Great Postcolonial Story: Crime, Violence and Grief in Contemporary South African Theatre. African Performance Review, 9 (1). pp. 26-42. ISSN 1750-4848

Peimer, David (2008) David Mamet's Edmond. Premiere of Edmond by American playwright David Mamet, December 2008.

Peimer, David (2017) Decolonising Shakespeare in A Pound of Flesh (Caliban and Shylock Speak). Literature and Identity in a Globalized World, 04/07/2017-06/07/2017, Wurtzburg, Germany.

Peimer, David (2010) Directed and Adapted Nobel Prize winner Elie Wiesel’s book Night, Dorota Maslowska’s A Couple of Poor Polish Speaking Romanians. Dorota Maslowska’s A Couple of Poor Polish Speaking Romanians, 2010, Na Zabradli Theatre.

Peimer, David (2017) 'A Director's Perspective: Stanislavsky in South Africa'. In: Pitches, Jonathan and Aquilina, Stefan (eds). Stanislavsky in the World - The System and its Transformations Across Continents. Bloomsbury, UK. ISBN 9781472587886

Peimer, David (2008) Durang's Laughing Wild. Laughing Wild, 24/04/2008 & 2-3/05/2008, Prague Playhouse.

Peimer, David (2016) Fracturing Identities: Crime and Grief in Contemporary South African theatre. In: Gordon, R and Carr, H (eds). Fractured Identities in Postcolonial Theatre (Working Title). Pinter Centre, London. (In Press)

Peimer, David (2014) Grief in Contemporary South African Theatre. Performing Grief, 17th -18th October 2014, University of Sorbonne, Paris-Sorbonne.

Peimer, David (2017) Havel Foundation (Prague) in collaboration with Mandela Foundation on: Havel and Mandela; Human Rights in South African and Czech Theatre Today. Creative Africa: Havel and Mandela and Human Rights, 24/05/2017-26/05/2017, Prague.

Peimer, David (2012) The Opposite of Memory is Indifference. EU Parliament Culture Department, 2012, Brussels.

Peimer, David (2017) A Pound of Flesh (Caliban and Shylock Speak). A Pound of Flesh (Caliban and Shylock Speak), 23/03/2017-23/03/2017, EHU.

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Peimer, David (2016) Re- Considering Intercultural Actor Training in South Africa today; ‘Borrowing on our own terms’. Theatre, Dance and Perfromance Training, 7 (3). pp. 403-416. ISSN 1944-3927 DOI https://doi.org/10.1080/19443927.2016.1217261

Peimer, David (2013) Representations of Crime in Post Apartheid Theatre; A brief moment in the Post Colonial Narrative. In: Bray, Suzanne and Preher, Gerald (eds). Culture and Crime. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 131-144. ISBN 978-1-4438-5134-3

Peimer, David (2011) Shylock's Ghosts: The afterlife of Shakespeare's Jew. Shylock's Ghosts: The afterlife of Shakespeare's Jew., 2011, Falmouth Theatre.

Peimer, David (2009) Vaclav Havel’s The Unveiling and Audience and an adaptation of Kafka’s The Trial with NYU students. Vaclav Havel’s The Unveiling, 2009, Na Zabradli Theatre (President Havel’s theatre in Prague).

Peimer, David (2015) Violence and Grief in Contemporary South African Theatre. Inaugural Lecture Series – Professor David Peimer, 20th Nov 2015, Edge Hill University- Rose Theatre, Ormskirk.

Peimer, David (2016) Who Owns the Narrative of the City; Views from Liverpool and Johannesburg. Babel Replay, 9th April 2016- 10th April 2016, Durrenmatt Centre, Neuchatel, Switzerland..

Peimer, David (1993) The theatre of images: how it functions, the pioneers and a way forward for the movement. Doctoral thesis, Columbia University.

Pih, Darren, Shannon, Roger and Jukes, Alex (2016) In Conversation about Yves Klein. In Conversation about Yves Klein, 22/02/2017-22/02/2017, Creative Edge, Edge Hill University.

