Items where Subject is "P Language and Literature > PN Literature (General) > PN1993 Motion Pictures"

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Number of items at this level: 29.

B

Barrett, J. (2010) “Let's Do Something You Won't Enjoy”: Dominatrix Porn, Performance and Subjectivity. In: Mendik, X. (ed). Peep Shows: Cult Film and the Cine-Erotic. AlterImage (3). Wallflower Press. ISBN 978-1906660352

Barrett, J. (2009) Shooting the Civil War: Cinema, History and American National Identity. Cinema and Society. I.B. Tauris, London. ISBN 978-1-84511-776-4

Barrett, Jenny (2016) A Cop in a Cowboy Hat: Timothy Olyphant, a Postmodern Eastwood in Justified. In: Broughton, Lee (ed). Critical Perspectives on the Western: From A Fistful of Dollars to Django Unchained. Rowan & Littlefield, Lanham, MD, United States, pp. 89-101. ISBN 978-1442272422

Brabon, B. (2007) The Spectral Phallus: Re-Membering the Postfeminist Man. In: Brabon, B. and Genz, S. (eds). Postfeminist Gothic - Critical Interventions in Contemporary Culture. Palgrave Macmillan, pp. 56-67. ISBN 9780230005426

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Johnston, Nessa (2016) Unlearning Film School: The ‘lo-fi’ Soundtracks of Joe Swanberg. In: Greene, Liz and Kulezic-Wilson, Danijela (eds). The Palgrave Handbook of Sound Design and Music in Screen Media. Palgrave Macmillan, London, pp. 289-304. ISBN 978-1-137-51679-4 DOI https://doi.org/10.1057/978-1-137-51680-0_20

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Johnston, Nessa and Kampman, Anneke (2016) I will leave you now and this loudspeaker will take my place. New Soundtrack, 6 (1). pp. 17-27. ISSN 2042-8855 DOI https://doi.org/10.3366/sound.2016.0080

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King, Geoff, Molloy, Claire and Tzioumakis, Yannis (2012) Introduction. In: King, Geoff, Molloy, Claire and Tzioumakis, Yannis (eds). American Independent Cinema: indie, indiewood and beyond. Routledge. ISBN 9780415684286

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McGregor, Rafe (2014) Cinematic Philosophy: Experiential Affirmation in Memento. The Journal of Aesthetics and Art Criticism, 72 (1). pp. 57-66. ISSN 1540-6245 DOI https://doi.org/10.1111/jaac.12044

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McGregor, Rafe (2018) Cinematic Realism: A Defence from Plato to Gaut. The British Journal of Aesthetics, 58 (3). pp. 225-239. ISSN 0007-0904 DOI https://doi.org/10.1093/aesthj/ayy022

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McGregor, Rafe (2013) A New/Old Ontology of Film. Film-Philosophy, 17 (1). pp. 265-280. ISSN 1466-4615 DOI https://doi.org/10.3366/film.2013.0015

Molloy, Claire (2013) Animals, avatars and the gendering of nature. In: Pick, A and Narraway, G (eds). Screening Nature: Cinema Beyond the Human. Berghahn Books, pp. 177-193. ISBN 9781782382263

Molloy, Claire (2012) Being A Known Animal. In: Blake, Charlie, Molloy, Claire and Shakespeare, Steven (eds). Beyond Human: From Animality to Transhumanism. Continuum. ISBN 9781441173997

Molloy, Claire (2012) Independent nature: wildlife films between Hollywood and indiewood. In: King, Geoff, Molloy, Claire and Tzioumakis, Yannis (eds). American Independent Cinema: indie, indiewood and beyond. Routledge. ISBN 9780415684286

Molloy, Claire (2013) "It's a feeling; a heartbeat”: Nostalgia, Music and Affect in Dirty Dancing. In: Tzioumakis, Yannis and Lincoln, Sian (eds). The Time of Our Lives: Dirty Dancing and Popular Culture. Wayne State University Press, pp. 223-238. ISBN 9780814336243

Molloy, Claire (2001) Marking Territories. Limen: Journal for theory and practice of liminal phenomena, 1 (1).

Molloy, Claire (2010) Memento. American Indies. Edinburgh University Press, Edinburgh. ISBN 9780748637720

Molloy, Claire (2012) ‘”Nature writes the screenplays”: commercial wildlife films and ecological entertainment. In: Cubitt, S, Rust, S and Monani, S (eds). Ecocinema Theory and Practice. Routledge, pp. 169-188. ISBN 9780415899420

Molloy, Claire (2012) Part 4 Introduction. In: King, Geoff, Molloy, Claire and Tzioumakis, Yannis (eds). American Independent Cinema: indie, indiewood and beyond. Routledge. ISBN 9780415684286

Molloy, Claire (2011) Popular Media and Animals. Palgrave Macmillan. ISBN 9780230239241

Molloy, Claire and Shakur, Tasleem (2003) Cultural Rupture or Hybridisation? In: Damsteegt, T (ed). Heroes and Heritage: The Protagonist in Indian Literature and Film. Leiden University, Research School CNWS. ISBN 9789057890901

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Parkinson, Claire (2019) Animal stars: a critical view of creaturely celebrity. Czech and Slovak Journal of Humanities. ISSN 1805-3742 (In Press)

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Shakur, Tasleem and Molloy, Claire (2004) Pyaasa de Guru Dutt: Rupture Culterelle ou Hybridation. Purusartha, 24. pp. 231-242. ISSN 0339-1744

Spalding, R. (2007) The Last Adventurers: A Case Study of British Cinema and the Creation of Identity in the 1930s. In: Brown, A. and Spalding, R. (eds). Entertainment, Leisure and Identities. Cambridge Scholars Press, pp. 112-124. ISBN 1847182364

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Talbot, G. (2006) Italian Film Culture in the English-speaking World: Translations and Transpositions. In: Ó Cuilleanáin, C., Salvadori, C. and Scattergood, J. (eds). Italian Culture: Interactions, Transpositions, Translations. Four Courts Press, Dublin, pp. 197-211. ISBN 978-1846820250

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Woodward, Jennifer (2016) Review of Dramatising Disaster:Character, Event, Representation (Christine Cornea and Rhys Owain Thomas, eds). Science Fiction Film & Television, 9 (1). pp. 133-145. ISSN 1754-3789 DOI https://doi.org/10.3828/sfftv.2016.6

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Wright, Andrea (2019) ‘Vampires don’t do dishes’: Old myths, the modern world, horror and the mundane in What We Do in the Shadows (2014). Journal of New Zealand and Pacific Studies, 6 (2). ISSN 2050-4039 (In Press)