Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater"

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Number of items at this level: 59.

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Adams-Davey, Lisa (2017) Red Carpet (Mark Curtis, 2016). Confianca Collaborative Theatre Company Present Red carpet, 12/10/2017, 13/10/17, 14/10/17, The Arts Centre, Edge Hill University, Ormskirk.

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Anderson, Gary and Simic, Lena (2014) Five: 2008 - 2012. The Institute for the Art and Practice of Dissent at Home, Liverpool. ISBN 978-0-9564165-2-0

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Chandler, Clare (2018) “Let me be part of the narrative” – The Schuyler Sisters ‘almost’ feminist? Contemporary Theatre Review Interventions.

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Chandler, Clare and Griffiths, Rachel (2018) ‘LEARN TO DO IT’ – PERFORMER TRAINING ACROSS THE PEDAGOGIES. TaPRA, 2nd - 7th September 2018, Aberystwyth University.

Connolly, R. and Ralley, R. (2008) Brecht and the disembodied actor. Studies in Theatre and Performance, 28 (2). pp. 91-110. ISSN 1468-2761 DOI https://doi.org/10.1386/stap.28.2.91/1

Connolly, R. and Ralley, R. (2007) Embodying interpretation. Studies in Theatre and Performance, 27 (1). pp. 43-58. ISSN 1468-2761 DOI https://doi.org/10.1386/stap.27.1.43/1

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Cowan, Billy (2016) Care Takers. Aurora Metro Books. ISBN 9781910798812

Cowan, Billy (2016) Care Takers. 5th International Health Humanities Conference, 15th -17th September 2016, Sevilla.

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Cowan, Billy (2017) Care Takers. National Union of Teachers Young Teachers Conference 2017, 9th June 2017 - 11th June 2017, Grantham.

Cowan, Billy (2016) Care Takers. National Union of Teachers, Young Teachers Conference 2016, 29/04/2016 -30/04/2016, Nottingham.

Cowan, Billy (2016) The Right Ballerina. The Right Ballerina, 11/10/2016-22/10/2016, London.

Cowan, Billy (2007) Smilin' Through. Smilin' Through, 14/11/2007-25/11/2007, London.

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Edward, Mark (2018) Between Dance and Detention: Ethical Considerations of Mesearch in Performance. In: Iphofen, Ron and Tolich, Martin (eds). The SAGE Handbook of Qualitative Research Ethics. SAGE Publications Ltd, Thousand Oaks CA. ISBN 9781473970977

Edward, Mark (2017) Mesearch and the Performing Body. Palgrave Pivot. ISBN 9783319699974

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Graham, R, Newall, Helen, Singleton, J and Leach, H (2013) The Road to Somewhere: A Creative Writing Companion. Palgrave Macmillan, London. ISBN 9781137263568

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Griffiths, Rachel (2017) Whose Voice Is It Anyway? Song Stage and Screen XII, 19/06/2017-23/06/2017, Guildford School Of Acting, University Of Surrey.

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Haughey, Laura and Hopkinson, Bill (2015) At the End of My Hands. At the End of My Hands, 01/05/2015-01/05/2015, Hamilton, New Zealand.

Haughey, Laura and Hopkinson, Bill (2017) Salonica! Salonica!, 04/05/2017-04/05/2017.

Hewison, James (2017) Shakespeare and L.O.V.E: Dance and Desire in the Sonnets. In: McCulloch, Lynsey and Shaw, Brandon (eds). Oxford Handbook of Shakespeare and Dance. Oxford Handbooks. Oxford University Press, UK. ISBN 9780190498788 (In Press)

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Hopkinson, Bill (2011) The Fear of Forgetting Who We Are: Masks, Identity and the New Era in the Plays of Kaite O`Reilly. Symbolon (1). pp. 73-77. ISSN 1582-327X

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Hopkinson, Bill and Mcnulty, Jane (2013) Beyond Verbatim: Dramatising the Search forJean McConville. Kritika Kultura, 21/22. pp. 457-471. ISSN 1656-152X

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McCormick, Sheila (2009) “And You Dinnay Want tay Join the Army?” Friendship, Conflict and Kinship in Gregory Burke’s Black Watch. In: Watson, Graeme, Renzi, Barbara Gabriella, Viggiani, Elisabetta and Collins, Máiréad (eds). Friends and Foes Volume I: Friendship and Conflict in Philosophy and the Arts. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 67-76. ISBN 9781443803328

McCormick, Sheila (2007) Back on Stage: Movements in Irish Theatre, 2006. New Hibernia Review, Volume 11, Number 3, Autumn 2007, 145-153, 11 (3). pp. 145-153.