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Radosavljević, Duška, Rigby, Annie and Simic, Lena (2015) The Mums and Babies Ensemble: A Manual. The Institute for the Art and Practice of Dissent at Home. ISBN 978-0-9564165-3-7

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Schrimshaw, Will (2017) Immanence and Immersion: on the acoustic condition in contemporary art. Bloomsbury. ISBN 9781501315879

Schrimshaw, Will (2013) Non-cochlear sound: On affect and exteriority. In: Biddle, Ian and Thompson, Marie (eds). Sound, Music, Affect: Theorizing sonic experience. Bloomsbury Academic, London and New York, pp. 27-43. ISBN 9781441126344

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Schrimshaw, Will (2018) The Tone of Prime Unity. Organised Sound, 23 (2). ISSN 1355-7718 DOI https://doi.org/10.1017/S1355771818000080

Schrimshaw, Will (2012) Undermining Media. Artnodes: Journal on Art, Science and Technology, 12. pp. 100-105. ISSN 1695-5951 DOI https://doi.org/10.7238/a.v0i12.1637

Schrimshaw, William (2012) Any Place Whatever: Schizophonic Dislocation and the Sound of Space in General. Interference (2). ISSN 2009-3578

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Schrimshaw, William (2016) Exit Immersion. Sound Studies: An Interdisciplinary Journal, 1 (1). pp. 155-170. ISSN 2055-1940 DOI https://doi.org/10.1080/20551940.2015.1079982

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Schrimshaw, William (2015) Ur-Writings: A Geophonographic Fiction. Leonardo. pp. 1-12. ISSN 0024-094X DOI https://doi.org/10.1162/LEON_a_01075

Simic, Lena (2014) 40 Minutes (2014). 40 Minutes, 29 November 2014, The Institute for the Art and Practice of Dissent at Home, Liverpool.

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Simic, Lena (2016) 42 Among the Gormleys. 42 Among the Gormleys, 27 November 2016, Crosby Beach.

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Simic, Lena (2014) Birth Story. Performance Research, 19 (4). pp. 24-30. ISSN 1352-8165 DOI https://doi.org/10.1080/13528165.2014.947135

Simic, Lena (2016) Friday Records - Online Journal (2014) and Live Art Event (2016). Friday Records, January 2014 - January 2015; August 2016, Online and MART Gallery, Dublin Live Art Festival.

Simic, Lena (2013) On Foreign Discomfort: Magdalena Makeup Live Art Event. In: Rowe, Dorothy and Meskimmon, Marsha (eds). in Women, the Arts and Globalization: Eccentric Experience. Manchester University Press, Manchester, pp. 85-98. ISBN 9780719088759

Simic, Lena and Anderson, Gary (2010) Negotiating a Domestic: Cultural Agency and the Institute for the Art and Practice of Dissent at Home. In: Degen, Monica and Miles, Malcolm (eds). Culture and Agency: Contemporary Culture and Urban Change. Plymouth University Press. ISBN 978-1-84102-1-652

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Simic, Lena, Anderson, Gary, Jones, Chris, Hunter, Ritchie, Evans, Mel and Jasiewicz, Ewa (2016) 4 Boys [for Beuys]. The Institute for the Art and Practice of Dissent at Home, Liverpool. ISBN 978-0-9564165-4-4

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Simic, Lena, Anderson, Gary and Kingdom, Richard (2010) Watch Out! Here Comes Uselessness: The Institute for the Art and Practice of Dissent at Home on Financial Transparency. In: Live Art Development Agency, Live Art UK (ed). In Time: A Collection of Live Art Case Studies: A Live Art UK Project. Live Art Development Agency, London, pp. 70-82. ISBN 9780956134202

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Simic, Lena and O'Malley, Julieann (2015) Full Term video film (9 minutes) (2014). [Video]

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Simic, Lena, Tyler, Imogen, Lake, Abi, Bueschges, Kerstin and Butterworth, Cathy (2009) Maternal Matters and Other Sisters Artist Catalogue. [Artefact]

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Simic, Lena and Underwood-Lee, Emily (2016) Backpages 26.4, Performance and the Maternal. Contemporary Theatre Review, 26 (4). pp. 536-539. ISSN 1048-6801 DOI https://doi.org/10.1080/10486801.2016.1242644

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Simic, Lena and Underwood-Lee, Emily (2017) Editorial. Performance Research, 22 (4). pp. 1-4. ISSN 1352-8165 DOI https://doi.org/10.1080/13528165.2017.1374641

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Simic, Lena and Underwood-Lee, Emily (2017) Manifesto for Maternal Performance (Art) 2016! Performance Research, 22 (4). pp. 131-139. ISSN 1352-8165 DOI https://doi.org/10.1080/13528165.2017.1374762

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Simic, Lena, Underwood-Lee, Emily, Phillips, Áine, Furse, Anna, Bean, Bean, Qualmann, Clare, Marchevska, Elena, Surman, Grace, Sargeant, Helen, Walsh, Helena, Clarke, Liz, Philps, Lizzie, Gingell, Zoe, Ryan, Miffy, Evans, Tracy, Rippel, Ildiko, Garton, Rosie and Dent, Eve (2016) Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal. Documentation. Live Art Development Agency.

Snazell, J. (2010) The Experimental Cross-Over. Animation Evolution: The 22nd Annual Society for Animation Studies Conference, 9-11 July, Edinburgh College of Art, Scotland.