McCormick, Sheila (2012) The Darkest Corner Series: Theatre Challenging the State? Irish Studies Review, 20 (2). pp. 179-191. ISSN 0967-0882 DOI https://doi.org/10.1080/09670882.2012.679216

McCormick, Sheila (2012) Verbatim theatre and The Voice of Dissent. In: Brisset, Sandrine and Doody, Noreen (eds). Voicing Dissent: New Perspectives in Irish Criticism. Irish Academic Press, Dublin, Ireland, pp. 61-69. ISBN 9780716531388

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Merriman, Victor (2018) ATHENS’ SHADOWS. Kritika Kultura, 30/31. pp. 110-128. ISSN 1656-152X DOI https://doi.org/10.13185/2808

Merriman, Victor (2016) ‘As We Must’: Growth and Diversification in Ireland’s Theatre Culture 1977–2000. In: Grene, Nicholas and Morash, Chris (eds). The Oxford Handbook of Modern Irish Theatre. Oxford University Press, Oxford. ISBN 0198706138

Merriman, Victor (2011) Because We Are Poor: Irish Theatre in the 1990s. Carysfort Press, Dublin. ISBN 9781904505518

Merriman, Victor (2010) Bernard Shaw in contemporary Irish studies: "Passe and contemptible"? Shaw: The Annual of Bernard Shaw Studies, 30. pp. 216-235. ISSN 0741-5842

Merriman, Victor (2014) “Holes in the Ground: theatre as critic and conscience of Celtic Tiger Ireland”. In: Maher, Eamon and O'Brien, Eugene (eds). From Prosperity to Austerity: Sociocultural readings of the Celtic Tiger and its Aftermath. Manchester University Press, Manchester, pp. 188-202. ISBN 9780719091674

Merriman, Victor (2017) Locked Out: Working-Class Lives in Irish Drama 1958-1998. In: Pierse, Michael (ed). A History of Irish Working-Class Writing. Cambridge University Press, pp. 318-331. ISBN 978-1-107-14968-7 DOI https://doi.org/10.1017/9781316570425.020

Merriman, Victor (2013) Marking "Austerity": Critique, Purpose and Performance. Kritika Kultura, 21/22. pp. 373-396. ISSN 2094-6937 DOI https://doi.org/10.13185/KK2013.02109

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Merriman, Victor (2010) "Not Always But Often": Introduction to a Special Issue on Radical Theatre and Ireland (Part 1). Kritika Kultura, 14. pp. 42-52. ISSN 1656-152X

Merriman, Victor (2013) O'Casey's Postcolonial Dramaturgy. In: Moran, James (ed). The Theatre of Sean O'Casey. Critical Companions. Bloomsbury Methuen Drama, London and New York, pp. 214-226. ISBN 9781408175347

Merriman, Victor (2010) “Willing To Do Public Work”: Introduction to a special issue on radical theatre and Ireland (Part 2). Kritika Kultura, 15. pp. 56-76. ISSN 1656-152X

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Newall, Helen (2017) Characterisation. In: Graham, Robert (ed). How to Write a Short Story (And Think About It). Palgrave Macmillan, London, pp. 101-113. ISBN 9781137517081

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Newall, Helen (2014) Over By Christmas. Over By Christmas, 01/09/2014-15/12/2014, NW Tour; Piccadilly Station; St Pancras International Station; Chester Cathedral.

Newall, Helen and Jaundrill-Scott, Karen (2017) The Impact of Visual Literacy on the Emerging Artistry of the Professional Dancer. Visual Culture Congress 2017, 22/05/2017-23/05/2017, Barcelona.

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Oruche, Phina and Hopkinson, Bill (2016) Identity Crisis. Identity Crisis, 08/09/2017-09/09/2017, Soho Playhouse, New York.

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Radosavljević, Duška, Rigby, Annie and Simic, Lena (2015) The Mums and Babies Ensemble: A Manual. The Institute for the Art and Practice of Dissent at Home. ISBN 978-0-9564165-3-7

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Simic, Lena (2014) 40 Minutes (2014). 40 Minutes, 29 November 2014, The Institute for the Art and Practice of Dissent at Home, Liverpool.