Snazell, James (2015) Borowczyk’s Serial Labyrinth: From ‘Goto, L'île D'Amour’ to ‘Interno di un Convento. In: Kuc, Kamila, Mikurda, Kuba and Oleszczyk, Michał (eds). BORO, L'ILE D'AMOUR. BERGHAHN BOOKS, NEW YORK/OXFORD, pp. 93-102. ISBN 9781782387015

Snazell, James (2010) Overpass. NODE10, 15-20 November, Frankfurter Kunstverein, Germany.

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Snazell, James (2011) Overpass. [Video]

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Snazell, James (2014) The Perpetual Movement of Dots and Grains. In: De Cuir, Jr, Greg (ed). On Fragmentation. Salford, Gr. Manchester, Salford, Gr. Manchester, pp. 42-49. ISBN 9788679330925

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Snazell, James (2010) Scape. [Video]

Stock, J. (2008) Blue Night in the Heart of the West. UNSPECIFIED, Los Angeles.

Stock, J. (2003) Le Ciel Veut Pas De Toi (Leeds). UNSPECIFIED, Leeds.

Stock, J. (2003) Le Ciel Veut Pas De Toi (Paris). UNSPECIFIED, Paris.

Stock, J. (2007) Nuit Bleue au Coeur de l'Ouest. UNSPECIFIED, Paris.

Stock, J. (2000) Petites Pieces D'Auteurs 2. In: UNSPECIFIED (ed). Le Ciel veut pas de toi. Editions Theatrales, Paris, pp. 133-159.

Stock, J. (2009) Star-Gazy Pie and Sauerkraut. UNSPECIFIED, Salford.

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Thompson, Kevin (2016) Liverpool Century Road Club. Liverpool Century Road Club, 25 Sep 2016- 30 Mar 2017, National Museums Liverpool, Museum of Liverpool, Pier Head, Liverpool Waterfront, L3 1DG.

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Weissmann, Elke (2013) 'Scheduling as Feminist Issue: UK's Channel 4 and US Female-Centred Sitcoms'. In: Thornham, Helen and Weissmann, Elke (eds). Renewing Feminisms: Radical Narratives, Fantasies and Futures in Media Studies. I.B. Tauris, London, New York, pp. 140-154. ISBN 9781848858268

Wiltshire, Kim (2009) Sing When You're Winning. Sing When You're Winning, 14-15 August 2009, Octagon Theatre, Bolton.

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Wiltshire, Kim (2017) The Value of Nothing - performed play and published by Aurora Metro. The Value of Nothing, 10/10/2017- 08/11/2017, Tour: Edge Hill University Arts Centre, Carlisle Old Fire Station, Sale Waterside Arts Centre, TUC Equality Conference at the Mechanics Institute in Manchester, Old Joint Stock Theatre in Birmingham.

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Wiltshire, Kim and Greenhill, Ella Carmen No Offence Trilogy from Pages From My Songbook. Pages From My Songbook, 19th and 20th July, 2013, The Studio, Royal Exchange Theatre, Manchester.

Wiltshire, Kim and Hine, Paul (2012) Project XXX. Project XXX Scratch Performance, 21st June and 3rd July, Octagon Theatre Bolton and Axis Arts Centre Crewe.

Wiltshire, Kim and Kitchen, Helen (2011) Cystic fibrosis transitions art project. The UNESCO Observatory E-Journal, 2 (2). ISSN 1835-2776

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Witts, Richard (2017) Live from Liperpool: lip-synching as a radical act. Royal Musical Association 53rd Annual Conference, 7/9/2017-9/09/2017, University of Liverpool.

Wright, Andrea (2014) A Dark Story Retold: Adaptation, Representation and Design in Snow White: A Tale of Terror. In: Greenhill, P. and Rudy, J. (eds). Channeling Wonder: Fairy Tales on Television. Series in Fairy-Tale Studies. Wayne State University Press, Detroit, pp. 229-247. ISBN 978-0-8143-3922-0

Wright, Andrea (2013) Quiet Earths: Adaptation, Representation and National Identity in New Zealand's Apocalypse. In: Hunter, I. and Van Parys, T. (eds). Science Fiction Across Media: Adaptation / Novelization. SF Storyworlds: Critical Studies in Science Fiction. Gylphi, Canterbury, pp. 167-182. ISBN 978-1780240121

Wright, Andrea (2014) This Wonderful Commercial Machine: Gender, Class, and The Pleasures and Spectacle of Shopping in The Paradise and Mr Selfridge. In: Leggott, J. and Taddeo, J.A. (eds). Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey. Rowman and Littlefield, Lanham, Boulder, New York, London, pp. 235-248. ISBN 978-1-4422-4482-5