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Simic, Lena (2016) 42 Among the Gormleys. 42 Among the Gormleys, 27 November 2016, Crosby Beach.

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Simic, Lena (2014) Birth Story. Performance Research, 19 (4). pp. 24-30. ISSN 1352-8165 DOI https://doi.org/10.1080/13528165.2014.947135

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Simic, Lena (2018) Encountering Performing (M)Others: Feminist Maternal Practice in Contemporary Performance. Contemporary Theatre Review, 28 (3). pp. 401-412. ISSN 1048-6801 DOI https://doi.org/10.1080/10486801.2018.1475359

Simic, Lena (2016) Friday Records - Online Journal (2014) and Live Art Event (2016). Friday Records, January 2014 - January 2015; August 2016, Online and MART Gallery, Dublin Live Art Festival.

Simic, Lena (2016) Medea/Mothers’ Clothes and 6 Notebooks for 6 Women for 6 Years in Bratislava double bill of performances. Medea/Mothers’ Clothes and 6 Notebooks for 6 Women for 6 Years in Bratislava double bill, 26 February 2016, Studio 12, Bratislava, Slovakia.

Simic, Lena (2013) On Foreign Discomfort: Magdalena Makeup Live Art Event. In: Rowe, Dorothy and Meskimmon, Marsha (eds). in Women, the Arts and Globalization: Eccentric Experience. Manchester University Press, Manchester, pp. 85-98. ISBN 9780719088759

Simic, Lena and Anderson, Gary (2012) The Hazardous Conversation: The Practice of Intimacy in Performance at The Institute for the Art and Practice of Dissent at Home. In: Chatzichristodoulou, Maria and Zerihan, Rachel (eds). Intimacy: Across Visceral and Digital Performance. Palgrave MacMillan, Basingstoke, pp. 51-62.

Simic, Lena and Anderson, Gary (2010) Negotiating a Domestic: Cultural Agency and the Institute for the Art and Practice of Dissent at Home. In: Degen, Monica and Miles, Malcolm (eds). Culture and Agency: Contemporary Culture and Urban Change. Plymouth University Press. ISBN 978-1-84102-1-652

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Simic, Lena, Anderson, Gary, Jones, Chris, Hunter, Ritchie, Evans, Mel and Jasiewicz, Ewa (2016) 4 Boys [for Beuys]. The Institute for the Art and Practice of Dissent at Home, Liverpool. ISBN 978-0-9564165-4-4

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Simic, Lena, Anderson, Gary and Kingdom, Richard (2010) Watch Out! Here Comes Uselessness: The Institute for the Art and Practice of Dissent at Home on Financial Transparency. In: Live Art Development Agency, Live Art UK (ed). In Time: A Collection of Live Art Case Studies: A Live Art UK Project. Live Art Development Agency, London, pp. 70-82. ISBN 9780956134202

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Simic, Lena, Anderson, Neal and Anderson, Gabriel (2015) Backpages 25.3, A Provocative Cold Consideration: 3 Winters at the National Theatre in London. Contemporary Theatre Review, 25 (3). pp. 446-464. ISSN 1048-6801 DOI https://doi.org/10.1080/10486801.2015.1049879

Simic, Lena and Tyler, Imogen (2014) Becoming British: exploring citizenship through arts practice. In: Tyler, Imogen and Marciniak, Katarzyna (eds). Immigrant protest: politics, aesthetics and everyday dissent. SUNY, pp. 63-81. ISBN 9781438453118

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Simic, Lena, Tyler, Imogen, Lake, Abi, Bueschges, Kerstin and Butterworth, Cathy (2009) Maternal Matters and Other Sisters Artist Catalogue. [Artefact]

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Simic, Lena and Verson, Jennifer (2011) Blood & Soil: we were always meant to meet… Performance Document. [Artefact]

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Walsh, David, Hall, Mark, Clough, P.D. and Foster, J (2017) The ghost in the museum website: investigating the general public's interactions with museum websites. 21st International Conference on Theory and Practice of Digital Libraries, 18/09/2017-21/09/2017, Thessaloniki, Greece, pp. 434-445, ISBN 978331967008934, ISSN 0302-9743, DOI https://doi.org/10.1007/978-3-319-67008-9_34.